Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    . . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.

    Everyone in town, even her best friend, Andy, thinks grief keeps her locked inside, and Evvie doesn’t correct them.Meanwhile, in New York City, Dean Tenney, former Major League pitcher and Andy’s childhood best friend, is wrestling with what miserable athletes living out their worst nightmares call the “yips”: he can’t throw straight anymore, and, even worse, he can’t figure out why. As the media storm heats up, an invitation from Andy to stay in Maine seems like the perfect chance to hit the reset button on Dean’s future.When he moves into an apartment at the back of Evvie’s house, the two make a deal: Dean won’t ask about Evvie’s late husband, and Evvie won’t ask about Dean’s baseball career. Rules, though, have a funny way of being broken—and what starts as an unexpected friendship soon turns into something more. To move forward, Evvie and Dean will have to reckon with their pasts—the friendships they’ve damaged, the secrets they’ve kept—but in life, as in baseball, there’s always a chance—up until the last out.

    . . We're taking a break.''A city-with-fancy-food sort of break?'If only.Amy's husband Hugh says he isn't leaving her.He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together. Six months to lose himself in south-east Asia. And there is nothing Amy can say or do about it.Yes, it's a mid-life crisis, but let's be clear: a break isn't a break up - yet . . .However, for Amy it's enough to send her - along with her extended family of gossips, misfits and troublemakers - teetering over the edge.For a lot can happen in six-months. When Hugh returns if he returns, will he be the same man she married? And will Amy be the same woman?Because if Hugh is on a break from their marriage, then isn't she?The Break isn't a story about falling in love but about staying in love. It is Marian Keyes at her funniest, wisest and brilliant best.

    But life seems a lot less rosy when Emilia has to deal with the most neurotic and sheltered five-year-old in New York City: her new stepson William. Now Emilia finds herself trying to flag down taxis with a giant, industrial-strength car seat, looking for perfect, strawberry-flavored, lactose-free cupcakes, receiving corrections on her French pronunciation from her supercilious stepson – and attempting to find balance in a new family that’s both larger, and smaller, than she bargained for. In Love and Other Impossible Pursuits Ayelet Waldman has created a novel rich with humor and truth, perfectly characterizing one woman’s search for answers in a crazily uncertain world.

    A woman who can’t even kill a spider, Hadley soon finds herself pushed to the limits as she fights to protect her family.Grace, new mother of baby Miles, desperately wants to put her rough past behind her for good, but she finds it impossible when her path crosses with Hadley’s, and her quest for a new start quickly spirals out of control and turns into a terrifying flight for survival.Stronger together than apart, the two find their fates inextricably entwined, and as the danger closes in, each must decide how much she is willing to risk for the other.A powerful story of self-discovery, Hadley and Grace is the heart-racing tale of two women facing insurmountable odds, racing to stay one step ahead of the trouble that is chasing them, and discovering new kinds of love and family along the way.

     At thirty-five, Gabriella Graham—“Ella” to her family and friends—has already made a name for herself as a successful portrait artist in London. She can capture the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalize it on canvas. This gift has earned Ella commissions from royals and regular folks alike.But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait.From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—an elderly client reflecting on her life, another woman dreading the prospect of turning forty, a young cyclist (from a photograph) who met a tragic end—Ella realizes that there is so much more to a person’s life than what is seen on the surface, a notion made even clearer when an unexpected email arrives from the other side of the world. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than the artist herself.A picture is worth a thousand words, and in Isabel Wolff’s vibrant and textured story, these words are brilliantly crafted to convey the humor, mystery, and beauty that exists within each of us.

     Behind the shiny facade of her seemingly idyllic life in Chicago, Mattie Hart feels as if she is falling apart. After sixteen years of marriage, and one beautiful teenage daughter, Mattie has discovered that her husband, Jake, a high-profile defense attorney, is ensconced in yet another love affair. It is only after Jake finally confesses his infidelity and leaves to live with his girlfriend that a far greater crisis descends upon the embattled Hart family -- Mattie receives some devastating news that will alter all their lives. Wracked by guilt at these unforeseen developments, Jake returns home to be with Mattie. Here, in this most daunting and unexpected of circumstances, Joy Fielding deftly ushers her characters through a poignant and heartbreaking drama about love's astonishing power to defy the greatest odds and to heal the deepest wounds. Bearing all the distinctive qualities of a contemporary classic, "The First Time" is a dazzling illumination of a marriage at the crossroads, where the ties that bind become frayed but refuse to sever, and where a long estranged husband and wife discover, for the first time, exactly what love really means. At once profoundly cathartic and inspiring, "The First Time" finds Joy Fielding at the height of her powers as she explores the amazing resilience of the human spirit.

    On a rocky patch of the sun-drenched Italian coastline, a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and spies an apparition: a tall, thin woman, a vision in white, approaching him on a boat. She is an actress, he soon learns, an American starlet, and she is dying.And the story begins again today, half a world away, when an elderly Italian man shows up on a movie studio's back lot—searching for the mysterious woman he last saw at his hotel decades earlier.What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning fifty years and nearly as many lives. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, Walter introduces us to the tangled lives of a dozen unforgettable characters: the starstruck Italian innkeeper and his long-lost love; the heroically preserved producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist and the rakish Richard Burton himself, whose appetites set the whole story in motion—along with the husbands and wives, lovers and dreamers, superstars and losers, who populate their world in the decades that follow. Gloriously inventive, constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.

