Events soon bore out this cruel prediction.Here is the true story of fourteen-year-old Ting-xing’s tumultuous life turned upside down by China’s Cultural Revolution. After the death of both her parents, Ting-xing and her four siblings endure the brutality of Red Guard attacks on their schools and even their house as they struggle against poverty and hunger. At sixteen, Ting-xing herself is exiled to a prison farm far from home.Full of personal and historical detail about this dramatic period in Chinese history, My Name is Number 4 has at its centre the feisty and courageous Ting-xing, fighting to survive as a young woman caught up in events beyond her control.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    A first in audiobook publishing--a series that uses the written word to enhance the listening experience--poetry to be read as well as heard. Each audiobook includes rare archival recordings and a book with the text of the poetry, a bibliograohy, and commentary by J. D. McClatchy, the poet and critic, who is the editor of The Yale Review. "To hear a poem spoken in the voice of the person who wrote it is not only to witness the rising of words off the page and into the air, but to experience an aural reenactment of exactly what the poet must have heard, if only internally, during the act of composition. THE VOICE OF THE POET recordings deliver these pleasures as they broadcast the pitch and timbre of many of the major voices in twentieth-century poetry."--Billy Collins, U.S,. Poet Lauerate.

    China's top martial arts novelist tells a thrilling story of an infamous bandit who allegedly kills without blinking, accentuated with a problematical romance filled with moral dilemmas.

    A unique memoir of the first half of the twentieth century as seen through the eyes of one born to be an absolute monarch, the book begins with the author's vivid account of the last, decadent days of the Ching Dynasty, and closes with an introspective self-portrait of the last Ching emperor transformed into a retiring scholar and citizen of the People's Republic of China.In detailing the events of the fifty years between his ascension to the throne and the final period of his life as a quiet-living resident of Beijing, Pu Yi reveals himself to be first and foremost a survivor, caught up in the torrent of global power struggles and world conflict that played itself out on the Asian continent through many decades of violence and upheaval.The firsthand description of the dramatic events of Pu Yi's life was the basis for the internationally acclaimed 1987 Bernardo Bertolucci film The Last Emperor which was named Best Picture of the Year by the American Academy of Motion Picture Arts and Sciences. From Emperor to Citizen readily lends itself to cinematic adaptation as a personal narrative of continuously significant and revealing episodes.Becoming emperor and then forced to abdicate with the establishment of the Republic of China in 1911, all before he is seven years old, Pu Yi continues to live in the Forbidden City for another decade, still treated as the Son of Heaven by the moribund Ching court, but in reality a virtual prisoner with little genuine human contact apart from his beloved nurse Mrs. Wang, his teacher Chen Pao-shen and his English teacher Reginald Johnston.When at the age of nineteen Pu Yi is finally forced to vacate his isolated existence within the Forbidden City, he begins his long odyssey as the dependent of the occupying imperial Japanese regime, first in Tientsin, and eventually installed as "emperor" of the Japanese puppet state styled Manchukuo in China's northeast provinces. With the defeat of Japan and the end of the Second World War, Pu Yi faces a very uncertain future as he is shunted off to Russia for five years before returning to a new China transformed by revolution, where he is confined in the Fushun War Criminal Prison. Here he undergoes several years of rehabilitation, "learning how to become a human being," as he calls it, before receiving an official pardon and being allowed to finally live as an ordinary citizen of Beijing.This autobiography is the culmination of a unique and remarkable life, told simply, directly and frankly by a man whose circumstances and experiences were like no other.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    Whether writing about his responsibility for a brother’s death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr’s spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as "mystical, carnal, reflective, and wry." (San Francisco Review)"Love Poem"A black biplane crashes through the window of the luncheonette. The pilot climbs down, removing his leather hood. He hands me my grandmother’s jade ring. No, it is two robin’s eggs and a telephone number: yours.from "Gathering the Bones Together"A father and his four sons run down a slope toward a deer they just killed. the father and two sons carry rifles. They laugh, jostle, and chatter together. A gun goes off and the youngest brother falls to the ground. A boy with a rifle stands beside him, screaming…"Orr’s is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."—The New York Times Book ReviewGregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.Also Available by Gregory Orr:Orpheus & Eurydice: A Lyric Sequence TP $12.00, 1-55659-151-9 • CUSA

