But one day she is suddenly forced to confront the cruel reality of the Holocaust, together with the rest of French Jewry. Paulette is forced to separate from her family, and as a result, abandoned by her father. But despite her difficult and shocking life experiences, she remains naïve and optimistic, holding on to her thirst for life even in the darkest hours. An authentic and moving life story I Love You My Child, I'm Abandoning You is an exciting human documentary, taking place in France during the Holocaust. It honors the memory of the French Jews who perished in the Second World War, while simultaneously giving voice the persistent will to live, and the strength and bravery that characterize those who survived and gave rise to the future generations of the Jewish people. An existential odyssey that puts a spotlight on the human need and right to belong Ariela Palacz shares her life story through the character of little Paulette Szenker, sensitively weaving past and present into an authentic and moving journey that shifts between WWII France and contemporary Jerusalem. A story about the human spirit and the thirst for a family, a tradition, and a nation, that will touch your heart. Get your copy of I Love You My Child, I'm Abandoning You now!

    Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money?   Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world.   Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else.   The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms.The No. 1 New York Times bestseller. Best nonfiction books of the year at Goodreads, Amazon.com, and Barnes & Noble. One of the New York Times critic Janet Maslin's 10 favorite books of 2013.

    Carrie Davies, an 18-year-old domestic servant, quickly confessed. But who was the victim here? Charles “Bert” Massey, a scion of a famous family, or the frightened, perhaps mentally unstable Carrie, a penniless British immigrant? When the brilliant lawyer Hartley Dewart, QC, took on her case, his grudge against the powerful Masseys would fuel a dramatic trial that pitted the old order against the new, wealth and privilege against virtue and honest hard work. Set against a backdrop of the Great War in Europe and the changing faceof a nation, this sensational crime is brought to vivid life for the first time.As in her previous bestselling book, Gold Diggers—now in production as a Discovery Television miniseries—multi-award-winning historian and biographer Charlotte Gray has created a captivating narrative rich in detail and brimming with larger-than-life personalities, as she shines a light on a central moment in our past.

    This book is an authorized translation of the original book that was written in Croatian in 1966. What follows was written by the original publisher. There is no stronger or more reliable material than the one that is born from one’s own experience. Eyewitnesses and direct participants provide us with not only the facts, but also that sublimely human spirit common to all happenings in which people participate. It doesn’t matter that this account is about the fear that the people of Jasenovac experienced, or about the deeds of their torturers. For every one hundred thousand people in the Jasenovac camp during its horrifying four-year existence, there was only one—literally one—who survived. Those were the odds in the balance of life and death: one hundred thousand dead and one alive. And there is a witness, right in front of us, who found the strength to reminisce, to go back to the place of his torture, to break the psychological barriers, and to lead us step by step through his nightmare, through waves of terror that exceed every notion of horror. From the beginning of his time at Jasenovac to the end, Egon Berger was witness—and victim—to a rampage without limit. Of those who survived, he is the only one who told the story. Berger does not bring us a literary masterpiece—he brings us only the experience, a story about forty-four months of his life in a camp, told simply. A story is enough—a story that calls images to mind and makes us tremble with the thought, “Are such things possible?” For myself and every person who had been to Jasenovac and lived, it is a miracle that we survived. Yes, it is possible, it is real, and it is true. A terror arose in front of us from the oblivion. It should not be forgotten. Share this record with future generations who will hopefully not know such terror. Ivo Frol, 1966

    But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

    The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship; after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody--not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan--seemed to care about anything but her welfare thievery.Growing up in the Jim Crow South, Taylor was made an outcast because of her color. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism and an expose of the "welfare queen" myth, one that fueled political debates that reverberate to this day. The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name.

    Women wanted to be her. Men just wanted her. When her life of fantasy became all too real, and her jealous millionaire husband, Harry K. Thaw, killed her lover, celebrity architect Stanford White, builder of the Washington Square Arch and much of New York City, she found herself at the center of the Crime of the Century, and the popular courtroom drama that followed, a scandal that signaled the beginning of a national obsession with youth, beauty, celebrity, and sex.The story of Evelyn Nesbit is one of glamour, money, romance, sex, madness, and murder, and Paula Uruburu weaves all of these elements into an elegant narrativethat reads like the best fiction - only it's all true. American Eve goes far beyond just literary biography; it paints a picture of America as it crossed from the Victorian era into the modern, foreshadowing so much of our contemporary culture today.

