She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility—no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one’s station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in The Dakota with his wife and three young children.

    Untouched since Franco's forces tore through Spain in 1936, the whitewashed walls have crumbled, the garden, laden with orange blossom, grown wild. Emma Temple is the first to unlock its doors in seventy years. Guided by a series of letters and a key bequeathed in her mother's will, she has left her job as London's leading perfumier to restore this dilapidated villa to its former glory. It is the perfect retreat: a wilderness redolent with strange and exotic scents, heavy with the colours and sounds of a foreign time. But for her grandmother, Freya, a British nurse who stayed here during Spain's devastating civil war, Emma's new home evokes terrible memories. As the house begins to give up its secrets, Emma is drawn deeper into Freya's story: one of crushed idealism, lost love, and families ripped apart by war. She soon realises it is one thing letting go of the past, but another when it won't let go of you.

    Iona Grey's prose is warm, evocative, and immediately engaging; her characters become so real you can't bear to let them go.I promised to love you forever, in a time when I didn't know if I'd live to see the start of another week. Now it looks like forever is finally running out. I never stopped loving you. I tried, for the sake of my own sanity, but I never even got close, and I never stopped hoping either.Late on a frozen February evening, a young woman is running through the streets of London. Having fled from her abusive boyfriend and with nowhere to go, Jess stumbles onto a forgotten lane where a small, clearly unlived in old house offers her best chance of shelter for the night. The next morning, a mysterious letter arrives and when she can't help but open it, she finds herself drawn inexorably into the story of two lovers from another time. In London 1942, Stella meets Dan, a US airman, quite by accident, but there is no denying the impossible, unstoppable attraction that draws them together. Dan is a B-17 pilot flying his bomber into Europe from a British airbase; his odds of survival are one in five. In the midst of such uncertainty, the one thing they hold onto is the letters they write to each other. Fate is unkind and they are separated by decades and continents. In the present, Jess becomes determined to find out what happened to them. Her hope—inspired by a love so powerful it spans a lifetime—will lead her to find a startling redemption in her own life in this powerfully moving novel.“A captivating tale of love and love lost.” —Booklist“A wonderful story.” —Rosamunde Pilcher, #1 New York Times bestselling author of The Shell Seekers

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    Violeta comes into the world on a stormy day in 1920, the first girl in a family of five boisterous sons. From the start, her life will be marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. . . .She tells her story in the form of a letter to someone she loves above all others, recounting devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy. Her life will be shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and, ultimately, not one but two pandemics.Told through the eyes of a woman whose unforgettable passion, determination, and sense of humor will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

    At the time she’d thought it romantic. She hadn’t understood his warning.”In Depression-era Key West, Mariella Bennet, the daughter of an American fisherman and a Cuban woman, knows hunger. Her struggle to support her family following her father’s death leads her to a bar and bordello, where she bets on a risky boxing match...and attracts the interest of two men: world-famous writer, Ernest Hemingway, and Gavin Murray, one of the WWI veterans who are laboring to build the Overseas Highway.When Mariella is hired as a maid by Hemingway’s second wife, Pauline, she enters a rarified world of lavish, celebrity-filled dinner parties and elaborate off-island excursions. As she becomes caught up in the tensions and excesses of the Hemingway household, the attentions of the larger-than-life writer become a dangerous temptation...even as the reliable Gavin Murray draws her back to what matters most. Will she cross an invisible line with the volatile Hemingway, or find a way to claim her own dreams? As a massive hurricane bears down on Key West, Mariella faces some harsh truths...and the possibility of losing everything she loves.

    In 1946, Harry Copeland has returned after fighting in the 82nd Airborne from North Africa all the way to the Elbe. Reluctantly assuming the direction of the family fine leather goods manufacture, he finds his life unsatisfactory and on hold – until he is “accidentally” united with Catherine Thomas Hale, the woman for whom he has been waiting all his life, although the forces behind his patience have never been revealed to him. A young actress, singer, and heiress, she has been waiting for him, even if she has known this only in flashes that do not come clear to her until the end of the narrative, and that have not prevented her engagement to a much older man who has been taking advantage of her since childhood.The meeting of Catherine and Harry, their courtship, and their intense love, play out on the stage of New York awakening at mid-century – in the deep worlds of the theater, industry, and high finance, and during the collision of aristocratic New York society with the formidable wave of second-generation, fully assimilated Jews. Though after being broken in the war Harry wants nothing but peace, family, and love, organized crime carries on its extortions as always, even in a city now full of the kind of men who stormed the Point du Hoc and the Siegfried Line. This becomes his moral and physical struggle. While Catherine’s is of a different nature, it is just as consequential, and the courage required of her is perhaps even greater.Of the widest scope – from the air over Sicily to the heat-and-color-saturated Sacramento Valley; the Bay of Biscay to the sea off Maine; the steel mills of Gary, Indiana to the beaches of Amagansett; London in the blitz; the invasion of Normandy; and a single shell gliding across an American lake in August; from the luminous houses of the wealthy to the pounding of the boards beneath a Broadway chorus line – this is yet, first, and foremost a love story, but also a hymn to New York of the period when one great age elided into the other that we call our own. Rich in language and classical allusion, it is true to the mottoes at its outset: the Dantean “Amor mi mosse, che me fa parlare,” “Love moved me, and made me speak,” and to the lines of Lucretius that describe Catherine’s extraordinary representation of the powers, beauties, and graces of womanhood – “Nothing comes forth into the shores of light, or is glad or lovely without you.”

