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    Week after week, Mauldin defied army censors, German artillery, and Patton's pledge to "throw his ass in jail" to deliver his wildly popular cartoon, "Up Front," to the pages of Stars and Stripes. "Up Front" featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat and the men who lived—and died—in it.This taut, lushly illustrated biography—the first of two-time Pulitzer Prize winner Bill Mauldin—is illustrated with more than ninety classic Mauldin cartoons and rare photographs. It traces the improbable career and tumultuous private life of a charismatic genius who rose to fame on his motto: "If it's big, hit it.

    Whatever else is written about the Iraqi people and the fall of Saddam, Jon Lee Anderson's The Fall of Baghdad is worthy of mention in this company. No subject has become more hotly politicized than the toppling of Saddam Hussein's regime, and so a thick fog of propaganda, both from boosters of the war and its opponents, has obscured the reality of what the Iraqi people have endured and are enduring, under Saddam Hussein and now. For that reason alone, The Fall of Baghdad is a great and necessary book. Jon Lee Anderson has drawn on all of his reserves of stamina and personal bravery to create an astonishing portrait of humanity in extremis, a work of great wisdom, human empathy, and moral clarity. He follows a remarkable and diverse group of Iraqis over the course of this extraordinary time: from the all-pervasive fear that comes from living under Saddam's brutal, Orwellian rule to the surreal atmosphere of Baghdad before the invasion; to the invasion's commencement and the regime's death spiral down into its terrible endgame; to America's disastrously ill-conceived seizure of power and its fruits. In channeling a tragedy of epic dimensions through the stories of real people caught up in the whirlwind of history, Jon Lee Anderson has written a book of timeless significance.

    In a country where “money has won everywhere,” but the essential promise of democracy still beckons, these poems uncover our troubled psyches and show us what it might mean to be “Free Again.”

    Thompson’s Las Vegas, with the Good Doctor as tour guide. A Lord of the Rings-like adventure in the city’s underground flood channels. A seven-day stay at a seedy motel on East Fremont Street.The stories in My Week at the Blue Angel aren’t about Steve Wynn, Cirque du Soleil, or how to play poker and they aren’t set in Caesars Palace, XS Nightclub, or a 2,000-seat showroom. They’re about prostitutes, ex-cons, and the homeless and they’re set under Caesars Palace and in trailer parks and weekly motels.In this creative-nonfiction collection, Matthew O’Brien—author of Beneath the Neon: Life and Death in the Tunnels of Las Vegas—and veteran photographer Bill Hughes show a side of the city rarely seen. A side beyond the neon lights, themed facades, and motel-room doors. A side beyond the barbwire fences, “No Trespassing” signs, and midnight shadows.A side of Las Vegas many locals and visitors are curious about, but few ever explore.

    In her first book, the celebrated Pulitzer Prize-winning New York Times columnist delivers a scorching--and often scorchingly funny--illumination of the Bush administration's fractured adventures in empire-building.

    (The artists he championed include Jackson Pollock, Joseph Cornell, Grace Hartigan, Jane Freilicher, Joan Mitchell, and Robert Rauschenberg.) The flowering of O'Hara's talent, cut short by a fatal car accident in 1966, produced some of the most exuberant, truly celebratory lyrics of the twentieth century. And it produced America's greatest poet of city life since Whitman.Alternating between O'Hara's poems and LeSueur's memory of the circumstances that inspired them, Digressions on Some Poems by Frank O'Hara is a literary commentary like no other--an affectionate, no-holds-barred memoir of O'Hara and the New York that animated his work: friends, lovers, movies, paintings, streets, apartments, music, parties, and pickups. This volume, which includes many of O'Hara's best-loved poems, is the most intimate, true-to-life portrait we will ever have of this quintessential American figure and his now legendary times.

    The answer came as a surprise. "I was at Secretariat's Derby, in '73. That was . . . just beauty, you know?" Sullivan didn't know, not really: the track had always been a place his father disappeared to once a year on business, a source of souvenir glasses and inscrutable passions in his Kentucky relatives. But in 2000, Sullivan, an editor and essayist for Harper's, decided to educate himself. He spent two years following the horse-both across the country, as he watched one season's juvenile crop prepare for the Triple Crown, and through time, as he tracked the animal's constant evolution in literature and art, from the ponies that appeared on the walls of European caves 30,000 years ago, to the mounts that carried the Indo-European language to the edges of the Old World, to the finely tuned but fragile yearlings that are auctioned off for millions of dollars apiece every spring and fall. The result is a witty, encyclopedic, and in the end profound meditation on what Edwin Muir called our "long-lost archaic companionship" with the horse. Incorporating elements of memoir and reportage, the Wunderkammer and the picture gallery, "Blood Horses "lets us see--as we have never seen before--the animal that, more than any other, made us who we are.

