Book picks similar to
All of Us are Dead by Joo Dong-geun
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The Drifting Classroom: Perfect Edition, Vol. 1
Kazuo Umezz - 2019
Out of nowhere, an entire school vanishes, leaving nothing but a hole in the ground. While parents mourn and authorities investigate, the students and teachers find themselves not dead but stranded in a terrifying wasteland where they must fight to survive.
Museum of Terror, Vol. 2: Tomie 2
Junji Ito - 1997
Well, then I've got the horror manga for you Junji Ito, the man who brought the world Uzumaki, has one of the most inspired minds in horror today. That's why Dark Horse manga is proud to bring you more from Ito's Museum of Terror series. Continuing with his "Makie" stories, about an eternally youthful and perfectly beautiful girl who inpires people committ murder, volume two promises to invent new ways to shock you. For instance, who'd have thought of making sake out of the remains of the killed and hammered-to-mush Makie? See? It's crazy. Junji Ito promises to entertain you in the most cracked, yet pretty ways.
A Business Proposal
Narak - 2020
Her date is Taemu, her company’s hot new CEO, and he’s got his own plans to get his family to back off by marrying whoever shows up on the date. Should Ha-ri accept his proposal to keep playing pretend? Nothing could go wrong with lying about your real identity while dating the boss . . . right??
Death Note: Another Note - The Los Angeles BB Murder Cases
NisiOisiN - 2006
For some reason the killer has been leaving a string of maddeningly arcane clues at each crime scene. Each of these clues, it seems, is an indecipherable roadmap to the next murder.Onto the scene comes L, the mysterious super-sleuth. Despite his peculiar working habits, he's never shown his face in public—but this time, he needs help.Enlisting the services of an FBI agent named Naomi Misora, L starts snooping around the City of Angels. It soon becomes apparent that the killing spree is a psychotic riddle designed to specifically engage L in a battle of wits. Stuck in the middle between killer and investigator, it's up to Misora to navigate both the dead bodies and the egos to solve the Los Angeles Murder Cases.
Death Note: Black Edition, Vol. 1
Tsugumi Ohba - 2003
But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. But when criminals begin dropping dead, the authorities send the legendary detective L to track down the killer. With L hot on his heels, will Light lose sight of his noble goal...or his life?
Blood Stain, Volume 1
Linda Šejić - 2016
Chemistry major, Elliot Torres has been unable to keep a steady job and eventually accepts a job by a rumored mad scientist Dr. Vlad Stein. Humorous hijinks ensue as their collaboration becomes epic.
JoJo's Bizarre Adventure: Part 1—Phantom Blood, Vol. 1
Hirohiko Araki - 2002
For some reason, Dio has a smoldering grudge against him and derives pleasure from seeing him suffer. But every man has his limits, as Dio finds out. This is the beginning of a long and hateful relationship!
Long Exposure
Kam Heyward - 2016
The story revolves around them developing super powers after an incident at a strange research center. Facing childhood trauma, abusive parents, being followed by a mysterious car, and developing superpowers together, they slowly grow closer and eventually realize they like each other a lot more than friends.Warning: it contains a lot of swearing, some violence, drug/alcohol use, sexual situations, touches on some sensitive subjects, and drops a few (censored) slurs on occasion. (Triggers are put up for the pages that contain any of the above)Read on Tumblr: http://longexposurecomic.comRead on Tapastic: https://tapas.io/series/Long-Exposure
From Hell
Alan Moore - 1999
We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon