Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    The author of 'The Life and Times of the Thunderbolt Kid' isn't, after all, a Shakespeare scholar, a playwright, or even a biographer. Reading 'Shakespeare The World As Stage', however, one gets the sense that this eclectic Iowan is exactly the type of person the Bard himself would have selected for the task. The man who gave us 'The Mother Tongue' and 'A Walk in the Woods' approaches Shakespeare with the same freedom of spirit and curiosity that made those books such reader favorites. A refreshing take on an elusive literary master.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Now, I survive off the grid and close to nature, the way we were intended to live: free.s Throughout my 20s, my 30s and 40s, I worked various construction jobs, lived in the Caribbean aboard a sailboat, owned a restaurant, got married and divorced, and raised two kids. There were highs and lows, but one constant: I spent a lot of time working, working, and working some more – and still stressing about money. Finally, in 2013, I spent $12,500 to buy a sturdy 39-foot Ericson sailboat that needed a little work. Since then, I’ve been living full-time aboard the Gypsea Soul, on the water. I outfitted her with rainwater catchment tanks, plus solar panels to power my freezer and navigation instruments. I am usually on the move or keep my boat anchored out in the water, so that I don't have to pay marinas any rent. This let me clear up my debts, and in turn, freed my spirit. Living on a boat, I've met a wild cast of characters and had a ton of adventures -- hilarious ones, but scary ones, too. In the following pages, I'll share those adventures with you, as well as some how-to information for anyone curious about following a similar path. In between chapters, I've interspersed some of my insights, just as I wrote them, taken straight from my Captain's Log. (Don't call it a “diary”! LOL.) I hope that as you read this book, you will feel sailingas though you’re along with me, fruity island drink by your side, the salt and wind in your hair, lost in the amazement of the sea. Most of all, I hope you'll be inspired to go after whatever's been pulling on your heart.

    Among the stories is the remarkable transformation of nine year old Sarah, who comes into Becky’s life when she is beaten half to death by her mother’s violent boyfriend. Then there’s Liam, a tall and gangly young teen who has cut himself off from the world after being thrown out of home by his drug-addicted mother when he was just ten years old. Becky also tells the story of Jade and Jasmine, toddler twins who had been locked in a freezing, bare room for weeks on end, with just one filthy blanket to share. Sometimes these children are so vulnerable it becomes a situation of life and death, and Becky has been there and taken them to a place of safety. Although some of the stories are at times heartbreaking, Becky’s determination that no child should be forgotten makes this remarkable book an unforgettable and inspiring read.

    Emily Christie grew up surrounded by relatives whose job it was to protect her. Her father was a hard-working policeman, her grandad was a respected paramedic; they were the perfect family. Or so it seemed. Evil lurked beneath the surface. When she was just five years old, Emily’s beloved grandad started grooming her, calling her his ‘special little girl’. In the years that followed she was subjected to countless unforgivable acts of sexual abuse at his hands, that escalated in severity and threatened to tear her life apart. Knowing her grandad was considered to be a pillar of the community, Emily was too scared to tell the truth. But one day she found the courage to stop the abuse and the strength to start rebuilding her life. No Safe Place is the inspirational story of a little girl’s journey from helpless victim to triumphant survivor.

    Mari - New York City Criminal Attorney for 36 years*****"The Biggest Rat - Whitey Bulger's Decades of Deceit" is the story of James "Whitey" Bulger, the Boston mob boss; from his early days of crime, to his heyday running Boston's underworld, including his escape and capture after 16 years on the run. This book also includes Bulger's trial, and the jury verdict which found Bulger guilty of 31 of the 32 counts in the indictment. Bulger was also found guilty of 11 of the 19 murders included in the indictment.It's fair to say Whitey Bulger will die in jail. Bulger's lucky he didn't get the electric chair; which would have been a more fitting punishment for one of the vilest individuals to ever roam the earth.*****On July 9, 2013, Whitey Bulger's former protégé, Kevin Weeks, hate and contempt in his eyes, took the witness stand against his former boss. The 57-year-old Weeks and Bulger were once so tight, they spoke nearly every day for more than a decade. Bulger, 83-years-old, was facing life in prison for committing more than 19 murders.Since Weeks served only five years in prison for aiding and abetting five of Bulger's murders, Bulger's lawyer, J.W. Carney, tried to portray Weeks as a con artist who knew how to manipulate the justice system."You won against the system," Carney told Weeks."What did I win? What did I win?" Weeks said. "Five people are dead."Carney asked Weeks if the killings bothered him.Weeks shot back, "We killed people that were rats. And I had THE BIGGEST RAT right next to me."Whitey Bulger, unlike Genovese turncoat Joe Valachi, Bonanno boss Joe Massino, and Gambino consiglieri Salvatore "Sammy the Bull" Gravano, willingly became an F.B.I. informant while he was still active on the streets as the Mob Boss of Boston. And Bulger remained an F.B.I. informant for more than 20 years.Kevin Weeks was right. Whitey Bulger was THE BIGGEST RAT of them all.******************************************************Joe Bruno's "Mobsters, Gangs, Crooks, and Other Creeps" finished runner-up (second place) in the 2013 eFestival of Words Best of the Independent Ebook Awards in the category "Nonfiction."efestivalofwords.com/portal.php

    Jr, burst on the scene in 2015, originating the role of Aaron Burr in the Broadway musical phenomenon Hamilton. Since then, he has performed for sold-out audiences, sung for the Obamas at the White House, and won a Tony Award for Best Leading Actor in a Musical. But before he landed the role of a lifetime in one of the biggest musicals of all time, Odom put in years of hard work as a singer and an actor.With personal stories from his life, Odom asks the questions that will help you unlock your true potential and achieve your goals even when they seem impossible. What work did you put in today that will help you improve tomorrow? How do you surround yourself with people who will care about your dreams as much as you do? How do you know when to play it safe and when to risk it all for something bigger and better?These stories will inspire you, motivate you, and empower you for the greatness that lies ahead, whether you're graduating from college, starting a new job, or just looking to live each day to the fullest.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    It makes the blood rush."Olivier-award winning actor Adrian Lester plays Ira Alridge in the world premiere of Lolita Chakrabarti's new play, Red Velvet, which launches Indhu Rubasingham's reign as the Tricycle Theatre's new Artistic Director. The play is set in the Theatre Royal, Covent Garden, in 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor, Ira Aldridge, has been asked to take over the role. But, as the public riot in the streets, how will the cast, critics and audience react to the revolution taking place in the theatre?Written by the 2012 Most Promising Playwright (Evening Standard Awards) Lolita Chakrabarti, Red Velvet uses imagined experiences based on the often-forgotten, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europe.

    

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    Founded in 1975, Stagedoor continues to attract scores of young performers eager to find kindred spirits, to sing out loud, to become working actors—or maybe even stars. Every summer for the past thirty-five years, a new crop of campers has come to the Catskills for an intense, often wrenching introduction to professional theater. (The camp produces thirteen full-scale productions during each of its three sessions.) These kids come from varying backgrounds—the offspring of Hollywood players from Nora Ephron to Bruce Willis work alongside kids on scholarship. Some campers have agents, others are seeking representation. When Mickey Rapkin, a senior editor at GQ and self-proclaimed theater fanatic, learned about this place, he fled Manhattan for an escape to upstate New York. At Stagedoor, he tracked a trio of especially talented and determined teen actors through their final session at camp. Enter Rachael Singer, Brian Muller, and Harry Katzman, three high school seniors closing out their sometimes sheltered Stagedoor experiences and graduating into the real world of industry competition and rejection. These veteran campers—still battling childhood insecurities, but simultaneously searching for that professional gig that will catapult them to fame—pour their souls into what might be their last amateur shows. Their riveting stories are told in Theater Geek, an eye-opening, laugh-out-loud chronicle full of drama and heart, but also about the business of training kids to be professional thespians and, in some cases, child stars. (The camp has long acted as a farm system for Broadway and Hollywood, attracting visits from studio executives and casting directors.) Via original interviews with former and current campers and staff—including Mandy Moore, Zach Braff, and Jon Cryer—Rapkin also recounts Stagedoor Manor’s colorful, star-studded history: What was Natalie Portman’s breakout role as a camper? What big-time Hollywood director, then barely a teenager, dated a much older Stagedoor staff member? Why did Courtney Love (at Stagedoor visiting her daughter) get into an argument with a hot dog vendor who had set up shop at the camp? Theater Geek leads readers through the triumphs and tragedies of the three senior campers’ final summer in an absorbing, thought-provoking narrative that reveals the dynamic and inspiring human beings who populate this world. It also explores what the proliferation of theater camps says about our celebrity-obsessed youth and our most basic but vital need to fit in. Through the rivalry, heartbreak, and joy of one summer at Stagedoor Manor, Rapkin offers theater geeks of all ages a dishy, illuminating romp through the lives of serious child actors. Rich, insightful, and thoroughly entertaining, Theater Geek pulls back the curtain on an elite and intriguing world to reveal what’s really at its core: children who simply love to perform.