When that voice achieves its newness not through a certain formal facility but through the freshness of its vision, there is truly something to celebrate. Matt Ruff was only twenty-two when Fool on the Hill was first published, but with his novel he gave us a story that won over readers of every persuasion. Not your usual first effort, Fool on the Hill is a full-blown epic of life and death, good and evil, magic and love.Think of the imaginative daring of Mark Helprin’s Winter’s Tale. The zany popism of Tom Robbins’s Another Roadside Attraction. The gnomish fantasies of J.R. Tolkien. Think of these and you begin to get some idea of one of the most remarkable first novels to come along in years.In the world of Fool on the Hill dogs and cats can talk, a subculture of sprites lives in the shadows and underfoot (if you’re the sensitive type, or drunk enough, you might see them cavorting across the lawn), and the Bohemians, a group of Harley- and horseback-riding students dedicated to all things unconventional, hold all-night revels for the glory of their cause.Then there is Stephen Titus George, the novel’s youthful hero, who somehow finds himself the main player in a story that began well over a century ago. George is a mild-mannered flier of kites, a sometimes writer of bestselling fiction, and would-be knight looking for a maiden. George will find his girl and the century-old story will provide the proverbial dragon whose slaying will sanctify their love. But it will not be a sword that fells the foe but the transforming power of the imagination.

    One day in Paris, she is discovered by an American music producer who takes her to New York to live with him and his close-knit family while producing her first album, with help from teen pop star, Matt. Maude will dive into a new fascinating world discovering New York City, music, family, love and the truth about her past.

    Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

    Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    Part 1 King Henry IV. Part 2 King Henry V King Henry VI. Part 1 King Henry VI. Part 2 King Henry VI. Part 3 King Richard III King Henry VIII Troilus and Cressida Coriolanus Titus Andronicus Romeo and Juliet Timon of Athens Julius Caesar Macbeth Hamlet King Lear Othello Anthony and Cleopatra Cymbeline Pericles Venus and Adonis Rape of Lucrece Sonnets Lover's Complaint Passionate Pilgrim Sonnets to Sundry Notes of Music Phoenix and the Turtle

    Her boys have grown and she has finally divorced her bullying husband. This is her time now.Whilst making her new home habitable, Juliet discovers she needs a sturdy helping hand with the unruly and neglected garden. Unwilling to share her newfound independence with anyone, but unable to do all the work by herself, she reluctantly enlists casual labour.Aaman has travelled to Greece from Pakistan illegally. Desperate to find a way out of poverty, his challenge is to find work and raise money for the harvester his village urgently need to survive.What he imagined would be a heroic journey in reality is fraught with danger and corruption. Aaman finds himself in Greece, and with each passing day loses a little more of himself as he survives his new life as an immigrant worker; illegal, displaced, unwanted and with no value. Hungry and stranded, how will he ever make it back home to Pakistan?In what begins as an uncomfortable exchange, Juliet hires Aaman to be her gardener, but resents the intrusion even though she needs the help. Aaman needs the work and money but resents the humiliation.In spite of themselves, as the summer progresses, they get to know one another and discover they have something in common. Pieces of their lives they have kept hidden even from themselves are exposed, with each helping the other to face their painful past.Will Juliet and Amaan finally let each other in? And what will be the outcome of this improbable conjoining of two lost souls?

    In the neo-puritanical nineties, it's a challenge to defend the rights of smokers and a privilege to promote their liberty. Sure, it hurts a little when you're compared to Nazi war criminals, but Nick says he's just doing what it takes to pay the mortgage and put his son through Washington's elite private school St. Euthanasius. He can handle the pressure from the antismoking zealots, but he is less certain about his new boss, BR, who questions whether Nick is worth $150,000 a year to fight a losing war. Under pressure to produce results, Nick goes on a PR offensive. But his heightened notoriety makes him a target for someone who wants to prove just how hazardous smoking can be. If Nick isn't careful, he's going to be stubbed out.

    From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.

    Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can—visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats—both human and those of nature—Simonopio’s purpose in Linares will, in time, be divined.Set against the backdrop of the Mexican Revolution and the devastating influenza of 1918, The Murmur of Bees captures both the fate of a country in flux and the destiny of one family that has put their love, faith, and future in the unbelievable.

    In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    In a series of variations, Gass gives us a mosaic of a life—futile, comic, anarchic—arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C.It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self—a professor with a fantasy goal: to establish the Inhumanity Museum . . . as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless.Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another.

    It is is a story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side.Seven years in the making, Sacred Games is an epic of exceptional richness and power. Vikram Chandra's novel draws the reader deep into the life of Inspector Sartaj Singh—and into the criminal underworld of Ganesh Gaitonde, the most wanted gangster in India. Sartaj, one of the very few Sikhs on the Mumbai police force, is used to being identified by his turban, beard and the sharp cut of his trousers. But "the silky Sikh" is now past forty, his marriage is over and his career prospects are on the slide. When Sartaj gets an anonymous tip-off as to the secret hide-out of the legendary boss of G-Company, he's determined that he'll be the one to collect the prize. Vikram Chandra's keenly anticipated new novel is a magnificent story of friendship and betrayal, of terrible violence, of an astonishing modern city and its dark side. Drawing inspiration from the classics of nineteenth-century fiction, mystery novels, Bollywood movies and Chandra's own life and research on the streets of Mumbai, Sacred Games evokes with devastating realism the way we live now but resonates with the intelligence and emotional depth of the best of literature.

    Yet the spirited young beauty only has eyes for Rafael Alfandari, the handsome Jewish son of an esteemed court physician. In defiance of their families, they marry, fleeing to Paris to build a new life.But when the Nazis invade France and begin rounding up Jews, the exiled lovers will learn that nothing—not war, not politics, not even religion—can break the bonds of family. For after they learn that Selva is but one of their fellow citizens trapped in France, a handful of brave Turkish diplomats hatch a plan to spirit the Alfandaris and hundreds of innocents, many of whom are Jewish, to safety. Together, they must traverse a war-torn continent, crossing enemy lines and risking everything in a desperate bid for freedom. From Ankara to Paris, Cairo, and Berlin, Last Train to Istanbul is an uplifting tale of love and adventure.