It is the beginning of an unshakeable bond between Elizabeth and Aisling O'Connor, a friendship which will endure through twenty turbulent years of change and chaos, joy and sorrow, soaring dreams and searing betrayals...Writing with warmth, wit and great compassion, Maeve Binchy tells a magnificent story of the lives and loves of two women, bound together in a friendship that nothing could tear asunder - not even the man who threatened to come between them forever.

     Nobody realizes that the family fortune has long since disappeared, and a determinedly single woman like Georgia needs an alternative, and discreet, means of income. In Georgia's case it is six well-heeled lovers -- one for each day of the week, with Mondays off -- none of whom knows about the others. But when the married preacher who has been coming to call (Saturdays) decides to confess their affair in front of the whole congregation, Georgia must take drastic measures to stop him. In George Bottoms, Mark Childress proves once again his unmistakable skill for combining the hilarious and the absurd to reveal the inner workings of the rebellious human heart.

    In these three linked stories, “Chance,” “Soon,” and “Silence”—which, together, inspired Pedro Almodóvar’s film Julieta—her virtuosic talents are once again on display. The stories follow a schoolteacher named Juliet as she is swept up by fate: meeting an older man on a train and starting an affair; later, visiting her parents as a young mother; and later still, searching for contact with her estranged daughter. As with all of Munro’s characters, Juliet radiates warmth, dignity, and hope, even as she is unflinching in the face of betrayal and loss. In Munro’s hands, her journey is as surprising, extraordinary, and precious as life itself.From the Trade Paperback edition.

    She takes the responsibility of shielding her family’s reputation and raising her younger twin siblings onto her youthful shoulders. If not for the emotional constants of her older brother, Griff, and her old guard Southern grandmother, she would be lost. When betrayal and death arrive hand in hand, she takes to the road, headed to what turns out to be the not-so-promised land of Southern California. The dysfunction of her childhood still echoes throughout her scattered family, sending her brother on a disastrous path and drawing her home again. There she uncovers the secrets and lies that set her family on the road to destruction.

    And because she has a child with her, seemingly out of marriage, they want nothing to do with her – except for pub landlord Mick Castle. When Emma opens an academy and sets herself up in competition with the local school, she provokes a savage response from the community. But she will not be deterred – even when her past catches up with her and Mick is forced to choose between family and love.

    For Toby Percival, the son of the owner of factory where she and her mother work, is in love with her. Her mother fears they'll both lose their jobs when Toby's father finds out, but Sarah's prepared to risk everything for Toby's love. Maurice Percival is furious when he discovers his son is involved with a factory girl. Determined to defy his father, Toby joins the army. Sarah is left facing what seem to be insurmountable obstacles, but with the help of her friends, family and a strength she never knew she possessed, she discovers there is a light at the end of the tunnel, though it shines from a different direction to the one she expected.

    An upright, unmarried spinster, Louisa has spent her life looking after others. In the aftermath of a hurricane that turns her life upside down, she finds a battered diary kept by one of her ancestors. The journal recounts the story of Diana, a 19th-century slave who worked for the Hilliards, but sought to improve her life and her means, and was severely punished. Diana's fate is gradually revealed, even as Louisa discovers objects in her house missing, moved, dented, and seemingly handled by an unappeasable presence. In some small way trying to set right age-old wrongs, Louisa discovers how her own life is entangled in her family's haunted history. So Far Back is a nuanced and resonant portrait of two families sharing an enduring past and an uneasy present.