    Greenie Duquette, openhearted yet stubborn, devotes most of her passionate attention to her Greenwich Village bakery and her four–year–old son, George. Her husband, Alan, seems to have fallen into a midlife depression, while Walter, a traditional gay man who has become her closest professional ally, is nursing a broken heart.It is at Walter’s restaurant that the visiting governor of New Mexico tastes Greenie’s coconut cake and decides to woo her away from the city to be his chef. For reasons both ambitious and desperate, she accepts—and finds herself heading west without her husband. This impulsive decision will change the course of several lives within and beyond Greenie’s orbit. Alan, alone in New York, must face down his demons; Walter, eager for platonic distraction, takes in his teenage nephew. Yet Walter cannot steer clear of love trouble, and despite his enforced solitude, Alan is still surrounded by women: his powerful sister, an old flame, and an animal lover named Saga, who grapples with demons all her own. As for Greenie, living in the shadow of a charismatic politician leads to a series of unforeseen consequences that separate her from her only child. We watch as folly, chance, and determination pull all these lives together and apart over a year that culminates in the fall of the twin towers at the World Trade Center, an event that will affirm or confound the choices each character has made—or has refused to face.Julia Glass is at her best here, weaving a glorious tapestry of lives and lifetimes, of places and people, revealing the subtle mechanisms behind our most important, and often most fragile, connections to others. In The Whole World Over she has given us another tale that pays tribute to the extraordinary complexities of love.

    For thirty years she's devoted her life to her book store, trying to bury her painful past. But now the store is in jeopardy, and the past is catching up with her. Lucinda Barrett lost everything in a life-shattering betrayal. Desperate, she goes after one last dream—to be an author. Alone and broke, she embarks on a journey, eventually landing on Ruth's doorstep. Ruth takes Lucy under her wing, championing her book and even offering her refuge at a nearby lake cabin. In return, she wants Lucy to keep an eye on her son, Colin, who's recovering from a war injury. As the two women grow closer and begin to face the past, neither has any idea that their toughest decisions lie ahead—or that their friendship is about to fall apart because of a little white lie.

    Here in the halls of Newport Academy, a unique private school that has attracted generations of rebels, outcasts, and visionaries, an unforgettable lesson in the eternal truths of sisterhood is about to begin.... After years away, Maura Shaw has returned to Newport, Rhode Island, to teach English at the academy. Behind her lies her life as the perfect Midwestern wife and mother, a life that seemed on the surface to be all she had ever wished for. That illusion vanished in a storm off Mackinac Island in the wake of an accident that engulfed Maura's husband and her older daughter, Carrie. Now, with her son and younger daughter, she hopes to find a new beginning. Newport has never failed to infuse Maura with a sense of mystery and hope. But for fourteen-year-old Beck, the move is a painful upheaval from everything she has ever loved--especially her sister, Carrie. Ever since her sister disappeared, Beck has retreated into the world of mathematics, where principles are permanent, unlike so many other things in life. Without Carrie, Beck has lost half of herself--the half that would have fit in at the elite private school she and her brother, Travis, will now attend. The half that made things right. Still, Beck clings to the hope that her sister will return to them. Beck isn't alone in her struggle to adjust. At sixteen, Travis is juggling a long-distance first love and an attraction to an expensive-looking girl with a wicked sparkle in her eye. And for Maura, ghosts linger here--an unresolved breach with her own beloved sister and a long-ago secret that may now have the power to set her free.... Set against the breathtaking beauty of the New England coast at its most dramatic, populated by a cast of indelible characters, The Geometry of Sisters" "is Luanne Rice at her most compelling, a dazzling world to which readers will want to return again and again.

    Desperate for a change, she moves to Seattle, where she spends aimless hours at a local bakery sipping coffee and inhaling the sweet aromas of freshly-made bread. These visits bring back memories of the time she aprenticed at a French boulangerie, when her passion for bread-making nearly led her to leave college and become a baker.Once again, the desire to bake bread consumes her thoughts. When offered a position at the bake shop, Wyn quickly accepts, hoping that the baking will help her move on. But soon Wyn discovers that the making of bread—the kneading of the dough—possesses an unexpected and wondrous healing power—one that will ultimately renew her heart and her soul.

    After the sudden death of her husband, Carrie must come to terms not only with her grief, but with the guilt that their love had already died. Struggling to go on, to support her loving and vivacious daughter, Ruth, she slowly shakes off the sorrow that surrounds her and begins a new life. Complicating matters is Carrie's mother, Dana, who believes she has always acted in her daughter's best interests. Having driven Carrie away from her first love, the soulful, unconventional Jess, Dana has no idea how to behave now that he has re-entered her daughter's life. Skilfully weaving together the voices of Ruth, Dana and Carrie, Patricia Gaffney explores the dichotomies inherent in all female relationships in a spirited and wholly unsentimental way. CIRCLE OF THREE is about believing in impossible things, like second chances - and maybe even happy endings.

    Her husband leaves her for another woman, and her best friend announces an unplanned pregnancy at the age of forty-one. Bernie's behavior goes from acting out to out-of-hand, and she finds herself in trouble at home, out of work and banned from the mall after a confrontation at the cosmetic counter.When her mother discovers her father's book of cryptograms, Bernie realizes his encoded lessons in living might be exactly what she needs to survive. From dealing with her family's grief and bonding with her best friend's thirteen-year-old daughter, to dieting, dating and mindless almost-sex with the landscaper, Bernie discovers what her father always knew.In life, you either choose to sing a rainbow, or you don't.For Bernie, the singing is about to begin.