Initially, the City of Light seems gray and forbidding to the teenage Colette, especially after her thrill-seeking mother leaves her in the care of her bitter, malaisé grandmother. Yet Paris will prove the place where Colette awakens to her senses. Taken under the wing of Mademoiselle Georgette, the family chef, she develops a taste and talent for French cooking. The streets of Paris soon become Colette's own as she navigates the outdoor markets and café menus and emerges into her new, gastronomical self. Return to Paris is an extraordinary coming-of-age story that charts the course of Colette's culinary adventures -- replete with expertly crafted recipes and family photographs. An exploration of passion in all its flavor and texture, Colette's memoir will live in the hearts and palates of readers for years to come.

    One of the few people who has known every major classical musician of the last two-thirds of the twentieth century, he shares his personal and artistic experiences in this warm, passionate account of his life: the story of his rise to eminence; his feelings about music and the violin; and his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals. Stern the man, the musician, and the cultural institution come alive in the most readable and revealing musical autobiography of the decade.

    Discover the Homework Hoax, the Squirting Blister, the Movie Popcorn That Grabs You Back. Pull classic pranks on your siblings, like short-sheeting the bed. Freak out your friends with food pranks: a self-peeling banana, “misfortune” cookies, or ice cream that will make them scream (here’s a hint—it involves instant mashed potatoes). And there are perfect pranks to pull on your parents, including a scheme to “freeze” the family computer. The book includes recipes for fake bird poop, fake dog poop, fake vomit, and fake snot (regular, nosebleed, and wormy varieties). A complete prankster’s guide, Pranklopedia also provides a four-part lesson on how to pull the perfect prank and tells you what to do when pranks go bad: 1. Disappear for a while . . .

    Introduction by Richard Bach. Translated by Lewis Galantière and Stuart Gilbert.

    He concludes with a walking tour of the Marais, through Paris' rich history.

    No other city in any of his travels was as significant, professionally or emotionally, as was Paris. And it remains there, all of the complexity, beauty, and intrigue that Hemingway described in the pages of so much of his work.It is all still there for the reader and traveler to experience—the history, the streets, and the city. Restaurants, hotels, homes, sites and favorite bars are all detailed here. The ninety-five black and white photographs in Hemingway’s Paris are of the highest caliber. The accompanying text reveals Wheeler’s deep understanding of the man; his torment, talent, obstacles and the places of refuge needed to nurture one of the preeminent writers of the twentieth century. Moved by the humanistic writing of the man—a writer capable of transcending his readers to foreign settings and into the hearts and minds of his protagonists—Wheeler was inspired to travel throughout France, Italy, Spain, Africa, and Cuba, where he has sought to gain insight into the motivation behind Hemingway’s books and short stories. As a teacher, lecturer, and photojournalist, he set out to capture and interpret the Paris that Ernest Hemingway experienced in the first part of the century. Through his journal and photographs, Wheeler portrays the intimate connection Hemingway had with the woman he never stopped loving, Hadley, and with the city he loved most, Paris.

    Some of the places have breathtaking views, others are filled with historic and architectural details, from stone archways, garden follies, boxwood mazes, ornamental statuary, stained glass, and Renaissance fountains. Follow a stone path under a trellis of blossoms or wander through a gate to discoverÉ

    Organized by arrondissement, Paris takes readers through the city's most charming streets, revealing best-kept secrets and little gems at every turn: ateliers overflowing with notions, cafés with their neat rows of macarons, markets abundant with fresh flowers, shaded parks, and creative hotspots. Packed with vibrant color photographs that capture the spirit of Paris and packaged as a hefty flexi-bound paperback with a ribbon page marker, the book is a beautiful object in its own right. The accessible writing invites readers to dip in and out and provides history and context for each spot on the journey. Visually rich and totally inspiring, Paris is a treasure for lovers of art, style, design, food, and, of course, Paris!

    Charley Harper (1922 2007), with his masterly use of simple geometric shapes, patterns, and vivid colors, distilled the essence of each bird, bug, otter, raccoon, or elephant he painted to its most important details. He called his style of painting "minimal realism. . . . Instead of trying to put everything in when I paint, I try to leave everything out. . . . I reduce the subject to the simplest possible visual terms without losing identity, thereby enhancing identity." Harper's approach to depicting the natural world is both sophisticated and fun. This edition of Beguiled by the Wild comprises all of Harper's serigraphs produced from 1968 to 2007. The original text by Roger Caras and Charley Harper is joined by a new commentary from the artist's son, Brett Harper.