    Villa America was in fact a real house on the French Riviera that Sara and Gerald Murphy built to escape to in the 1920's. Members of a group of expat Americans, they were known for their fabulous parties and for making the Riviera into the glamorous place it is today. Their freewheeling days were filled with champagne and caviar, but these were people who kept secrets and who were, of course, heartbreakingly human. This is a stunning story about the Lost Generation, about a marriage, about a golden age which could not last.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    Two and a half centuries later, the House of Washington still sits on the throne.As Princess Beatrice gets closer to becoming America's first queen regnant, the duty she has embraced her entire life suddenly feels stifling.Nobody cares about the spare except when she's breaking the rules, so Princess Samantha doesn't care much about anything, either . . . except the one boy who is distinctly off-limits to her.And then there's Samantha's twin, Prince Jefferson. If he'd been born a generation earlier, he would have stood first in line for the throne, but the new laws of succession make him third. Most of America adores their devastatingly handsome prince . . . but two very different girls are vying to capture his heart.

    In 1933, twenty-two-year-old Marion Crawford accepts the role of a lifetime, tutoring their Royal Highnesses Elizabeth and Margaret Rose. Her one stipulation to their parents the Duke and Duchess of York is that she bring some doses of normalcy into the sheltered and privileged lives of the two young princesses. At Buckingham Palace, Windsor Castle, and Balmoral, Marion defies oppressive court protocol to take the girls on tube trains, swimming at public baths, and on joyful Christmas shopping trips at Woolworth’s. From her ringside seat at the heart of the British monarchy she witnesses the upheaval of the Abdication and the glamour and drama of the 1937 Coronation. During the war, as Hitler’s Heinkels fly over Windsor, she shelters her charges in the castle dungeons (not far from where the Crown Jewels are hidden in a biscuit tin). Afterwards, she is there when Elizabeth first sets eyes on Philip. But being beloved governess and confidante to the Windsor family has come at a cost. She puts her private life on hold until released from royal service following Princess Elizabeth’s marriage in 1947. In a majestic story of love, sacrifice, and allegiance, bestselling novelist Holden shines a captivating light into the years before Queen Elizabeth II took the throne, as immortalized on the popular television series The Crown.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    One obscure painting leads her to Gabriel Seymour, a highly respected art restorer with his own mysterious past. Together they attempt to uncover the truths concealed within the apartment’s walls. Paris, 1942: The Germans may occupy the City of Lights, but glamorous Estelle Allard flourishes in a world separate from the hardships of war. Yet when the Nazis come for her friends, Estelle doesn’t hesitate to help those she holds dear, no matter the cost. As she works against the forces intent on destroying her loved ones, she can’t know that her actions will have ramifications for generations to come.Set seventy-five years apart, against a perilous and a prosperous Paris, both Estelle and Lia must unearth hidden courage as they navigate the dangers of a changing world, altering history—and their family’s futures—forever.

    But now it’s his turn—he knows too much about the crime of the century: the assassination of President John F. Kennedy.Within hours of JFK’s murder, everyone with ties to Marcello is turning up dead, and Guidry suspects he’s next: he was in Dallas on an errand for the boss less than two weeks before the president was shot. With few good options, Guidry hits the road to Las Vegas, to see an old associate—a dangerous man who hates Marcello enough to help Guidry vanish.Guidry knows that the first rule of running is "don’t stop," but when he sees a beautiful housewife on the side of the road with a broken-down car, two little daughters and a dog in the back seat, he sees the perfect disguise to cover his tracks from the hit men on his tail. Posing as an insurance man, Guidry offers to help Charlotte reach her destination, California. If she accompanies him to Vegas, he can help her get a new car.For her, it’s more than a car— it’s an escape. She’s on the run too, from a stifling existence in small-town Oklahoma and a kindly husband who’s a hopeless drunk.It’s an American story: two strangers meet to share the open road west, a dream, a hope—and find each other on the way.Charlotte sees that he’s strong and kind; Guidry discovers that she’s smart and funny. He learns that’s she determined to give herself and her kids a new life; she can’t know that he’s desperate to leave his old one behind.Another rule—fugitives shouldn’t fall in love, especially with each other. A road isn’t just a road, it’s a trail, and Guidry’s ruthless and relentless hunters are closing in on him. But now Guidry doesn’t want to just survive, he wants to really live, maybe for the first time.Everyone’s expendable, or they should be, but now Guidry just can’t throw away the woman he’s come to love.And it might get them both killed.