As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    "Softcops renders the philosophy of Foucault as a music-hall turn and Victorian freakshow "theatre and history combine to give such intelligent fun" —The London Standard "Top Girls brings five great and less-than-great women from history together for a dinner party and "has a combination of directness and complexity which keeps you both emotionally and intellectually alert"—Sunday Times Fen scrutinizes the lives of the low-paid women potato pickers of the fens (in Eastern England) and "the playwright pins down her poetic subject matter in dialogue of impressive vigour and economy"—Financial Times Serious Money is a satirical study of the effects of the Big Bang - "Pure genius…the first play about the city to capture the authentic atmosphere of the place."—Daily Telegraph

    Shipped from the U.K. All orders received before 3pm sent that weekday.

    Jackson in several films. But this book is not about her career, and it’s not about Hollywood. It’s not even about her rise to stardom. Charting her family history as well as her own life from childhood to the present in this compelling memoir, Debbi reveals the fear, doubt, and insecurities she’s struggled with for much of her life—and how she escaped a vicious cycle of pain to find self-confidence, happiness, and success. Early on in her family history, an ugly pattern of abuse developed into fear, insecurity, self-doubt, and emotional trauma, which passed down from one generation to the next. From her maternal grandmother, who was beaten by her husband as they struggled through the Great Depression, to Debbi’s mother, who became pregnant as a young teen and suffered the same abuse as her mother, down to Debbi, who internalized the physical abuse she watched her mother endure, a deep-rooted fear plagued all three generations of women. But through it all, Debbi endured, and with a good dose of humor and self-compassion, she emerged with the deepest love of herself—and her mojo quite intact! Told with intense emotion, candor, and a barrage of belly laughs, Debbi shares a deeply moving, explosive, yet inspirational journey about what it took to break the cycle and emerge as a confident, fearless woman.

    Veronica and her husband Marvin served as the heads and founders of “Clover Hill Church of God in Christ” in Atlanta, GA. From the outside looking in, one would never be able to tell that this family had not always been perfect in God’s eyes. The Millhouses had three beautiful children - a son Marvin, Jr., and a set of twin girls Destiny and Dynasty. Even Marvin Jr.’s girlfriend was an example of near perfection. They were admired, loved and respected by their entire congregation. But what happens when buried secrets and hidden indiscretions get exposed for the whole world to see? Iesha was a bitter, deranged female who had been scorned by her ex-lover. Having lived years as a prostitute had taken its’ toll on her and she looked for someone to blame. Her life’s focus was to get revenge and cause havoc in someone’s life that did not want her and had moved on. She went through hell and high waters to make sure she destroyed her ex lover’s life by any means necessary. Her move from Chicago to Atlanta had nothing to do with a job, as she had told her family; she was finally putting years of planning into motion. Everyone has a past. Take a journey with the Millhouse family and find out firsthand how secrets, lies and betrayal can turn a family upside down.

    Unconventional in both style and content, it shattered the myths of small town American life. A collection of epitaphs of residents of a small town, a full understanding of Spoon River requires the reader to piece together narratives from fragments contained in individual poems."

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    A family enters the apartment of a young man and announces that they will save him from his loneliness by living with him. Slowly, they destroy everything, in the cheerful psychotic name of "brotherly love".

    At first, the new doctor cures anything

    This omnibus collection includes all of the author’s early poetry as well as the Four Quartets, Old Possum’s Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.

    Set in a mythical backwater Southern town, A Different Drummer is the extraordinary story of Tucker Caliban, a quiet, determined descendant of an African chief who for no apparent reason destroys his farm and heads for parts unknown--setting off a mass exodus of the state's entire Black population.Nearly three decades offer its first publication, A Different Drummer remains one of the most trenchant, imaginative, and hard-hitting works of fiction to come out of the bitter struggle for African-American civil rights.

    

    The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.--from the introduction by Claudia RankineClaudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what--and who--is actually on display.Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    This English edition includes the plays Caligula, The Misunderstanding (Le Malentendu), State of Siege (L'État de siège), and The Just Assassins (Les Justes).