Bedford is back with what will surely (she says) be her last, and the moving culmination of a story that began in 1956 (when Legacy pubbed in the UK).Acclaim, acclaim, and acclaim. Sybille Bedford is, simply put, one of the finest writers of her generation. None other than notoriously hard-to-satisfy Bruce Chatwin asserted that "when the history of modern prose in English comes to be written, Mrs. Bedford will have to appear in any list of its most dazzling practitioners."Comparisons. While not yet as big a name in the U.S. as her talent would suggest, Bedford ranks with the elder states(wo)men of contemporary literature. Think of her in the same breath as Shirley Hazzard, Penelope Fitzgerald, Joan Didion, Anita Brookner, and Cynthia Ozick.Another chance to rediscover a long-lost great. The past few years the literary world has witnessed a number of spectacular career rebirths. Paula Fox, e.g., emerged after a long silence with the NBCC finalist Borrowed Finery and stacks of rave reviews. In some cases, this reassessment has even worked posthumously--as seen in the attention lavished on Rebecca West's Survivors in Mexico. Expect Bedford's Quicksands to be the next to get this royal treatment.The Counterpoint reissues. This book, very likely to be Bedford's last (she's 92), will also form the culmination of the Counterpoint reissues of the Bedford backlist. Look forward to the same crisp, classic packaging for this latest outing.

    The story of Sylvia Beach's love for Shakespeare and Company supplies the lifeblood of this book.

    Based on the true story of Elizabeth Armistead, one of the most notorious and successful courtesans of 18th century England.From the harsh streets of London, Lizzie Cane rose to become the celebrated mistress of earls, dukes, and even a prince! Then at the height of her career, she risked everything she had struggled to gain by breaking the courtesan's cardinal rule...Never fall in love.

    Now, share their adventures, pleasures, and frustrations: the joys and occasional hazards of wining and dining in France, taking part in goat races, attending a Pavorotti concert under the stars -- and much more. Meet Provence's unique characters: a wary truffle hunter, a gourmet in a track suit, the wise and crafty Massot -- and many more. Funny, touching, endearing -- Peter Mayle's Provence proves the adage that while you may not be able to escape from it all, you sure can have fun trying.

    When we think of French cooking, we might picture a fine restaurant with a small army of chefs hovering over sauces for hours at a stretch, crafting elegant dishes with special utensils, hard-to-find ingredients, and architectural skill. But this kind of cooking bears little relationship to the way that real French families eat-yet they eat very well indeed. Now that the typical French woman (the bonne femme of the title) works outside the home like her American counterpart, the emphasis is on easy techniques, simple food, and speedy preparation, all done without sacrificing taste. In a voice that is at once grounded in the wisdom of classical French cooking, yet playful and lighthearted when it comes to the potential for relaxing and enjoying our everyday lives in the kitchen, Moranville offers 300 recipes that focus on simple, fresh ingredients prepared well. The Bonne Femme Cookbook is full of tips and tricks and shortcuts, lots of local color and insight into real French home kitchens, and above all, loads of really good food. It gives French cooking an accessible, friendly, and casual spin.

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    Here he began a twelve-year ordeal that included imprisonment on Devil's Island, trial, and long delayed pardon. This book is an account of the Dreyfus Affair, the scandal that rocked 19th century France.

    4BC-AD 65) ranks among the most eloquent and influential masters of Latin prose. This selection explores his thoughts on philosophy and the trials of life. In the Consolation to Helvia he strives to offer solace to his mother, following his exile in AD 41, while On the Shortness of Life and On Tranquillity of Mind are lucid and compelling explorations of Stoic thought. Witty and self-critical, the Letters - written to his young friend Lucilius - explore Seneca's struggle to acquire philosophical wisdom. A fascinating insight into one of the greatest minds of Ancient Rome, these works inspired writers and thinkers including Montaigne, Rousseau, and Bacon, and continue to intrigue and enlighten.

    It is the first journey in what will be a remarkable life among remarkable people: Betty’s first job out of college is as Joan Crawford’s nanny, caring for the Crawford children at the height of the star’s career. Hollywood is about to play an even larger role in Betty’s life when she meets a young ambitious actor named Lee Marvin. After a whirlwind courtship and a trip to Las Vegas, Betty and Lee are married. In this unique memoir, both hilarious and touching, we follow Betty as she creates a family with Lee, and is by his side as he works with Marlon Brando, John Wayne and a host of other stars. She is the penultimate hostess and Hollywood Housewife. Nobody knew what was really going on at home - until, unable to take Lee’s womanizing, drinking and abuse, Betty leaves him and strikes out on her own. What follows are adventures that could only be Betty Marvin’s; from the building of her career as an artist. To a love affair with an Italian King, to dire straits as investment con artists leave Betty suddenly homeless. After years of the Hollywood life, Betty is left with only her car, her dog and her typewriter. Forced to employ all of her skills to survive, she comes out on top. This is the story of a woman who finds the real riches that come with learning the value of a joyful life.

    . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved.