    Featuring new fiction by Hao Jingfang (translated by Ken Liu), Sam J. Miller, Amal El-Mohtar, Richard Bowes, and Sunny Moraine, classic fiction by Ann Leckie, essays by Jim C. Hines, Erika McGillivray, Michi Trota, and Keidra Chaney, poetry by Isabel Yap, Mari Ness, and Rose Lemberg, interviews with Hao Jingfang (translated by Ken Liu) and Ann Leckie, by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. Contents:FictionThe Heat of Us: Notes Toward an Oral History by Sam J. MillerFolding Beijing by Hao Jingfang, translated by Ken LiuLove Letters to Things Lost and Gained by Sunny MoraineAnyone With a Care for Their Image by Richard BowesPockets by Amal El–MohtarThe Nalendar by Ann LeckiePoetryAfter the Moon Princess Leaves by Isabel YapAfter the Dance by Mari Nessarchival testimony fragments / minersong by Rose LembergEditorialsThe Uncanny Valley by Lynne M. Thomas & Michael Damian ThomasEssaysThank You, Again, Kickstarter Backers!The Politics of Comfort by Jim C. HinesAge of the Geek, Baby by Michi TrotaThe Evolution of Nerd Rock by Keidra ChaneyThe Future’s Been Here Since 1939: Female Fans, Cosplay, and Conventions by Erica McGillivrayInterviewsInterview: Hao Jingfang by Deborah Stanish, translated by Ken LiuInterview: Ann Leckie by Deborah Stanish

    However, the days are long, and the little girl is lonely. Then she meets Bronze, who, unable to speak, is ostracized by the other village boys. Soon the pair are inseparable, and when Bronze's family agree to take Sunflower in, it seems that fate has brought him the sister he has always longed for. But life in Damaidi is hard, and Bronze's family can barely afford to feed themselves. Can the little city girl stay here, in this place where she has finally found happiness?A classic, heartwarming tale set to the backdrop of the Chinese cultural revolution.

    Use no other words.The Tao is constantly moving, the path that all life and the whole universe takes. There is nothing that is not part of it—harmonious living is to know and to move with the Tao—it is a way of life, the natural order of things, a force that flows through all life.365 Tao is a contemporary book of meditations on what it means to be wholly a part of the Taoist way, and thus to be completely in harmony with oneself and the surrounding world.Deng Ming-Dao is the author of eight books, including The Living I Ching, Chronicles of Tao, Everyday Tao, and Scholar Warrior. His books have been translated into fifteen languages. He studied qigong, philosophy, meditation, and internal martial arts with Taoist master Kwan Saihung for thirteen years, and with two other masters before that.

    Set in the rural China in which Xiao grew up, these two masterpieces expand on many themes, including the plight of peasants and the role of women in society. With a realistic style that has been said to rival "Tolstoy's sweep, FlaubertÂ�s detachment and Ba JinÂ�s compassion," Xiao gives us an unflinching, surprisingly lyrical, and often wryly humorous account of the difficult lives of these characters. This is an updated and extensively revised new edition.

    In this mesmerizing novel, Su Tong, China's most provocative young writer, explores the connections between hunger, sexuality, and brutality. Rice is used as food and currency, as an aphrodisiac and an implement of sexual torture, as a weapon for murder and a symbol of everything good. Lush and sensual, combining a strange comedy with a dark undercurrent of violence, and written in hypnotically beautiful prose, Rice is a novel of startling richness and furious creative energy.

    During Weldon Kees’s life, his poems appeared in all the most prestigious magazines of the day—Poetry (Chicago), the New Yorker, Kenyon Review, Partisan Review, and the Nation.

    Would the Chinese suffer the fate of much of the rest of the world, carved into pieces by Europeans? Or could they adapt rapidly enough to maintain their independence? This important and compelling book explains the roots of China's complex relationship with the West by illuminating a dramatic, colourful and sometimes shocking period of the country's history.