They sized him up as someone with potential for strategic deployment, and more importantly, he's under the radar. Gregg's exploits start with what he thinks is a one-off assignment as a courier, and the straightforward task spirals out of control. He's forced to rise to the occasion and use every resource available to survive. Even his family is jeopardized which forces him to return to Japan to settle scores.The Courier is one man’s struggle to fight for survival in a world that he's not been trained for and where violence and retribution are the names of the game.

    At extreme personal risk, Shirazi undertakes his assignment. A native Farsi speaker whose family escaped from Iran in 1979, he couldn’t be better prepared for the mission. But none of his training has prepared Shirazi for what will happen next. An obscure religious cleric is suddenly hailed throughout the region as the Islamic messiah known as the Mahdi or the Twelfth Imam. News of his miracles, healings, signs, and wonders, spread like wildfire, as do rumors of a new and horrific war. With the prophecy of the Twelfth Imam seemingly fulfilled, Iran’s leaders prepare to strike Israel and bring about the End of Days. Shirazi must take action, but the clock is ticking.The Tehran Initiative: The world is on the brink of disaster, and the clock is ticking. Iran has just conducted its first atomic weapons test. Millions of Muslims around the world are convinced their messiah—known as the Twelfth Imam—has just arrived on earth. Israeli leaders fear Tehran, under the Twelfth Imam’s spell, will soon launch a nuclear attack that could bring about a second Holocaust and the annihilation of Israel. The White House fears Jerusalem will strike first, launching a preemptive attack against Iran’s nuclear facilities that could cause the entire Middle East to go up in flames, oil prices to skyrocket, and the global economy to collapse. With the stakes high and few viable options left, the president of the United States orders CIA operative David Shirazi and his team to track down and sabotage Iran’s nuclear warheads before Iran or Israel can launch a devastating first strike.Damascus Countdown: 2014 “Christian Retailing’s Best” award finalist!All eyes are on the Middle East. Israel has successfully launched a first strike on Iran, taking out all of their nuclear sites and six of their nuclear warheads—and causing The Twelfth Imam to order a full-scale retaliation. U.S. President William Jackson threatens to support a U.N. Security Council resolution condemning the Jewish State for unprovoked and unwarranted acts of aggression. Meanwhile, CIA operative David Shirazi has infiltrated the Iranian regime and intercepted information indicating that two Iranian nuclear warheads survived the attack and have been moved to a secure and undisclosed location. In danger not only from the ongoing missile strikes on Iran but also from the increasingly hostile and suspicious governments of multiple countries, David and his team are in a race against time to find the remaining nuclear warheads before disaster strikes.

    John's is the centre of the universe, that these stories are about absolutely everything, that the only certainty in life comes from the accumulation of moments which refuse to be contained. Love, mistakes, loss -- the fear of all of these, the joy of all of these. The interconnectedness of a bus ride in Nepal and a wedding on the shore of Quidi Vidi Lake; of the tension between a husband and wife when their infant cries before dawn (who will go to him?) and the husband's memory of an early, piercing love affair; of two friends, one who suffers early in life and the other midway through.In Open Lisa Moore splices moments and images together so adroitly, so vividly, you'll swear you've lived them yourself. That there is a writer like Lisa Moore threading a live wire through everything she sees, showing it to us, warming us with it. These stories are a gathering in. An offering. They ache and bristle. They are shared riches. Open.Melody --Mouths, open --The way the light is --Craving --Natural parents --Close your eyes --Azalea --If you're there --The stylist --Grace

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Recipe for death – Sam learns an important lesson about ticking off the lunch lady.Monitor Mayhem – There's something strange about the new baby monitor, but will Stephanie figure it out before it's too late?Free Five Chapter Extended Preview of Super Zombie Juice Mega Bomb:When life gives you lemons, kill zombies—turns out lemon juice neutralizes the undead. Best friends Nathan & Misty return home to discover the military has destroyed the bridges out of their rural town & everyone's fled—except a small horde of zombies.Even with the help of the town geek, they'll need more then lemonade-powered Super-Soakers; they'll need the Super Zombie Juice Mega Bomb. These stories are not recommended for kids under 8.

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    30 months. 8 million dollars. Under the radar, always a denominator, never a numerator. Obsessive planning, powered by a deadly combination of paranoia and greed. That's the life of a southern grower. Only light sleepers survive. The rest get free room and board at Parchment prison. A refugee from a high rise corporate plantation was in his 19th month and sailing safely toward the finish line. The kid was looking for a dry place to stay, away from the cops, away from the shit on the streets. Jackson, Mississippi is a toxic place. Been that way for a long time.

    G. Francis Xavier. Evidently, this harvest of stories has been gleaned from lands he visited and books he read. Xavier, who conducts full-house personal growth courses has brought out this compendium in an interactive form, making the reader give the answers at the end of the story, which is a novel approach. Stories and examples are the best way to inspire, and this volume can be gifted to anyone. It is useful for preachers, speakers and teachers. The book appeals to readers of all ages except the morose and irredeemable negaholics (negative thinking addicts) and anti-reading teenagers. It has stories to inspire and promises uninterrupted chuckles till the end. There are also quotations on success.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    But do they really? If you took a bird’s-eye view of Mount Barker, you’d see ordinary Australians living on their ordinary suburban blocks in an ordinary regional town. Get closer. Peer through a window. You might see Nathan Long, obsessively recording the incessant bark of a neighbourhood dog, or the Wheeler family sitting down for a meal and trying to come to terms with a shocking discovery. If you listen, you may hear tales of fathers and their wayward sons, of widows who can’t forgive themselves, of children longed for and lost, of thwarted lust and of pure, incorruptible love. Within the shadows is an unspeakable crime. Rebekah Clarkson has created a compelling, slow-burning portrait of a town in the midst of major change as it makes the painful transformation from rural idyll to aspirational suburbia. What looked like redemption is now profound loss. What seemed spiteful can now be forgiven.

    In “Floor Plans,” a woman at the end of her marriage tests her power when she inadvertently befriends the neighbor trying to buy her apartment. In “Appetite,” a sixteen-year old grieving her mother’s death experiences first love and questions how much more heartbreak she and her family can endure. In “Dinosaurs,” a recent widower and a young babysitter help each other navigate how much they have to give—and how much they can take—from the people around them. Through stories that are at once empathetic and unexpected, these women and girls defiantly push the boundaries between selfishness and self-possession. With a fresh voice and bold honesty, Back Talk examines how narrowly our culture allows women to express their desires.

    Set in and around contemporary London, these nine stories explore both the blisses and irritations of domestic life. An ambitious teenager vows never to settle for any of the adult lives she sees around her. Two old friends get tipsy at a small cafe and end up revealing more than they intended. In a boutique so exclusive that entrance requires a password, a frazzled careerwoman explores the anesthetizing effect of highly impractical clothing. And in the mesmerizing title story, a mother of three takes life one day at a time, while pushing the ominous question of whether she wants to firmly to one side.

    After a questionable recovery and a broken relationship, he abandons his new home in the Arizona desert, though not before leaving a man for dead. Slater returns to Michigan in a busted-up Ford to reunite with an old train-hopping pal, but quickly discovers that the Pleasant Peninsula of his youth is none too pleasant. As Slater’s past catches up with his present—a love triangle, a local drug dealer, the damaged residents of a destitute Northern Michigan town—rock bottom keeps slipping farther away.Three years later, Slater sits in a dark video-editing suite, popping speed like penny candy, attempting to reconcile himself with the unfilmed memories that haunt his screens and his conscience.