    Book One lays out indisputable evidence the brain does not create your consciousness, and that when your body dies, your consciousness will be released into a mental realm. It explains what you can expect to experience during the first minutes until you come to a border near death survivors agree is a point of no return. Book Two will lead you past that border to explore that Shakespeare called, “The undiscovered country,” a mental realm each individual creates for him or herself. It also makes suggestions about actions to take now to insure the best possible outcome after death. Read what reviewers had to say about Book I: “Extraordinary findings in Stephen Martin’s newest book, Life After Death, Powerful Evidence You Will Never Die, will keep readers on the edge of their seats as they burn through this well written book’s pages. . . .” — Mark Davis, M.D. “If you only read one book about the afterlife, I highly recommend this one. It’s an extensive research project and is quite understandable for the average reader. . . .” — Alan Halverson “I couldn't put this book down. I'm 34 years old with no major health issues and have been recently dealing with a lot of anxiety over death. . . .” — Nicole Ryan “This is one of the most powerful books on this subject that I have ever read. Very inspiring.” — C. Ann Clarkon “Very accessible and well-written overview of recent research supporting evidence of consciousness existing independent of the brain; as well as its implications for survival of awareness after physical death. . . .” — Keith Park, Ph.D.

    In The Last Great Revolution, Wright meticulously describes the ongoing transformation of society, politics and religion that ranges from the empowerment of women to the blossoming of a movie industry and an independent press. She demonstrates why Iran's Islamic revolution equals the French and Russian revolutions in new ideas and impact, while standing alone as "the last great revolution" of the modern era.

    Cuny earned his nickname "Master of Disaster" for his exploits in Kurdistan, Somalia, and Bosnia. But when he arrived in the rogue Russian republic of Chechnya in the spring of 1995, raring to go and eager to put his ample funds from George Soros to good use, he found himself in the midst of an unimaginably savage war of independence, unlike any he had ever before encountered. Shortly thereafter, he disappeared in the war-rocked highlands, never to be seen again.Who was Cuny really working for? Was he a CIA spy? Who killed him, and why? In search of the answers, Scott Anderson traveled to Chechnya on a hazardous journey that started as as a magazine assignment and ended as a personal mission. The result is a galvanizing adventure story, a chilling picture of "the  new world order," and a tour de force of literary journalism.

    Deliver Us from Evil is very much an on-the-ground book, full of reportage & descriptions of world leaders such as UN chief Kofi Annan. It includes a strong point of view: the dewy-eyed, do-gooder mentality that drives so much contemporary international relations is, as far as Shawcross is concerned, deeply wrongheaded. Peacekeeping missions often find that there's no peace to keep. Expectations of what they can accomplish soar far too high. "Today 'humanitarianism' often rules. It becomes a sop to international concern, & then it can be dangerous," he writes. Coupled with a world of instant media, where CNN broadcasts live from the killing fields, humanitarianism fuels a strong desire to have immediate reconciliation between warring factions. But it's a delusional goal, says Shawcross, pointing to the American Civil War & how long (even after Appomattox) it took North & South to reconcile fully. There's no reason to think other torn nations will respond more quickly. Peacekeeping missions often promise a heaven on earth they cannot deliver. "In a more religious time it was only God whom we asked to deliver us from evil," concludes Shawcross. "Now we call upon our own man-made institutions for such deliverance. That is sometimes to ask for miracles." -John J. Miller

    Considered one of American’s most brilliant writers by the journalism community, this long-awaited book debut presents Labash at his very best. A latter day Leibling, Labash’s collection will take its place alongside books by writers such as Calvin Trillin and P.J. O’Rourke..• A unique voice that’s well-connected: Labash’s well-informed insights, self-deprecating wit, and provocative candor feature regularly in The Weekly Standard and have also appeared in Washingtonian Magazine , American Spectator , and on Slate.com. Extremely well-liked and respected, his media contacts are many and varied. He has declined invitations to appear on everything from HBO Sports to Meet the Press —but is finally willing to make the rounds. As LA Weekly wrote after his Detroit piece, “it’s not new to give props to Matt Labash.”.• Remarkable collection: Full of wit, insight, and a trenchant grasp of the American scoundrel, Labash’s masterful profiles of men on the nation’s fringe—Pirate Kingfish Gov. Edwin Johnson, The Right Reverend Dr. Al Sharpton, Dirty Trickster Roger Stone—are published alongside devastating pieces on such dead or dying cities as Detroit and New Orleans; work celebrating such joyous, but overlooked pockets of American culture as Revival music and Rebirth Brass Band; and scathing, hilarious briefs on the nation’s great phonies—Michael Moore, Louis Farrakhan, Donald Trump to name a few..

    In our homes, our workplaces, even our schools. It is a company that sponsors the Olympics, backs US presidents and even re-brands Santa Claus. A truly universal product, it has even been served in space.From Istanbul to Mexico City, Mark travels the globe investigating the stories and people Coca-Cola's iconic advertising campaigns don't mention. Child labourers in the sugar cane fields of El Salvador. Indian workers exposed to toxic chemicals. Colombian union leaders falsely accused of terrorism and jailed alongside the paramilitaries who want to kill them. And many more...Provocative, funny and stirring, Belching Out the Devil investigates the truth behind one of the planet's biggest brands.

    And so Ben, a divorced TV journalist, Ronnie, a high-powered CEO, and Michael, a high school English teacher, take leave of their families and jobs for a cross-country road trip to remember. Along the way, they see baseball games, state fairs, Elvis's Las Vegas hotel suite, and a convention of dental hygienists, and not only experience all of America in full bloom, but discover new truths about themselves. All Summer Long is a wise, funny, touching story you'll slurp down like a cold milkshake from the drive-in.