    They've been divorced for four years, she's engaged to a terrific new guy, and she's ready to leave the small North Carolina town where she and Mason had so much history. She is so over Mason that she has absolutely no problem attending his wedding. But when fate intervenes and the wedding is called to a halt as the bride is walking down the aisle, Annajane begins to realize that maybe this happened for a reason. And maybe, just maybe, she wants Mason back...Second chances But there are secrets afoot in this small Southern town, and soon Annajane discovers that change can bring out the worst in people-even her own friends and neighbors-and uncover family scandals. Happiness could be hers for the taking...and the life she once had with Mason could be in her future. But first Annajane must find out what she's really made of, and what really matters most."A winsome love story and compelling family drama; an idyllic small-town setting and surprising twists and turns."-Booklist

    Her mother, Polly, is a cantankerous, take-no-prisoners Southern woman who lives to shoot varmints, drink margaritas, and antagonize the neighbors and she sticks out like a sore thumb among the young modern mothers of their small conventional Texas town. She was in her late fifties when Willow was born, so Willow knows she's here by accident, a late-life afterthought. Willow's father died before she was born, her much older brother and sister are long grown and gone and failing elsewhere. It's just her and bigger-than-life Polly.Willow is desperately hungry for clues to the family life that preceded her, and especially Polly's life pre-Willow. Why did she leave her hometown of Bethel, Louisiana, fifty years ago and vow never to return? Who is Garland Jones, her long-ago suitor who possibly killed a man? And will Polly be able to outrun the Bear, the illness that finally puts her on a collision course with her past?

    She goes to see the house she’s inherited—one she never knew existed, bequeathed to her by a woman she’s never even met. At the heart of this mystery is the hope that maybe—just maybe—this “Winter Cottage” will answer the endless questions about her mother’s past…including the identity of her birth father.Rather than the quaint Virginian bungalow Lucy expected, Winter Cottage is a grand old estate of many shadows—big enough to hold a century of secrets, passions, and betrayals. It also comes with a handsome and enigmatic stranger, a man next in line to claim Lucy’s inheritance.Now, as Lucy sifts through the past, uncovering the legacy of secrets that Winter Cottage holds, she’ll come to discover as much about her family history as she does about herself. In searching, she could finally find the one thing she’s never really had: a home.

    Among them, third-grade teacher Sadie Randolph, who has taught every child in town and believes we are all eight years old in our hearts; Stanley Stone, once Fulton's most prominent lawyer, now feigning dementia to escape life with his son; Marge Walker, the town's self-appointed conveyor of social status who keeps a scrapbook of every local murder and heinous crime; and Rachel Silverman, recently widowed, whose decision to leave her Massachusetts home and settle in Fulton is a mystery to everyone but her. C. J., the pierced and tattooed young mother who runs the beauty shop, and Joanna, the hospice volunteer who discovers that her path to a good life lies with helping folks achieve good deaths, are two of the staff on whom the residents depend.McCorkle puts her finger on the pulse of every character's strengths, weaknesses, and secrets. And, as she connects their lives through their present circumstances, their pasts, and, in some cases, through their deaths, she celebrates the blessings and wisdom of later life and infuses this remarkable novel with hope and laughter.

    After spending months nursing him through his final painful illness, Jo receives a vision of the Virgin Mary, who sends her to Italy to live out her dream of becoming an artist. In doing so, Jo must leave behind her home and her best friend Jack, and risk losing him forever.In Florence, Jo’s intense artistic visions begin to find fruition, but her odyssey is complicated when she meets Chad and Walter, two extraordinary young men. By day, Jo paints–women in a marketplace, the view of the Arno from the Piazzale Michelangelo. At night, both Chad and Walter vie for her attention. As the lives of these three friends become more deeply entwined, the revelation of painful secrets threatens to destroy their delicate balance.It isn’t until Jo returns home that she begins to face up to the legacy of her time in Italy, her very real grief for the grandfather she lost, and the prospect of a future with or without Jack.

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    Jefferson, a young black man, is an unwitting party to a liquor store shoot out in which three men are killed; the only survivor, he is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting and defying the expected. Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have informed his previous, highly praised works of fiction.

    Ivy worries that she herself will be looked over by prospective parents. Not willing to be left behind, the lonely, frightened little girl acts impulsively to secure herself a stable future.