Despite these accomplishments and more—five collections of prose, songwriting with Bob Dylan, filmmaking with Robert Frank and Michelangelo Antonioni, as well as romantic relationships with rocker Patti Smith and actress Jessica Lange—Shepard seems anything but satisfied. Sam Shepard: A Life details his lifelong bouts of insecurity and anxiety, and delves deeply into his relationship with his alcoholic father and his own battle with the bottle. Also examined for the first time in-depth are Shepard’s tumultuous relationship with Lange, and his decades-long adherence to the teachings of Russian spiritualist G. I. Gurdjieff.Throughout this new biography, Winters gets to the heart of the enigma that is Sam Shepard, presenting a direct and comprehensive account of his life and work.

    Rosenberg shows how U.S. foreign relations evolved from a largely private system to an increasingly public one and how, soon, the American dream became global.

    . . Thomas Grant offers detailed accounts of eleven cases at the Old Bailey's Court Number One, with protagonists ranging from the diabolical to the pathetic. There is humour . . . but this is ultimately an affecting study of how the law gets it right - and wrong' GuardianCourt Number One of the Old Bailey is the most famous court room in the world, and the venue of some of the most sensational human dramas ever to be played out in a criminal trial.The principal criminal court of England, historically reserved for the more serious and high-profile trials, Court Number One opened its doors in 1907 after the building of the 'new' Old Bailey. In the decades that followed it witnessed the trials of the most famous and infamous defendants of the twentieth century. It was here that the likes of Madame Fahmy, Lord Haw Haw, John Christie, Ruth Ellis, George Blake (and his unlikely jailbreakers, Michael Randle and Pat Pottle), Jeremy Thorpe and Ian Huntley were defined in history, alongside a wide assortment of other traitors, lovers, politicians, psychopaths, spies, con men and - of course - the innocent.Not only notorious for its murder trials, Court Number One recorded the changing face of modern British society, bearing witness to alternate attitudes to homosexuality, the death penalty, freedom of expression, insanity and the psychology of violence. Telling the stories of twelve of the most scandalous and celebrated cases across a radically shifting century, this book traces the evolving attitudes of Britain, the decline of a society built on deference and discretion, the tensions brought by a more permissive society and the rise of trial by mass media.From the Sunday Times bestselling author of Jeremy Hutchinson's Case Histories, Court Number One is a mesmerising window onto the thrills, fears and foibles of the modern age.

    Berry Gordy, owner of Motown Records, is trapped in his home, unable to do anything about the internal war ravaging his most successful group, The Supremes. Diana Ross, Mary Wilson, and Florence Ballard are imploding as Ballard battles alcoholism and the aftermath of rape. But soon, even more chaos will descend on Detroit. As the year heats up, melting the snow, Gordy and his city face one of the most challenging periods of its existence.Detroit 67 is the story of Detroit in the year that changed everything. Twelve monthly chapters take you on a turbulent year long journey through the drama and chaos that ripped through the city in 1967. Over a dramatic 12-month period, the Motor City was torn apart by personal, political and inter-racial disputes. It is the story of Motown, the breakup of The Supremes and the implosion of the most successful African-American music label ever.Set against a backdrop of urban riots, escalating war in Vietnam and police corruption, the book weaves its way through a year when soul music came of age, and the underground counterculture flourished. LSD arrived in the city with hallucinogenic power and local guitar-band MC5 -self-styled "holy barbarians" of rock went to war with mainstream America. A summer of street-level rebellion turned Detroit into one of the most notorious cities on earth, known for its unique creativity, its unpredictability and self-lacerating crime rates.1967 ended in social meltdown, personal bitterness and intense legal warfare as the complex threads that held Detroit together finally unraveled. Detroit 67 is the story of the year that changed everything.