    His tour of duty in Iraq, however, left him disillusioned and questioning. Then he accepted a posting to J-PAC, an elite division whose mission is to fulfill the most solemn promise of the military code: bring all fallen soldiers home to the country for which they gave their lives.In 1944 Captain Ryan McCown, a dashing young Marine aviator assigned to the USS Nassau, was shot down over the jungles of Papua, New Guinea. McCown’s diaries and letters home provide a powerful portrait of the fears and sacrifices of a very different war—and the pathos of the ultimate cost of duty.Eyster’s mission with J-PAC eventually took him and his team deep into the sweltering interior of New Guinea to at last deliver this fallen veteran to his loved ones—while perhaps also recovering something lost in himself.

    They planned one last career-topping heist that they hoped would land them in the history books. Perhaps not the smoothest of criminals, they nevertheless walked away with a stunning haul—more than $20 million in jewels, gold, diamonds, family heirlooms, and cash.Veteran crime reporter and former London correspondent for the New York Times Dan Bilefsky offers a gripping account of how these unassuming criminal masterminds nearly pulled off one of the great heists of the century. Drawing on unrivaled access to the leading officers on the case at the Flying Squad, the legendary Scotland Yard unit that hunted the gang, and notorious criminals from London’s shadowy underworld, Bilefsky follows the villains as they plot, execute, and attempt to evade capture in a nail-biting game of cat-and-mouse.

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    Ossian Sweet moved his family to an all-white Detroit neighborhood in 1925. When his neighbors attempted to drive him out, Sweet defended himself--resulting in the death of a white man and a murder trial for Sweet. There followed one of the most important (and shockingly unknown) cases in Civil Rights history. Also caught up in the intense courtroom drama were legal giant Clarence Darrow and the newly formed National Association for the Advancement of Colored People (NAACP).

    Cecil Beaton and Katharine Hepburn were her godparents. Tracy was named after Katherine Hepburn’s character, Tracy Lord, in the classic film, The Philadelphia Story. These stylish showbiz people were role models for Tracy, who became a clotheshorse at a young age. Tracy’s father, Kenneth Tynan, was a powerful theater critic and writer for the Evening Standard, The Observer, and The New Yorker. Her mother was Elaine Dundy, a successful novelist and biographer, whose works have recently been revived by The New York Review of Books. Both of Tracy’s parents, particularly her father, were known as much for what they wore as what they wrote. In the Tynans’ social circles, style was essential, and Tracy had firm ideas about her own clothing for as long as she can remember. Shopping was an art passed down through the family; though shopping trips with her mother were so traumatic that Tracy started shopping on her own when she was fourteen. When Tracy started writing about her life she found that clothing was the focus of many of her stories. She recalls her father’s dandy attire and her mother’s Pucci dresses, as well as her parents’ rancorous marriage and divorce, her father’s prodigious talents and celebrity lifestyle, and her mother’s lifelong struggle with addiction. She tackles issues big and small using clothes as an entrée—relationships, marriage, children, stepchildren, blended families, her parent’s decline and deaths, and her work as a costume designer are all recounted with humor, with insight, and with the special joy that can only come from finding the perfect outfit.

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    Handsome, boyish and well-spoken, a law student with bright political prospects, Bundy was also a predator and sexual deviant who murdered and mutilated at least thirty young women and girls, many of them college coeds but at least two as young as twelve.

    Henry Holmes, one of the most notorious serial killers of all time, who in the late 1800's, murdered no less than 133 people. A fascinating view of this highly dangerous person from the time of his first murder, when he is only 12 years old, to his adult years when he built a huge, 105-room mansion in Chicago, with most of the space devoted to chambers for torture and death. But then an incredible chase begins, involving kidnapping and more murders when a detective gets on his trail.