A warm wind stirred, carrying with it the faint smell of pies and horses, and the man paused for just a moment before he sat down. Benny Miller would have driven right past him in her station wagon on that bright and brimming day.'On the first day of summer in 1993, two strangers arrive in the town of Cedar Valley. One is a calm looking man in a brown suit. He makes his way down the main street and walks directly to Cedar Valley Curios & Oldwares, sitting down on the footpath, where he leans silently against the big glass window for hours.The other is 21-year-old Benny Miller. Fresh out of university, Benny has come to Cedar Valley in search of information about her mother, Vivian, who has recently died. Vivian's mysterious old friend, Odette Fisher, has offered Benny her modest pale green cottage for as long as she wants it.Is there any connection between the man on the pavement and Benny's quest to learn more about her mother? Holly Throsby is the perfect guide as Cedar Valley and its inhabitants slowly reveal their secrets.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.