    In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine’s cadre of charming, wisecracking, driven, troubled, brilliant writers and editors.He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine. We meet the demanding and eccentric founding editor Harold Ross, who would routinely tell his underlings, "I'm firing you because you are not a genius," and who once mailed a pair of his underwear to Walter Winchell, who had accused him of preferring to go bare-bottomed under his slacks. Joining the cast are the mercurial, blind James Thurber, a brilliant cartoonist and wildly inventive fabulist, and the enigmatic E. B. White—an incomparable prose stylist and Ross's favorite son—who married The New Yorker's formidable fiction editor, Katharine Angell. Then there is the dashing St. Clair McKelway, who was married five times and claimed to have no fewer than twelve personalities, but was nonetheless a superb reporter and managing editor alike. Many of these characters became legends in their own right, but Vinciguerra also shows how, as a group, The New Yorker’s inner circle brought forth a profound transformation in how life was perceived, interpreted, written about, and published in America.Cast of Characters may be the most revealing—and entertaining—book yet about the unique personalities who built what Ross called not a magazine but a "movement."

    This third edition includes a new essay on recent environmental issues and concerns, especially as they center on Yellowstone National Park.

    And while many of us look to make sense of Russia through its political history, in many ways a real grasp of this awe-inspiring country comes from looking closely at its cultural achievements. The 24 lectures of Understanding Russia: A Cultural History survey hundreds of years of Russian culture, from the world of Ivan the Terrible to the dawn of the Soviet Union to the post-war tensions of Putin's Russia. Blending history with cultural studies, they are designed to bring you closer than ever before to the Russian people - not just the authoritarian rulers like Peter the Great, the Romanovs, and Stalin but the everyday men and women who sought their own meaning in the poetry of Pushkin, the comfort of early folk tales, the faith of medieval iconography, the avant-garde films of Eisenstein, and more. You'll discover surprising insights into centuries of cultural history, including peasant superstitions, such as avoiding whistling indoors, and the culture of queuing for goods and services that defined everyday life for ordinary Soviets. You'll also spend time in the company of novelists, painters, poets, filmmakers, impresarios, composers, revolutionaries, and intellectuals who shaped Russia in myriad ways, including The Five, a group of composers who created a distinctly national sound based in part on Russian folk music; and Sergei Eisenstein, the filmmaker whose Battleship Potemkin revolutionized the language of cinema. In a time when the eyes of the Western world are constantly drawn to Russia, it's amazing how little we really know about its culture. These lectures will help you finally understand that complex, thrilling, and undeniably fascinating spirit.

    She shot a lot of smack, grass and speed; made a lot of love - to men or women - and drank a lot of Southern Comfort and tequila. She had a real funky time ...and of course, she sang. She roared, whined and growled and ripped her way to the top. GOING DOWN WITH JANIS is a different kind of book about a different kind of person. It tells a story as raw and honest as her voice, as gut-shaking as her songs, and as vivid as her memory.

    Reprint.

    For the past two millennia, the ability to produce it in ever more efficient ways has supported the proliferation of literacy, media, religion, education, commerce, and art; it has formed the foundation of civilizations, promoting revolutions and restoring stability. One has only to look at history’s greatest press run, which produced 6.5 billion copies of Máo zhuxí yulu, Quotations from Chairman Mao Tse-tung (Zedong)—which doesn’t include editions in 37 foreign languages and in braille—to appreciate the range and influence of a single publication, in paper. Or take the fact that one of history’s most revered artists, Leonardo da Vinci, left behind only 15 paintings but 4,000 works on paper. And though the colonies were at the time calling for a boycott of all British goods, the one exception they made speaks to the essentiality of the material; they penned the Declaration of Independence on British paper.Now, amid discussion of “going paperless”—and as speculation about the effects of a digitally dependent society grows rampant—we’ve come to a world-historic juncture. Thousands of years ago, Socrates and Plato warned that written language would be the end of “true knowledge,” replacing the need to exercise memory and think through complex questions. Similar arguments were made about the switch from handwritten to printed books, and today about the role of computer technology. By tracing paper’s evolution from antiquity to the present, with an emphasis on the contributions made in Asia and the Middle East, Mark Kurlansky challenges common assumptions about technology’s influence, affirming that paper is here to stay. Paper will be the commodity history that guides us forward in the twenty-first century and illuminates our times.

