She insists they are middle class, but Orestes is not convinced. And after another fraudulent election and the disappearance of his younger brothers Castor and Pollux, he heads off on an adventure.Orestes meets a procession of pilgrims, a stoner uncle called Pink Floyd and a beguiling politician who teaches him how to lie, and he learns some valuable lessons about families, truth and bovine artificial insemination.With Quesadillas, Juan Pablo Villalobos serves up a wild banquet. Anything goes in this madcap Mexican satire about politics, big families, and what it means to be middle class.

    It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. DREAMING IN CUBAN presents a unique vision and a haunting lamentation for a past that might have been.

    Serving customers ice cream all summer long, she is desperate for some kind of escape.But one afternoon, a terrible lie slips from her tongue. And suddenly everyone wants to talk to her: the press, her schoolmates, and even the boy upstairs. He is the only one who knows the truth, and he is demanding a price for his silence.Then Nofar meets Raymonde, an elderly immigrant whose best friend has just died. Raymonde keeps her friend alive the only way she knows how, by inhabiting her stories. But soon, Raymonde's lies take on a life of their own.Written with propulsive energy, dark humor, and deep insight, The Liar reveals the far-reaching consequences of even our smallest choices, and explores the hidden corners of human nature to reveal the liar, and the truth-teller, in all of us.

    Poornima's father hires Savitha to work one of their sari looms, and the two girls are quickly drawn to one another. Savitha is even more impoverished than Poornima, but she is full of passion and energy. She shows Poornima how to find beauty in a bolt of indigo cloth, a bowl of yogurt rice and bananas, the warmth of friendship. Suddenly their Indian village doesn't feel quite so claustrophobic, and Poornima begins to imagine a life beyond the arranged marriage her father is desperate to lock down for her. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend again. Her journey takes her into the darkest corners of India's underworld, on a harrowing cross-continental journey, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face relentless obstacles, Girls Burn Brighter introduces two heroines who never lose the hope that burns within them. In breathtaking prose, Shobha Rao tackles the most urgent issues facing women today: domestic abuse, human trafficking, immigration, and feminism. At once a propulsive page-turner and a heart-wrenching meditation on friendship, Rao's debut novel is a literary tour de force.

    Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking—recklessness, impulse, independence.Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa’s surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will “promise, no matter what, to remain a mystery.” It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the “Beach of the Dead.”Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.

    Now twenty-five, with a new life and the prospect of a child, Kimiâ is inundated by her own memories and the stories of her ancestors, which reach her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them.In this high-spirited, kaleidoscopic story, key moments of Iranian history, politics, and culture punctuate stories of family drama and triumph. Yet it is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel.

    It's 1969, and sixteen-year-old Lucy is about to run away with a much older man to live off the grid in rural Pennsylvania, a rash act that will have vicious repercussions for both her and her older sister, Charlotte. As Lucy's default caretaker for most of their lives, Charlotte's youth has been marked by the burden of responsibility, but never more so than when Lucy's dream of a rural paradise turns into a nightmare.Cruel Beautiful World examines the intricate, infinitesimal distance between seduction and love, loyalty and duty, and explores what happens when you're responsible for things you cannot make right.

    She is sheltered and self-involved, until the spirit of an Indian woman warrior enters her being, then she dares to join a revolutionary movement against a violent dictator and—through the power of love—finds the courage to act.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    She likes drugs and cigarettes, and when she learns that she's something of an anthropological curiosity herself--a "woman writer of color" treasured in her university for the flourish of rarefied diversity she brings--she pokes fun at American academic culture and its fixation on identity.When she is unexpectedly nominated for "the most important literary award in Europe," Mona sees a chance to escape her spiral of sunlit substance abuse and erotic distractions, and so she trades the temptations of California for small, gray village in Sweden close to the Artic. Now she's stuck in the company of all her jetlagged--and mostly male--competitors, arriving from Japan, France, Armenia, Iran, Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together--and all the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous and finally jaw-dropping portrait of a woman facing a hipster elite in which she both does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won't stay past, and strange forces are working to deliver her to the test of a lifetime.

    Intimate with the region, she crafts an emotionally pitch-perfect tale of a young woman who makes a horrifying--but ultimately liberating--discovery about her origins.Perla Correa grew up a privileged only child in Buenos Aires with a polished, aloof mother and a straitlaced naval officer father, whose profession she learned early on not to disclose in a country still reeling from the abuses perpetrated by the deposed military dictatorship. Although Perla understands that her parents were on the wrong side of the conflict, her love for her papa is unconditional. But when she is startled by an uninvited visitor, she begins a journey that will force her to confront the unease she has long suppressed and make a wrenching decision about who she is and who she will become.This rich human drama is based on the truth of thirty thousand disappeared Argentinian citizens and five hundred babies who were born in clandestine detention centers, torn from their mothers, and secretly given up for adoption. In the years that followed this dark time, some of these children have discovered the identities of their true families, and they continue to do so today. Perla brings history to life as only fiction can, in an intimate, unforgettable portrait of one young woman's explosive search for truth. De Robertis unfolds a gripping and historically resonant tale with keen-eyed compassion, luminous prose, and a startling vision of the incomparable power of love.

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    The novel, written in a stream-of-consciousness style reminiscent of the English-language Modernists, centers around the childhood and early adulthood of a character named Joana, who bears strong resemblance to her author: "Madame Bovary, c'est moi", Lispector said, quoting Flaubert, when asked about the similarities. The book, particularly its revolutionary language, brought its young, unknown creator to great prominence in Brazilian letters and earned her the prestigious Graça Aranha Prize.Joana, a young woman very much in the mode of existential contemporaries like Camus and Sartre, ponders the meaning of life, the freedom to be one's self, and the purpose of existence. Near to the Wild Heart does not have a conventional narrative plot. It instead recounts flashes from the life of Joana, between her present, as a young woman, and her early childhood. These focus, like most of Lispector's works, on interior, emotional states of mind.

    The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.