Banks (1870–1938) was an ambitious young American journalist (born in New Jersey, raised in Wisconsin) who worked as a typist and reporter in Baltimore, then took the unlikely post of secretary to the American Ambassador in Peru, before coming to London to seek her fortune. She achieved her goal admirably in 1894 with a form of 'stunt journalism' that had first been practised by James Greenwood, who dressed in rags and presented himself as a 'casual' pauper to the parish authorities, writing up his experience in his sensational article 'A Night in a Workhouse'. Banks, very much a late nineteenth-century 'New Woman', likewise decided to go 'undercover' amongst the poor — first as a servant, then in several other positions, masquerading as a crossing sweeper, laundress and, at the opposite end of the social spectrum, pretending to be an heiress, to see how easy it might be to buy one's way into the aristocratic upper echelons of London 'Society'. Banks's ploy was successful and the resulting articles became the talk of the capital — and guaranteed her a future career in journalism. Her own autobiography records the words of the Pall Mall Gazette ... 'Her strange, wild and curious adventures are the common theme of conversation in thousands of English homes ...' and, although Banks's subterfuge may not seem 'wild' to modern readers, it remains striking. It was the impersonation of a servant which caused the greatest furore, not least the fear that the upstart young American was promoting a very un-British egalitarian agenda, one sympathetic to the complaints of servants against mistresses, undermining the normal healthy relations between the classes. In fact, the book provides a rather too convenient comparison of two households — the first where the employer exploits and over-works her staff, the second where the cook and maids have the whip-hand over an overly timid and caring mistress. Banks herself, however, had no great political agenda. She confesses frankly in her autobiography that 'I did it for "copy" ... to earn my living'.Such was the interest in Banks's work, that the press sought out the employers who were fooled by the artful reporter. 'Mrs. Allison' (not her real name) was interviewed by the populist Pick Me Up magazine and declared herself 'completely hoodwinked'. She claimed, however, that she only employed Miss Banks because of the pathetic story she told at interview about her penury, and that — contrary to the impression in the book — the cleanliness of her household suffered a good deal due to the reporter's ignorance. Mrs. Allison recounts how she knew there was trouble when her other maid informed her, 'Ma'am, the new housemaid's sweeping the stairs with a bonnet whisk!' In short, according to Mrs. Allison, her American employee 'did not hesitate to declare herself as competent and reliable, although she entered every house under false pretences without being able to sew on a button, darn a stocking, or scrub a floor'.Banks's success was so great because her deception played on the existing fears of the middle- and upper-classes about servants, i.e. that, when members of the family were not present, staff were incompetent and/or deceptive — traitors beneath one's own roof — even if this only amounted to taking unwarranted 'perquisites' from household groceries, or seeing male 'followers'. Whether Miss Banks provides us with a completely truthful account or 'journalistic gingerbread' (to quote the rather unsympathetic Pick Me Up) I must leave it to the reader to judge — regardless, the book remains a fascinating read.

    

    

    Nell is in love with one man, but marries another. The heroine's frank discussion of her sexual attraction to her lover, and her dispassionate evaluation of loveless marriage as a form of self-sale was criticized by many critics of the day; however, Cometh Up was one of Rhoda Broughton's most successful sensation novels and was widely read.

    The book relates the misadventures of Lewis Romayne, and is also noted for a perceived anti-Catholic bias. As the story begins, Romayne and his friend, Major Hynd, are in Boulogne to visit Romayne's aunt, who is dying. While there, Romayne attends a card game, where he has an argument with a corrupt card sharp, the General, who challenges him to a duel. However, the general doesn't turn up himself but nominates his son, an accurate shot, who should win the duel. Romayne absolutely does not want to fight but is goaded into doing so. Against the odds, he accidentally kills his opponent, and the screams of the man's brother after the death come to haunt Romayne for the rest of his life.This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Arguably one of the best-known Suffragette writers, Beatrice Harraden was a popular novelist who was heavily involved in the Suffragette tax resistance campaign. Her best-selling sentimental romance, Ships that Pass in the Night tells of a doomed love-affair between two patients in a tuberculosis sanitarium. This story caught the public's imagination, and the title became a byword for a fleeting or doomed love affair. The title was inspired by lines in Longfellow's Tales of a Wayside Inn, Third Evening, Theologian's Second Tale (Elizabeth), Fourth Part.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Wells' attempt to make sense of World War I. It begins with a lighthearted account of an American visiting England for the first time, but the outbreak of war changes everything. Day by day and month by month, Wells chronicles the unfolding events and public reaction as witnessed by the inhabitants of one house in rural Essex. Each of the characters tries in a different way to keep their bearings in a world suddenly changed beyond recognition. This book was published in 1916 while the war was still in progress, so no clear resolution was possible. Wells did not know how long the war would last or which side would ultimately win, but he hoped that somehow, something good might eventually come of it.

    The book begins with the ferryman Charon being startled & annoyed by the arrival of a houseboat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually to be appointed its janitor. What follows are 11 more stories which are set on the houseboat. There's no central theme. The purpose appears to be as a literary thought experiment to see what would happen if various famous dead people were put in the same room with each other. Each chapter is a short story featuring various souls from history & mythology. In the 12th chapter the houseboat disappears, leading into a sequel, Pursuit of the House-Boat. The book sold for $1.25 in 1895.

    Mary Scudder lives in a modest farmhouse with her widowed mother and their boarder, Samuel Hopkins, a famous Calvinist theologian who preaches against slavery. Mary is in love with the passionate James Marvyn, but Mary is devout and James is a skeptic, and Mary’s mother opposes the union. James goes to sea, and when he is reportedly drowned, Mary is persuaded to become engaged to Dr. Hopkins.With colorful characters, including many based on real figures, and a plot that hinges on romance, The Minister’s Wooing combines comedy with regional history to show the convergence of daily life, slavery, and religion in post-Revolutionary New England.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    But real-world drama takes over when Lavington's neighbour, a reclusive artist, is found murdered in his own sitting room. Also found on the scene are a lady's glove, a diamond ring, and a mysterious young woman who begs Lavington for his protection. Her safety will depend on her ability to take a role in the forthcoming village play--but is Lavington sheltering a wronged woman or a clever murderess?

    Written in a period of conservative reaction in Britain, the novel recalls the earlier radical era of the 1790s. Encouraged by her mother to pursue an interest in radical social ideas, Adeline Mowbray innocently puts her theories of idealized love into practice. Her attempt to live with the philosopher Frederic Glenmurray outside marriage is condemned by both her mother and society. Adeline and Glenmurray's relationship becomes the focal point for Opie's satire on society's attitudes to education, women, marriage, masculine and feminine codes of honour, filial loyalty and the struggle to justify individual choice. This Oxford World's Classics volume is currently the only critical edition of Adeline Mowbray available.

    Timeless, inspiring, and full of valuable advice. A book every rider should read.

    In her long and varied life, she was to travel in Central America, Russia and Europe, find work as a inn-keeper and as a doctress during the Crimean War, and become a famed heroine, the author of her own biography, in Britain. As this autobiography shows, Mary Seacole had a sharp instinct for hypocrisy as well as a ripe taste for sarcasm. Frequently we see her joyfully rise to mock the limitations artificially imposed on her as a black woman. She emerges from her writings as an individual with a most un-Victorian zest for travel, adventure and independence.