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown.Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002.Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.From the Hardcover edition.

    Political scandals, rumrunners and mobs lurked in the shadows of the city’s soaring architecture and industrious population. As the Great Depression began to take hold, tensions grew, spilling over into the investigation of a mysterious murder at the boardinghouse of Hungarian immigrant Rose Veres. Amid accusations of witchcraft, Rose and her son Bill were convicted of the brutal killing and suspected in a dozen more. Their cries of innocence went unheeded—until one lawyer, determined to seek justice, took on the case. Author Karen Dybis follows the twists and turns of this shocking story, revealing the truth of Detroit’s own Hex Woman.

     Introduced by George Cukor, who directed Hepburn in such classic films as Little Women, The Philadelphia Story, and Adam's Rib, Chandler socialized with Hepburn at the Cukor estate, where the star was then living in a cottage on the grounds. Hepburn agreed to allow Chandler to tape their conversations, during which she spoke candidly about her personal and professional lives. She described finding the body of her adored older brother, an apparent suicide at fifteen, and assuming his birthday as her own. She told Chandler intimate details of her marriage and divorce from Ludlow Ogden Smith, "Luddy," who remained a friend, and of her affair with pilot Howard Hughes. She said that she enjoyed diving nude off the wings of his seaplane when they went swimming together. Her warmest recollections were of her twenty-seven-year affair with Spencer Tracy. Chandler also interviewed others who knew and worked with Hepburn during her long career, from Cukor to Douglas Fairbanks, Jr., Cary Grant, Christopher Reeve, and many others. All of them described an actress who was supremely talented, professional, and confident, who always knew where she was going. By the time she retired, Hepburn had won a record four Best Actress Academy Awards and had been nominated twelve times. Her acting career spanned six decades, and she was universally acknowledged as one of the finest -- if not the finest -- actors in film history. Her range was enormous: She acted in serious drama and in screwball comedies with equal skill. As she revealed to Chandler in their conversations, her family was a great influence on Hepburn. Her mother was a suffragette and her beloved father a doctor. She would eventually retire to the home where she grew up (although it had been rebuilt after it was destroyed in a storm), symbolically affirming the family values that shaped her personality. She was careful to distinguish her personal and professional lives, telling Chandler that she thought of herself as "Kathy," a childhood name (she had called herself "Jimmy" for a while in childhood), but regarded the public Katharine Hepburn as "the creature." I Know Where I'm Going is a fascinating, delightful, and personal book that brings readers as close as possible to the real Katharine Hepburn.

    In a career spanning four decades, Jackson became a global icon, selling over 400 million albums, earning thirteen Grammy awards, and spinning dance moves that captivated the world. Songs like “Billie Jean” and “Black and White” altered our national discussion of race and equality, and Jackson’s signature aesthetic, from the single white glove to the moonwalk, defined a generation. Despite years of scandal and controversy, Jackson’s ultimate legacy will always be his music.Rolling Stone contributing editor Steve Knopper delves deeply into Michael Jackson’s music and talent. From the artist’s early days with the Jackson 5, to his stratospheric success as a solo artist, to “Beat It” and “Thriller,” “Bad” and “The Man in the Mirror,” to his volatile final years, his attempted comeback, and untimely death, Knopper explores the beguiling and often contradictory forces that fueled Michael Jackson’s genius. Drawing on an amazing 400 interviews—ranging from Jackson’s relatives, friends, and key record executives to celebrities like will.i.am and Weird Al Yankovic—this critical biography puts all the elements of his career into perspective, and celebrates his triumph in art and music. This is a rare and panoramic view into the genius and influence of an incomparable talent.