Two decades later, in 1963, he will be forced to confront again the nightmare that has haunted his adult life: a lethal unfinished operation code-named Declare. From the corridors of Whitehall to the Arabian desert, from post-war Berlin to the streets of Cold War Moscow, Hale's desperate quest draws him into international politics and gritty espionage tradecraft -- and inexorably drives Hale, the fiery and beautiful Communist agent Elena Teresa Ceniza-Bendiga, and Kim Philby, mysterious traitor to the British cause, to a deadly confrontation on the high glaciers of Mount Ararat, in the very shadow of the fabulous and perilous Ark.

    1945: A German bomber flies over Iceland in a blizzard; the crew have lost their way and eventually crash on the Vatnajökull glacier, the largest in Europe. Puzzlingly, there are both German and American officers on board. One of the senior German officers claims that their best chance of survival is to try to walk to the nearest farm and sets off, a briefcase handcuffed to his wrist. He soon disappears into the white vastness. 1999, mid-winter, and the US Army is secretively trying to remove an aeroplane from the Vatnajökull glacier. By coincidence two young Icelanders become involved--but will pay with their lives. Before they are captured, one of the two contacts his sister, Kristin, who will not rest until she discovers the truth of her brother's fate. Her pursuit puts her in great danger, leading her, finally, to a remote island off Argentina in search of the key to the riddle about Operation Napoleon.

    for the best mystery of 1999, this complex literary thriller may be one of the most satisfying suspense novels to come along in some time. Robert Wilson has written several political thrillers, most of which are set in West Africa, but they are, alas, largely unavailable in the U.S.In A Small Death in Lisbon, the narrative switches back and forth between 1941 and 1999, and Wilson's wide knowledge of history and keen sense of place make the eras equally vibrant. In 1941 Germany, Klaus Felsen, an industrialist, is approached by the SS high command in a none-too-friendly manner and is "persuaded" to go to Lisbon and oversee the sale--or smuggling--of wolfram (also known as tungsten, used in the manufacture of tanks and airplanes). World War II Portugal is neutral where business is concerned, and too much of the precious metal is being sold to Britain when Germany needs it to insure that Hitler's blitzkrieg is successful.Cut to 1999 Lisbon, where the daughter of a prominent lawyer has been found dead on a beach. Ze Coelho, a liberal police inspector who is a widower with a daughter of his own, must sift through the life of Catarina Oliveira and discover why she was so brutally murdered. Her father is enigmatic, her mother suicidal; her friends were rock musicians and drug addicts.The reader is treated to a wonderful portrait of Lisbon in the aftermath of the 1974 revolution that ousted Salazar from power, and the scars from that conflict are still close to the surface for the citizens of Lisbon, including Coehlo and his colleagues. We also see World War II in a slightly different manner from that to which we are accustomed--through the eyes of the Germans and the Portuguese. The pace of the book is leisurely but compelling as the events of 1941 and those in 1999 merge in an extraordinary climax

    Cat burglar, card sharp, and Cockney wide boy, the last thing he wants is to get drafted. But in 1946 he finds himself in the Royal Air Force, facing a stretch in military prison . . . when along comes Lt Colonel Burne-Jones to tell him MI6 has better use for his talents.Posted to occupied Berlin, interrogating ex-Nazis, and burgling the odd apartment for MI6, Wilderness finds himself with time on his hands and the devil making work. He falls in with Frank, a US Army captain, with Eddie, a British artilleryman and with Yuri, a major in the NKVD and together they lift the black market scam to a new level. Coffee never tasted so sweet. And he falls for Nell Breakheart, a German girl who has witnessed the worst that Germany could do and is driven by all the scruples that Wilderness lacks.Fifteen years later, June 1963. Wilderness is free-lance and down on his luck. A gumshoe scraping by on divorce cases. Frank is a big shot on Madison Avenue, cooking up one last Berlin scam . . . for which he needs Wilderness once more. Only now they're not smuggling coffee, they're smuggling people. And Nell? Nell is on the staff of West Berlin's mayor Willy Brandt, planning for the state visit of the most powerful man in the world: "Ich bin ein Berliner!"Then We Take Berlin is a gripping, meticulously researched and richly detailed historical thriller – a moving story of espionage and war, and people caught up in the most tumultuous events of the twenty-first century.

     DECEMBER 6 Amid the imperialist fervor of late 1941 Tokyo, Harry Niles is a man with a mission -- self-preservation. But Niles was raised by missionary parents and educated in the shadows of Tokyo's underworld -- making his loyalties as dubious as his business dealings.Now, on the eve of the attack on Pearl Harbor, Niles must decide where his true allegiances lie, as he tries to juggle his Japanese mistress and an adulterous affair with the wife of a British diplomat; avoid a modern-day samurai who is honor-bound to kill him; and survive the machinations of the Japanese high command, whose plans for conquest may just dictate his survival.Set in a maelstrom of personal temptations and mortal enemies, with a remarkable anti-hero caught in a land he can never call his own, DECEMBER 6 is a triumph of imagination, history, and riveting storytelling.

    Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins Colm and Toby are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills any more.So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can't resist. All goes as planned--until the pair are caught redhanded. Ellie expects them to be taken straight to prison, but instead they are delivered to a large townhouse, where government official Major Ramsey is waiting with an offer: either Ellie agrees to help him break into a safe and retrieve blueprints that will be critical to the British war effort, before they can be delivered to a German spy, or he turns her over to the police.Ellie doesn't care for the Major's imperious manner, but she has no choice, and besides, she's eager to do her bit for king and country. She may be a thief, but she's no coward. When she and the Major break into the house in question, they find instead the purported German spy dead on the floor, the safe already open and empty. Soon, Ellie and Major Ramsey are forced to put aside their differences to unmask the double-agent, as they try to stop allied plans falling into German hands.

