The book starts with Adam living openly with his voluptuous half-caste lover on his desert station in the outback, and gradually the fates of succeeding generations intertwine in this Australian family saga.

    Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role.Twenty years later, he begins to tell his haunting story of life on the plains. As his story unfolds, the novel becomes, in the words of Murray Bail, 'a mirage of landscape, memory, love and literature itself'.

    So when she hears about a job teaching four children on a massive cattle property in North Queensland, she decides to throw caution - and her teaching job - to the winds.When Lucy arrives at Charlotte's Creek Station she finds a family in crisis. To make matters worse, the four children she's been charged with educating are very spirited, not always cooperative, and dismally behind in their schooling.To Lucy, the only person who seems to be keeping Charlotte's Creek afloat is the family's gruff stockman, Ted. With his support and encouragement Lucy throws herself into the day-to-day activities of the station and makes excellent progress with the children.Though Lucy and Ted's feelings for each other grow, Ted can't see any future for them because of his lack of prospects. As the family divisions at Charlotte's Creek prove insurmountable and the property looks set to be put on the market, Lucy faces returning to the city and leaving Ted behind. . .By the betselling author of Redstone Station, this is the story of a strong young woman stepping into the unknown, trying to make things work, and finding love.

    Best known as the lead singer and enigmatic front man, songwriter, bassist of The Church, Steve has experienced both amazing international success and all the excesses that go with it, as well as a well known heroin addiction that delivered some very dark times. The Church has been a significant and constant influence on the Australian music industry and readers will be keen to hear from one of the industry's most successful, creative and long-standing key protagonists. Kilbey is Australian rock and roll royalty and for the first time this is his story. Come inside the world of Steve Kilbey singer songwriter and bassist of one of Australia's best loved bands, The Church. From his migrant ten pound pom childhood through his adolescence growing up during the advent of The Beatles, Dylan and The Stones to his early adventures in garage bands and neighbourhood jams. His misadventures with a full time job and a 9 to 5 life and wild adventures with The Church as they conquer Australia and then the world. The tours. The records. The women. And then the heroin addiction which enslaved him for ten long years. Then the two sets of twins he fathers along the way and branching off into acting, painting and writing. From snowy Sweden to a cell in New York City, from Ipanema beach to Bondi, Kilbey stumbles through his surrrealistic life as an idiot savant that will make you smile as well as want to kick him up the arse. After coming out the other side his tale is simply too good not to be told. Narrated with unusual and often pristine clarity we and with much focus on his considerable musical talent.

    Often her only contact with the outside world was through her two-way radio. Stretched to the limits, she achieved more than she ever thought herself capable of. With every setback and in the toughest of times when the odds seemed insurmountable, she learnt to dust herself off, find a smile and just keep on going. For eighteen years Jenny and Rick battled flood, drought, cyclones and personal hardship. Yet their world was a big as the landscape in which they lived, filled as it was with generosity, wonderful characters and the joy of life. At McAllister they established an oasis for their family and friends.Jenny's motto is: life throws many curve balls at us, but it's how we deal with them that counts. This is the extraordinary story of a woman of the bush and her indomitable spirit.

    But ‘Mr Indestructible’ – who had become the first Australian to win the Rock of Roubaix earlier that year – got back on his bike.By 2013 Stuart O’Grady had competed in 17 Tours; secured Olympic and Commonwealth Games medals; been named Australian Cyclist of the Year, and Australian Male Road Cyclist of the Year; won the inaugural Tour Down Under; and earned an Order of Australia Medal in recognition of his contribution to the sport. But then came the worst time of his life, when he announced his retirement after such an impressive cycling career and revealed that he had used the performance enhancing drug EPO before the 1998 Tour de France – a Tour marred by widespread doping.In this up-front and honest autobiography Stuey reveals all. This is his story: as candid and down-to-earth as the man himself.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    Rich in characterisation and feeling, Mother of Pearl, and the timely issues it raises, will generate discussion amongst readers everywhere.

    How did he get here? From the vantage point of his prison cell, Toby pens his memoir, trying to piece together how he fell so far, all the while fielding the uninvited literary opinions of his murderous cellmate, Gary.What Toby unspools is a tale of twisted bureaucracy, public servants gone rogue, and the ever-present pervasive stench of rotting prawns (don't ask). Realizing that his political career is far from the noble endeavor he'd once imagined it would be, Toby makes a bid for freedom...before the terrible realization dawns: it's impossible to get fired from the public service. Refusing to give up (or have to pay for his relocation fee), Toby's attempts to get fired grow more and more extreme, and he finds himself being propelled higher and higher through the ranks of bureaucracy.

    Jackson Plummer quickly becomes the cure to Christina's loneliness and a surrogate father to her young daughter Bianca.When Jackson suggests moving to a run-down farm in the mountains, Christina is uncertain about uprooting their lives in the city. She soon forgets her hesitation, absorbing herself in restoring the rambling century-old house, Bartholomews Run, and becoming obsessed with solving its mysterious history.But while living on the isolated farm, her once effervescent child transforms into a quiet sullen teenager and Christina increasingly struggles to connect with her.Because Bianca has a secret. And the monstrous truth threatens to destroy them all.Poignant and thought-provoking, The Making of Christina will have you questioning how well you know the people you love, the price of truth, and how easily it could happen to you.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    You know, again.

    On the occasional trip into nearby White Gum Creek he keeps to himself and that's the way he likes it. And though over the last six years the townsfolk have tried to reach out to Nick, he's pushed them all away.Whenever Nick comes into the Gumnut Bakery, Natasha Duroz tries to engage him in conversation when she serves him. There's something about him that intrigues Tash, but she's not sure if it's because she feels sorry for him or there's something more.At last encouraged by the warmth of a few old and new friends, Nick gradually begins to re-engage with the outside world. Then, suddenly some minor vandalism on his farm escalates and odd things begin to happen on Winters Hill. Is someone out to hurt Nick or have his years of solitude been playing tricks on his mind? This entrancing novel is about overcoming heartache and loss through the power of friendship and love.

    The book is written in the saga form, spanning four generations from 1861 to the mid-1980s, though the path from past to present is neither straight nor defined. It is, rather, a broader and interwoven series of relationships in which the generations of the past continue to inform the present and all meld in the land and landscape. As Connie Laffey puts it: 'So closely meshed all of us, the nature of our closeness bound up with this place. With family.' The novel opens in the early 1980s with Connie Lafey and her middle-aged son, Reever, protesting against development which is decimating to the rainforest in the Mango area. Connie, anxious about Reever's safety—he has chained himself fifty feet up a celerywood tree—heads off to find help when she falls and concusses herself. The attendant delirium is the starting point for the narrative saga as the past and present converge in Connie's reverie. The narrative transports us back in time to the first generation of immigrants and the courtship and marriage of Cornelius Laffey and Jessica Olive in 1861.

    The adventures of those splendid fellows Bunyip Bluegum, Bill Barnacle and Sam Sawnoff, the penguin bold, and of course their amazing, everlasting and very cantankerous Puddin'.