Using video links, IP Factly's Amazing Animal series has been designed to encourage and bolster independent reading. The animals are accompanied by pictures and facts plus video links so children can see the animals and how they behave.

    There is a hidden room in the Lost Bookshop and the books inside are magic, transporting the children to untold adventure.When they find themselves zapped by the wand of a witch with a glitch they begin a race against time to reverse the spell. They must find the mysterious Izzy before the clock strikes midnight on Halloween or risk being stuck in the fairytale land forever.The Witch with the Glitch is an exciting, funny and thrilling chapter book for middle grade readers that’s sure to have you desperate for just one more page.

    Ever since, fans have been hungry for more, and now their wait is finally over!This volume collects the long-out-of-print, fan-favorite comics previously published in Nickelodeon Magazine and with the Airbender DVDs, plus over seventy brand-new comics pages. That's twenty-six stories set in Airbender continuity, by a host of top-notch talent, many of whom worked on the original animated series!* A must-have for any Airbender fan!* Twenty-six in-continuity stories, plus bonus content!* The latest release in an ongoing partnership between Nickelodeon and Dark Horse, to bring you the very best in Airbender books!

    Azula Joins Team Avatar?!For years, fans of Avatar: The Last Airbender and The Legend of Korra have burned with one question—what happened to Fire Lord Zuko's mother? Finding a clue at last, Zuko enlists the aid of Team Avatar—and the most unlikely ally of all—to help uncover the biggest secret of his life.Written by Eisner winner and National Book Award nominee Gene Luen Yang (American Born Chinese) in close collaboration with Avatar creators Bryan Konietzko and Michael Dante DiMartino, this story will change the lives of Aang and his friends forever!

    Her wicked stepmother, twisted with jealousy, arranges a marriage for Samantha with a rich, arrogant and cruel man. It only the actions of her concerned father that save her from this fate worse than death. Or so it seems, until she discovers that her father’s plan is to send her hundreds of miles away to Lord Callum’s castle in Inverness, as servant and cook to a disfigured beast of a man, hidden from all but those who dare enter his maternal grandfather’s home. Which is worse? Marriage to a monster, or servant to a beast? In this original Regency fairytale the classic tale of Beauty and Beast takes a decidedly romantic Regency turn.

    A heart warming rhyming story about a princess who wants to be a chef but her mother insists that all princesses are ballerinas - not cooks! A story about following dreams.

    He collects fine art and jewelry, practices his golf swing, and devours a tasty snack along the way. But just when he thinks he’s in the clear to leave with all the goods, the owners of the house—a mama bear, papa bear, and baby bear—come home. They chase him through the house, and when the mama bear catches him, she promptly throws him out. But she throws him so far that he ends up in a much nicer neighborhood—in front of a mansion, in fact—where he can begin his mischievous adventure again!

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Through these enticing encounters with fairies, elves, and animals, the author creates a foundation for young people based on the themes of love, kindness, and responsibility. A collection of original fairy tales written by the acclaimed Louisa May Alcott. These stories are part of a large body of fantasy fiction the author wrote throughout her career. Each story features adventures of elves and fairy sprites in fairyland and are imbued with the lushness of Alcott's love of the natural world.

    Having achieved a measure of success in the Emperor’s Legions in North Africa, Lucius is recalled to Rome where he finds himself surrounded by enemies, cast into the deadly arena of Roman politics. Amid growing fears of treachery, Lucius meets a young Athenian woman who fills his darkening world with new-found hope. Their love grows, as does their belief that the Gods have planned their meeting but when an ancient oracle of Apollo utters a terrifying prophecy regarding his future, Lucius’ world is once more thrown into chaos. Ultimately, he must choose sides in a war that threatens to destroy his family, his faith and all that he has worked for.