Her sensitive and able crafting of language, character, and situation pierces through the turmoil and stress of everyday life, illuminating its message with almost painful intensity: "Maybe you should start wanting less." Wingate's words resonate as readers are introduced to Kate Bowman, her architect husband Ben, and their infant son. Kate, on maternity leave from her high-profile Chicago job, has been given the unenviable task of convincing her increasingly frail and forgetful grandmother that she can no longer live alone on the Missouri farm that has been her home for almost half a century. Kate and Ben are struggling to deal with mounting debts and medical bills as they strive to build a lifestyle, rather than a life. Frustrated by dealing with her stubborn, if well-meaning, grandmother, Kate finds solace and clarity in Grandma Rose's handwritten journal. The simple stories of earlier, less complicated times renew Kate's understanding of the truly important things in life. Through the journal, Kate discovers the essence of the remarkable Grandma Rose and is forced to reevaluate her priorities and those of her family. Simply put, Wingate's aim is to exhort readers to "stop and smell the roses." The daily race to achieve and have more, more, more is clearly and all-too-accurately portrayed in these pages. I guarantee readers will stop to think of their own lives and where they are spending their energies. Let's hope Lisa Wingate has other relatives as inspiring as Grandma Rose for future novels.

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    But what if they want only to be loved--without an enormous price tag attached? When one daughter pursues a desirable marriage, she secures for herself a comfortable and glamorous life. But among the duties of privilege, will she also find the happily-ever-after she seeks? Her sister rejects the trappings of wealth, choosing instead to build a new life on the still-untamed frontier. Will she find happiness in independence or discover that she's left her heart behind in New York's glittering society? Set in the opulent world of the Gilded Age, each woman discovers that being an heiress just might cost her everything--including the chance for true love.

    Dominick Cherrett is a man with his own secret to keep: namely, what he, a British nobleman, is doing on American soil working as a bondsman in the home of Mayor Kendall, a Southern gentleman with his eye on a higher office.By chance one morning before the dawn has broken, Tabitha and Dominick cross paths on a misty beachhead, leading them on a twisted path through kidnappings, death threats, public disgrace, and . . . love? Can Tabitha trust Dominick? What might he be hiding? And can either of them find true love in a world that seems set against them?With stirring writing that puts readers directly into the story, Lady in the Mist expertly explores themes of identity, misperception, and love's discovery.

    At the center of the novel is the great mansion called Penmarric. It is to Penmarric that Mark Castallack, a proud, strange, and sensitive man, brings his bride Janna--the first act in a tempestuous drama that was to span three generations....

    He falls in love with Jane, the oldest Bennet girl. Everything goes well—for a while. Then the handsome bachelor’s proud best friend, Mr. Darcy, ruins everything.Elizabeth Bennet has never hated anyone as much as she hates Mr. Darcy. How could she ever forgive the man who has ruined her sister’s happiness? She knows everything she needs to know about him. He is proud, hateful, conceited, and horrid—and he wants to marry her.Elizabeth and Darcy’s memorable, witty battle of hearts and minds has made Pride and Prejudice a readers’ favorite for almost two hundred years.Readability Note: This Townsend Library Classic has been carefully edited for clarity and readability.Source: townsendpress.com

    . . by far Shaw's best work . . . it's all fascinating". Don't forget to stock up on this six-million-copy bestseller.

    When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, drifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.

    The four Latimer sisters, famous throughout New South Wales for their beauty, wit and ambition, have always been close; always happy. But then they left home to train as nurses, swapping the feather beds of their father's townhouse for the spartan bunks of hospital accommodation. And now, as the Depression casts its shadow across Australia, they are bound by their own secret desires as the world changes around them. Will they find the independence they crave? Or is life - like love - always bittersweet? 'As clever, compelling and as down-to-earth as its four heroines' Australian Women's Weekly

    Although Sharla is not the angelic child Addy Shadd had pictured when she agreed to look after her, the two soon forge a deep bond. To Addy's surprise, Sharla's presence brings back memories of her own childhood in Rusholme, a town settled by fugitive slaves in the mid-1800s. She reminisces about her family, her first love, and the painful experience that drove her away from home. Brilliantly structured -- and achingly lyrical, this is a story about the redeeming power of love and memory, and about two unlikely people who transform each other's lives forever.

    One Saturday afternoon, as they are serendipitously together downtown, they spy a wedding dress in a storefront window at the famous Carson, Pirie, Scott & Co. After trying it on—much to the dismay of the salesclerk and without a single boyfriend or date between the five of them—they decide to pool their money to purchase it. Can one dress forever connect five women who live together only a short time before taking their own journeys to love and whatever comes happily ever after?

    Through her vivacious and spirited heroines and their circle, she paints vivid portraits of English middle-class life as the eighteenth century came to a close. Each of the novels is a love story and a story about marriage — marriage for love, for financial security, for social status. But they are not mere romances; ironic, comic and wise, they are masterly studies of the society Jane Austen observed. The seven novels in this volume contain some of the most brilliant, dazzling prose in the English language.--back coverEmma / Lady Susan / Mansfield Park / Northanger Abbey / Persuasion / Pride and Prejudice / Sense and Sensibility

    Olivia Laguni is half-Chinese, but typically American in her uneasiness with her patchwork family. And no one in Olivia's family is more embarrassing to her than her half-sister, Kwan Li. For Kwan speaks mangled English, is cheerfully deaf to Olivia's sarcasm, and sees the dead with her "yin eyes."Even as Olivia details the particulars of her decades-long grudge against her sister (who, among other things, is a source of infuriatingly good advice), Kwan Li is telling her own story, one that sweeps us into the splendor, squalor, and violence of Manchu China. And out of the friction between her narrators, Amy Tan creates a work that illuminates both the present and the past sweetly, sadly, hilariously, with searing and vivid prose.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.

    Early into the renovations, she discovers a tin box hidden away in the attic that reveals the emotional letters from a WWII paratrooper to a young woman who lived in the house more than a half-century earlier.The old letters—incredibly poetic and romantic—transcend time, and they arouse in Adrienne a curiosity that leads her to track down the writer of the letters. William “Pops” Bryant is now an old man living in a nearby town with his handsome but overprotective grandson, Will. As Adrienne begins to unravel the secrets of the letters (and the Bryants), she finds herself not yet willing to give up entirely on love.