It´s the story about Moominmamma and Moomintroll´s search for the missing Moominpappa and how they found their way to the Moominvalley.

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    While the author, Wilhelm Hauff, is not as well known today as the Brothers Grimm, he was considered in his time to be a literary phenomenon.

    She can't believe her aunt wants to sacrifice her to the local dragon. It's a ploy to lure a heroic knight so that he will fight the dragon, marry Creel out of chivalrous obligation, and lift the entire family out of poverty. Creel isn't worried. After all, nobody has seen a dragon in centuries.But when the beast actually appears, Creel not only bargains with him for her life, she also ends up with a rare bit of treasure from his hoard, not gold or jewels, but a pair of simple blue slippers-or so she thinks. It's not until later that Creel learns a shocking truth: She possesses not just any pair of shoes, but ones that could be used to save her kingdom, which is on the verge of war, or destroy it.

    In an adventure equal to any a storyteller might relate, a crippled serving girl faces the intrigues of the harem, the dangers of the streets, and the anger of the Sultan himself to find the needed ending to an incomplete story.

    Tucked into envelopes are actual letters for children to pluck out. Humorous and engaging, this is the perfect read over a spot of tea. Ahhh!

    After the mysterious disappearance of their parents, the sisters are sent to live with their grandmother--a woman they believed was dead! Granny Relda reveals that the girls have two famous ancestors, the Brothers Grimm, whose classic book of fairy tales is actually a collection of case files of magical mischief. Now the girls must take on the family responsibility of being fairy tale detectives.

    Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides. Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale." As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson.Excerpt:"TOM!" No answer. "TOM!" No answer. "What's gone with that boy,  I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll—" She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!"

    You know where you can go? The f**k to sleep.”Go the Fuck to Sleep is a book for parents who live in the real world, where a few snoozing kitties and cutesy rhymes don’t always send a toddler sailing blissfully off to dreamland. Profane, affectionate, and radically honest, it captures the familiar—and unspoken—tribulations of putting your little angel down for the night. Read by a host of celebrities, from Samuel L. Jackson to Jennifer Garner, this subversively funny bestselling storybook will not actually put your kids to sleep, but it will leave you laughing so hard you won’t care.

    This collector's favorite has been redesigned and now features a lavish, eye-catching jacket with silver foil. The interior still includes all of the well-loved illustrations and poems from Barker's eight original books, as well as a selection of fairy rhymes.

    Only Pidge and Brigit can stop her, and their task seems impossible as they're constantly trailed by the queen's hounds. But they're aided in their quest by a host of willing helpers - a glorious array of unforgettable characters.

    George and the Dragon commemorates the 25th Anniversary of the Caldecott Award-winning picture book. Hodges retells an exciting segment from Spenser's The Faerie Queene, in which the Red Cross Knight slays a dreadful dragon that has been terrorizing the countryside for years, bringing peace and joy back to the land. Featuring a fresh new cover design - with artwork that highlights the dragon adventure within - and distinctive embossed gold Caldecott Award sticker, this is the perfect way to introduce the classic tale to a whole new generation of readers.

    Set in Roman Britain this story is of a young Roman officer who sets out to discover the truth behind the mysterious disappearance of the Ninth Legion, who marched into the mists of Northern Britain and never returned.

    In their tiny home, matchboxes double as roomy dressers and postage stamps hang on the walls like paintings. Whatever the Clocks need they simply "borrow" from the "human beans" who live above them. It's a comfortable life, but boring if you're a kid. Only Pod is allowed to venture into the house above, because the danger of being seen by a human is too great. Borrowers who are seen by humans are never seen again. Yet Arrietty won't listen. There is a human boy up there, and Arrietty is desperate for a friend.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.