    The Louvre Palace was expanded, Notre-Dame Cathedral was restored and the French masterpiece of the Second Empire, the Opéra Garnier, was built. A very large part of what we see when we visit Paris today originates from this short span of twenty-two years.The vision for the new Nineteenth Century Paris belonged to Napoleon III, who had led a long and difficult climb to absolute power. But his plans faltered until he brought in a civil servant, Georges-Eugène Haussmann, to take charge of the implementation. Heedless of controversy, at tremendous cost, Haussmann pressed ahead with the giant undertaking until, in 1870, his political enemies brought him down, just months before the collapse of the whole regime brought about the end of an era.Paris Reborn is a must-read for anyone who ever wondered how Paris, the city universally admired as a standard of urban beauty, became what it is.

    Two of history’s great mysteries—the fate of the Knights Templar and the truth about the Oak Island treasure—reveal themselves in this fascinating saga of hidden history. "The book we've all been waiting for!" says Rick Lagina, star of History Channel's Curse of Oak Island.

    Art critics gave them the name "the School of Paris" to set them apart from the French-born (and less talented) young artists of the period. Modigliani and Chagall eventually attained enormous worldwide popularity, but in those earlier days most School of Paris painters looked on Soutine as their most talented contemporary. Willem de Kooning proclaimed Soutine his favorite painter, and Jackson Pollack hailed him as a major influence.Soutine arrived in Paris while many painters were experimenting with cubism, but he had no time for trends and fashions; like his art, Soutine was intense, demonic, and fierce. After the defeat of France by Hitler's Germany, the East European Jewish immigrants who had made their way to France for sanctuary were no longer safe. In constant fear of the French police and the German Gestapo, plagued by poor health and bouts of depression, Soutine was the epitome of the tortured artist. Rich in period detail, Stanley Meisler's Shocking Paris explores the short, dramatic life of one of the most influential artists of the twentieth century.

    News correspondent and renowned media historian Eric Burns tells of Ben Franklin, Alexander Hamilton and Sam Adams -- the leading journalists among the Founding Fathers; of George Washington and John Adams, the leading disdainers of journalists; and Thomas Jefferson, the leading manipulator of journalists. These men and the writers who abused and praised them in print (there was, at the time, no job description of "journalist") included the incendiary James Franklin, Ben's brother and one of the first muckrakers; the high minded Thomas Paine; the hatchet man James Callender, and a rebellious crowd of propagandists, pamphleteers, and publishers. It was Washington who gave this book its title. He once wrote of his dismay at being "buffited in the public prints by a set of infamous scribblers." The journalism of the era was often partisan, fabricated, overheated, scandalous, sensationalistic and sometimes stirring, brilliant, and indispensable. Despite its flaws -- even because of some of them -- the participants hashed out publicly the issues that would lead America to declare its independence and, after the war, to determine what sort of nation it would be.

    Filipino and American historians have recreated the Philippine Revolution to suit the political needs of succeeding generations, disregarding aspects that now emerge so clearly in Alvarez's account- an embittered factionalism, strong undercurrents of messianism and animism and a violent machismo. To give their new nation Western style heroes and heroism, postwar Filipino Historians often stripped these events of their authenticity. Alvarez gives us back these elements without denigrating the dignity or glory of the revolution. “In the interest of noble truth” he wrote of the successes as well as failures, bravery as well as brutality, providing the new raw material for recreating this aspect of the Filipino past.Without denigrating the dignity or glory of the Revolution, this book gives an account of the successes as well as failures, and bravery as well as brutality of the war, providing raw material for recreating this aspect of the Filipino past. This book contains both the Tagalog and English texts.

    Yet he is poorly understood and most commonly described in stereotypes -- as a madman, martyr, or enigma. Not until Patriotic Treason has a biography or history brought him so fully to life, in scintillating prose and moving detail, making his life and legacy -- and the staggering sacrifices he made for his ideals-fascinatingly relevant to today's issues of social justice and to defining the line between activism and terrorism. Vividly re-creating the world in which Brown and his compatriots lived with a combination of scrupulous original research, new perspectives, and a sensitive historical imagination, Patriotic Treason narrates the dramatic life of the first U.S. citizen committed to absolute racial equality. Here are his friendships (Brown lived, worked, ate, and fought alongside African Americans, in defiance of the culture around him), his family (he turned his twenty children by two wives into a dedicated militia), and his ideals (inspired by the Declaration of Independence and the Golden Rule, he collaborated with black leaders such as Frederick Douglass, Martin Delany, and Harriet Tubman to overthrow slavery). Evan Carton captures the complex, tragic, and provocative story of Brown the committed abolitionist, Brown the tender yet demanding and often absent father and husband, and Brown the radical American patriot who attacked the American state in the name of American principles. Through new research into archives, attention to overlooked family letters, and reinterpretation of documents and events, Carton essentially reveals a missing link in American history. A wrenching family saga, Patriotic Treason positions John Brown at the heart of our most profound and enduring national debates. As definitions of patriotism and treason are fiercely contested, as some criticize religious extremism while others mourn religion's decline, and as race relations in America remain unresolved, John Brown's story speaks to us as never before, reminding us that one courageous individual can change the course of history.