    It has to be moved to America to pay Roosevelt's `cash and carry' bills. The German High Command learn of British shipping plans and resolve to stop it or capture it.

    At summer's end in 1940, London skies turn war-black as Hitler's airborne hordes begin the Blitz. From the bustling working-class East End to the Underground Stations at Charing Cross and Leicester Square, lethal Nazi Flammenbomben transform the city into a cauldron of human suffering. Against this terrifying scene, a lone psychopath plays his own ghastly game, stalking individual victims and killing them with methodical precision. Probing the murders is Detective Inspector Morris Black of Scotland Yard, a middle-aged Jewish widower gifted with an uncanny ability to divine the truth of a crime from the most meager evidence. As Black tracks his man - whom he dubs Queer Jack - from corpse to corpse, he discovers that each victim was killed at the site of a devastating Luftwaffe raid, only hours before the raid occurred! Black soon learns how explosive his discovery is when he is summoned into Churchill's Magic Circle - the supersecret group of officers, politicians, and spies desperate to draw the United States into war despite rumors that American ambassador Joseph P. Kennedy and his British allies want a separate peace with Hitler. Churchill's men tell Black that British intelligence has cracked "Ultra, " the Nazi military code. The secret must be kept from the Nazis - even if it means allowing thousands to be killed in cities the Magic Circle knows are about to be bombed. An even worse truth is revealed to Black - a Nazi spy in Britain, known toIntelligence as The Doctor, is probably on the trail of Queer Jack too. Somehow, the murderer knows the Ultra secret. If The Doctor finds him first, the Nazis will know that their code has been broken, and Britain could lose the war.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    But for Detective Inspector Nikolai Hoffner and his young assistant, Hans Fichte, the revolution is a mere inconvenience. Four women from the slums of Berlin have turned up dead, all with identical markings etched into their backs, and Hoffner and Fichte have spent the better part of six weeks trying to crack the bizarre case.Things take a troubling turn when the political police begin to show an interest in Hoffner's investigation. Hoffner has no idea why the Polpo would want to get their hands dirty with a serial murderer, until he is shown the lifeless body of Rosa Luxemburg, the same eerie markings on her back. Rumors abound that Rosa, one of the leaders of the suppressed socialist uprising, was assassinated by an angry mob, but the pattern carved into her back tells a different story.

    "Allah!"With that shrill cry, three Muslim terrorists blow up a key Soviet oil complex, creating a critical oil shortage that threatens the stability of the USSR.To offer the effects of this disaster, members of the Politburo and the KGB devise a brilliant plan of diplomatic trickery - a sequence of events designed to pit the NATO allies against each other - a distraction calculated to enable the Soviets to seize all the oil in the Persian Gulf.But as this spellbinding story of international intrigue and global politics nears its climax, the Soviets are faced with another prospect, one they hadn't planned on: a full-scale conflict in which nobody can win.

    No one he has ever known or loved has been born yet. Perhaps now they never will be.Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But can a single bullet truly corrupt an entire century?And, if so, could another single bullet save it?

    Shipped to Princeton University for study, the box contains mysteries that only Lucas, aided by brilliant archaeologist Simone Rashid, can unlock.These mysteries may, in fact, defy—or fulfill—the dire prophecies of Albert Einstein himself.Struggling to decipher the sarcophagus’s strange contents, Lucas and Simone unwittingly release forces for both good and unmitigated evil. The fate of the world hangs not only on Professor Einstein’s secret research but also on Lucas’s ability to defeat an unholy adversary more powerful than anything he ever imagined.From the mind of bestselling author and award-winning journalist Robert Masello comes a thrilling, page-turning adventure where modern science and primordial supernatural powers collide.

    Both the Allies and the Nazis are closing in on attempts to construct the decisive weapon of the war. Kurt Nordstrum, an engineer in Oslo, puts his life aside to take up arms against the Germans as part of the Norwegian resistance. After the loss of his fiancée, his outfit whittled to shreds, he commandeers a coastal steamer and escapes to England to transmit secret evidence of the Nazis’s progress towards an atomic bomb at an isolated factory in Norway. There, he joins a team of dedicated Norwegians in training in the Scottish Highlands for a mission to disrupt the Nazis’ plans before they advance any further.Parachuted onto the most unforgiving terrain in Europe, braving the fiercest of mountain storms, Nordstrum and his team attempt the most daring raid of the war, targeting the heavily-guarded factory built on a shelf of rock thought to be impregnable, a mission even they know they likely will not survive. Months later, Nordstrum is called upon again to do the impossible, opposed by both elite Nazi soldiers and a long-standing enemy who is now a local collaborator—one man against overwhelming odds, with the fate of the war in the balance, but the choice to act means putting the one person he has a chance to love in peril.Based on the stirring true story, The Saboteur is Andrew Gross’s follow-up to the riveting historical thriller, The One Man. A richly-woven story probing the limits of heroism, sacrifice and determination, The Saboteur portrays a hero who must weigh duty against his heart in order to singlehandedly end the one threat that could alter the course of the war.

    The mass-formation attacks have started, and the call to action stations - attack alarms is a daily occurence. This novel offers an account of that long summer when only a handful of fighter planes could prevent a British defeat.