    At eighteen, she met Tod Hostetter at a local dance, having no idea that the mercurial charmer she would impulsively wed was heir to one of the wealthiest families in America. But when he died twelve years later, Allene packed her bags for New York City. Never once did she look back.From the vantage point of the American upper class, Allene embodied the tumultuous Gilded Age. Over the course of four more marriages, she weathered personal tragedies during World War I and the catastrophic financial reversals of the crash of 1929. From the castles and châteaus of Europe, she witnessed the Russian Revolution and became a princess. And from the hopes of a young girl from Jamestown, New York, Allene Tew would become the epitome of both a pursuer and survivor of the American Dream.

    She demonstrates how ideas of human relationships portrayed in novels and art helped spread these new ideals and how human rights continue to be contested today.

    For this reason, the battle itself has been remembered as a momentary success, the resulted only from a stroke of immediate genius or from a brief plan. But as Alan Schom shows, the Battle of 21 October 1805, a meeting of the might of the British and French navies, was the result of a strategy laid out by the British Admiralty two years earlier, in 1803. The period from that year until the Battle of Trafalgar was known as ‘the Great Terror’, when British naval forces were on constant alert for attacks by the Frenchman. Various political figures are written about, debating manoeuvres and quota of ships to be constructed, and putting down mutinies. Exploring previously unexplored archives of both England and France, Schom places Trafalgar in the context of the era. He draws portraits of the key personnel on both sides, such as Dumouriez, Decrès, Talleyrand, Berthier, Pitt, Cornwallis and Castlereagh. There is also a comprehensive discussion of the growth of the French naval fleet, helped by Dutch ships, and the preparations to build ports, which were hampered by their extraordinary costs and inclement weather. There are detailed descriptions of the fleets meeting during the run-in to Trafalgar, and Schom is engaging and sometimes humorous in his commentary on events. He also debunks several myths which should put an end to certain debates pertaining to a great battle of modern history. “[A] riveting narrative...Lively, dramatic.” – Kirkus Reviews “Fresh and ever interesting...Triumphantly justifies adding to an already crowded bookshelf...The style is vigorous, the narrative packed with facts but relieved with excellently chosen quotations and off-beat insights.” – The Sunday Times “Deftly drawn biographies bring to life the principal actors in the great drama...A thoroughly researched and splendidly written book.” – The Los Angeles Times Book Review Alan Schom was a professor of French and European history before retiring to write full-time. He is the author of Emile Zola: A Biography and the forthcoming One Hundred Days: The Road to Waterloo. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Yet why, over three hundred years after it began, is the Enlightenment so profoundly misunderstood as controversial, the expression of soulless calculation? The answer may be that, to an extraordinary extent, we have accepted the account of the Enlightenment given by its conservative enemies. Ritchie Robertson goes back into the “long eighteenth century,” from approximately 1680 to 1790, to reveal what this much-debated period was really about.Any account of the Enlightenment must be in large part a history of ideas. But Robertson argues that it is not solely a philosophical movement; the Enlightenment saw the publication of the Encyclopédie, which is not only a historical and philosophical compendium, but also an illustrated guide to all sorts of contemporary machinery, handicrafts, and trades aimed to improve people’s lives in immediate and practical ways. Robertson chronicles the campaigns mounted by some Enlightened figures against specific evils such as capital punishment, judicial torture, serfdom and witchcraft trials, featuring the experiences of major figures like Voltaire and Diderot with ordinary people who lived through this extraordinary moment. Robertson gives due attention to philosophical and theological debates, but also looks to literature, music, and the visual arts as prominent means of conveying enlightenment ideas.In seeking to correct one-sided views of the Enlightenment, Robertson ultimately puts forward his own. He does not reduce this transformative period to a formula, but instead makes the claim that indeed the Enlightenment was an attempt to increase human happiness, and to claim that happiness was possible in this world, without needing any compensatory belief in a better one beyond the grave.

      During World War II, SS Hauptsturmführer Nikolaus “Klaus” Barbie earned a reputation for sadistic cruelty unmatched by all but a handful of his contemporaries in Adolf Hitler’s Gestapo. In 1942, he was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with unparalleled enthusiasm.   Thousands of people died on Barbie’s orders during his time in France—often by his own hand—including forty-four orphaned Jewish children and captured resistance leader Jean Moulin, who was tortured and beaten to death. When the Allies were approaching Lyons in the months following the D-Day invasion, Barbie and his subordinates fled, but not before brutally slaughtering all the prisoners still being held captive.   But the war’s conclusion was not the end of the Klaus Barbie nightmare. With the dawning of the Cold War, the “Butcher of Lyons” went on to find a new purpose in South America, just as tensions between the United States and the Soviet Union were escalating. Soon, Barbie had a different employer who valued his wartime experience and expertise as an anti-communist man hunter and murderer: the US intelligence services.   In Klaus Barbie, investigative journalist and documentary filmmaker Tom Bower tells the fascinating, startling, and truly disturbing story of a real-life human monster, and draws back the curtain on one of America’s most shocking secrets of the Cold War.