Her debut book upends mainstream ideas about race, class and gender and sets forth a radically inclusive path to collective liberation. Her inclusive story about Black struggle draws on Black intellectual and grassroots organizing traditions including the Haitian Revolution, U.S. Civil Rights, and Black and LGBTQ Feminist Movements. Bold and honest, Unapologetic is an inside look from an on-the-ground activist and movement leader about how to move people from the margins to the center of political strategy and practice.

    In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it.Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men.But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself."

    . . . Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that Chernoff has achieved, but he has given us an excellent illustration of what is possible."—Chet Creider, Culture"Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. . . . No other writing comes close to approaching Chernoff's ability to convey a feeling of how African music 'works'"—James Koetting, Africana Journal"Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice."—David Byrne of "Talking Heads"The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc.

    But when his mouth writes a check that his ass can't cash he is forced to pay up & fast. In “Love in the Ghetto”, what do you do when love is evolved from a very sticky situation? Paper is on the run from New York City and lands himself in the Dirty South…. In order to save his life and his family he has to capture the mind and heart of Evelyn “E-Money” Houston. What Paper thinks will be an easy job turns out to be extremely difficult. Evelyn is not one for games and can spot a rat a mile away. Paper soon finds his way behind the chamber that holds her heart and no longer cares about the threats in New York. Big G, Evelyn’s father is a legend in the streets of Atlanta and will go to war about his three daughters, Elise, Gabrielle and Evelyn. Evelyn serves as his right hand and major moneymaker, any distractions that come her way G is quick to dead them. Known in the hood as E-Money, hated by many but respected by all Evelyn lives & breathes the streets, she doesn't believe in settling down or giving a man the time of day. In this riveting series, love is challenged, expressed and felt through every page. Evelyn is faced with choosing between being loyal to the streets or happiness for once. Will someone end up dying in the name of love? Will G be forced to let go of his baby girl? In “Love in the Ghetto" the meaning of real love is exploited.

    What happened to him on the campgrounds? Who would want to kill Allan? And why are the detectives pointing fingers at Ashley? In her quest to solve the mystery and clear her name, Ashley will learn something about her husband that she didn’t want to know and something about her Christian faith that shifts her life. This short work by national bestselling, multi-published author Michelle Stimpson is packed with emotion, suspense, and a her signature way of weaving hope into a story – always a hit with readers who enjoy faith-based reads.

    Well not exactly. I mean, he is the love of her life. Passion-filled days and nights are all she can think about when she is close to him. But so is fear. Fear of him taking her heart and ripping it to pieces-- so she decides that leaving him and his love for her alone, is the best thing for her. But love is a mercurial thing, it has a way of pulling back up to you when you think you have deserted it, which is what happens when Amara finds a reason to work with Noah on an upcoming project at work. Things that complicate this even more? Keith her current boyfriend, and "the past" which she seems to want to also run away from as much as she runs away from Noah. Can Amara overcome her fears and give into what makes her feel whole? Can she finally begin to trust the love that Noah has always had for her? Find out in I Am Yours...

    Life may not start out all peaches and cream for Courtney...but with a little savvy and a lot of determination she might just turn it all around. Join her on a journey from innocence to independence. Determined not to be consumed by life's struggles, Courtney learns to take advantage of the obstacles she faces. Will she self-destruct or burn bright?

    Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase “I’ll listen to anything but country” allows middle-class Americans to declare inclusive “omnivore” musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.

    From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.

    This revised edition, written twenty-two years after the original, continues the tradition of providing engagingly written analysis that offers the most comprehensive discussion of the field available anywhere.  This book looks at the field of ethnomusicology--defined as the study of the world's musics from a comparative perspective, and the study of all music from an anthropological perspective--as a field of research. Nettl selects thirty-one concepts and issues that have been the subjects of continuing debate by ethnomusicologists, and he adds four entirely new chapters and thoroughly updates the text to reflect new developments and concerns in the field.                                                     Each chapter looks at its subject historically and goes on to make its points with case studies, many taken from Nettl's own field experience. Drawing extensively on his field research in the Middle East, Western urban settings, and North American Indian societies, as well as on a critical survey of the available literature, Nettl advances our understanding of both the diversity and universality of the world's music. This revised edition's four new chapters deal with the doing and writing of musical ethnography, the scholarly study of instruments, aspects of women's music and women in music, and the ethnomusicologist's study of his or her own culture.

     Does the thought of flying fill you with dread? Do panic attacks leave you feeling scared and vulnerable? If so, this book could change your life. Written by top flying experts from British Airways' 'Flying with Confidence' course, this reassuring guide explains everything you need to know about air travel alongside techniques for feeling confident and in control from take off to landing. In easy-to-follow sections, you'll learn how to recognise cabin noises, manage turbulence and fly in bad weather conditions. As your knowledge grows, so will your confidence, with the fear of the unknown removed.

    Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted."Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production.Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.

    . . . In its general theoretical argument on the relations of culture to economy, but also in its specialized concentration, Noise has much that is of importance to critical theory today.” SubStance“For Attali, music is not simply a reflection of culture, but a harbinger of change, an anticipatory abstraction of the shape of things to come. The book’s title refers specifically to the reception of musics that sonically rival normative social orders. Noise is Attali’s metaphor for a broad, historical vanguardism, for the radical soundscapes of the western continuum that express structurally the course of social development.” EthnomusicologyJacques Attali is the author of numerous books, including Millennium: Winners and Losers in the Coming World Order and Labyrinth in Culture and Society.

    Success, women, money. The name Walker Holcomb meant something. I was on top of the world. It was a damn long way to fall. My third album tanked, and I looked for answers in a whiskey bottle. I went from the top of every sexiest man list to the butt of every joke on late night. Only thing in worse shape than me is the family farm. Old place is as ramshackle and beat up as I am—another damned lost cause. Until I open my screen door one day and find her on my front porch. Luscious and fiery. Stubborn as hell. Irresistible. Nothing’s had me this fired up in a long time. She makes me crazy. I want to shout and cuss at her. I want to get my hands on that body. Part of me wants to throw her off my porch, tell her to keep walking till she crosses the property line. The rest of me wants to back her up against the rail and hike up her skirt. Even bloodshot eyes can see she’s just what I’ve been waiting for.

    Forbidden. Teased. Denied. I need to break the rules. It's time for an experiment... Someone just tried to kill me. Maybe I'll pretend they did. Learn who's after me and make them pay. I hole up. I lay low. And then I meet her. The girl next door, literally. I can't tell her my real name. But she didn't ask: she's hiding too. Pretending to be someone she's not. And Lily is different. She knows what she wants. Firm, yet submissive. A mystery, and the clue. I'm supposed to be lying low... Not lying next to Lily. Then pinning her against a wall. Smacking my palm against her @ss Collaring her, then making her beg for release... But this could never last. They were after me. But now they're coming for her. Lily has woken the beast inside me. And if they want her... They'll have to go through me. Holly Hart loves happy endings and hates cheating. So when you pick up one of her books, you know exactly what you're going to get! She's a twice USA Today as well as WSJ Bestselling author, and she's a five times Amazon top 20 bestseller! This full length novel also contains hot bonus material!