For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers—French-born New Yorker art director Françoise Mouly—exerted a force over reality that was both dazzling and daunting. As Nadja’s body changed and “began to whisper to the adults around me in a language I did not understand,” their relationship grew tense. Unwittingly, they were replaying a drama from her mother’s past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them.  It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled.  Her grandmother’s memories contradicted her mother’s at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most.

    Johannes Cabal, a brilliant scientist and notorious snob, is single-mindedly obsessed in heart and soul with raising the dead. Well, perhaps not "soul" . . . He hastily sold his years ago in order to learn the laws of necromancy. But now, tormented by a dark secret, he travels to the fiery pits of Hell to retrieve it. Satan, who is incredibly bored these days, proposes a little wager: Johannes has one year to persuade one hundred people to sign over their souls or he will be damned forever. To make the bet even more interesting, Satan throws in that diabolical engine of deceit, seduction, and corruption known as a "traveling circus" to aid in the evil bidding. What better place exists to rob poor sad saps of their souls than the traveling carnivals historically run by hucksters and legendary con men? With little time to lose, Johannes raises a motley crew from the dead and enlists his brother, Horst, a charismatic vampire (an unfortunate side effect of Johannes's early experiments with necromancy), to be the carnival's barker. On the road through the pastoral English countryside, this team of reprobates wields their black magic with masterful ease, resulting in mayhem at every turn. Johannes may have the moral conscience of anthrax, but are his tricks sinful enough to beat the Devil at his own game? You'll never guess, and that's a promise! Brilliantly written and wickedly funny, "Johannes Cabal the Necromancer" combines the chills and thrills of old-fashioned gothic tales like "The Legend of Sleepy Hollow," the mischievous humor of "Wicked," and the sophisticated charms of" Jonathan Strange &Mr. Norrell "and spins the Faustian legend into a fresh, irreverent, and irresistible new adventure.

    And now they’ve met their matches: each other.But fearless Earless Erika is really just Amy—a financial analyst with little time in her life for anything but work. And Corbin is none other than the man behind the game—the programmer and owner of the company. He’s intrigued by Amy, the only buccaneer to best him in this test of digital testosterone, while she just wants to take his arrogance down a peg. But soon the two find themselves comrades in arms against a merciless rival bent on Corbin’s destruction—both on the virtual high seas and in real life. Only by setting aside their differences can they locate the actual people behind the swaggering swashbucklers—and along the way find that love can tame even the most fearsome of pirates.

    Lawhead’s acclaimed Bright Empires series—now available in one volume! Journey through The Skin Map, The Bone House, The Spirit Well, The Shadow Lamp, and The Fatal Tree in this stunning series that blends an epic treasure hunt, ancient history, alternate realities, cutting-edge physics, philosophy, and mystery. It’s a page-turning adventure like no other. “Anything but ordinary . . . dynamic settings are mixed with unpredictable adventures.” —BookPage review of The Skin Map

    From his cult classic,  I Smell Esther Williams, to his wildly popular and insightful column "Wild Kingdom" appearing in Esquire magazine every month, Mark Leyner has been giving us up close and personal encounters of the most hilarious kind for over a decade.Now, in his new novel The Tetherballs of Bougainville, Leyner shares with us,  long last, the quintessential coming of age story that every writer, at some point, is compelled to tell.  In the novel we meet young Mark Leyner, 13-years-old to be exact, as he waits in a New Jersey prison to witness his father's execution.  Adolescence is never easy, and it just so happens that this junior high schooler is on deadline to turn in a screenplay for which he has already been awarded the Vincent and Lenore DiGiacomo/Oshimitsu Polymers America Award.  And, as it was for all of us during out teenage years, nothing seems to go as planned.Written as autobiography, screenplay and movie review, The Tetherballs of Bougainville twists three familiar narrative forms into an outlandishly compelling story.  Leyner's use of the media-driven formats brilliantly reflects our secret, shameful and hilarious desire to experience our private lives as mass entertainment.  The Tetherballs of Bougainville skewers and celebrates American pop culture in the late twentieth century.  Leyner's version of our lives is so deeply funny because it is so painfully true.From the Hardcover edition.

    Once beautiful, she was taken care of by men. Now, after being dropped by her latest lover, Mr. Mackenzie, Julia is running out of luck and chances. A visit to London to see her ailing mother might offer an opportunity to start over—but it also brings her face to face with her distrustful sister, Norah, who can’t help but feel that Julia has only changed for the worse in the years since they last saw one another. And it proves difficult to escape the desultory romantic entanglements of Paris when a suitor follows her to England.Nowhere is Jean Rhys’s talent for fully inhabiting the minds of her characters more apparent than in After Leaving Mr. Mackenzie, her masterful second novel. Rhys lays bare the desires and contradictions of the mercurial Julia, and all those trapped in her orbit, in this haunting depiction of life after the end of a tumultuous affair.

    Its streets are lined with haunted ruins, Notre-Dame is a burnt-out shell, and the Seine runs black with ashes and rubble. Yet life continues among the wreckage. The citizens continue to live, love, fight and survive in their war-torn city, and The Great Houses still vie for dominion over the once grand capital.House Silverspires, previously the leader of those power games, lies in disarray. Its magic is ailing; its founder, Morningstar, has been missing for decades; and now something from the shadows stalks its people inside their very own walls.Within the House, three very different people must come together: a naive but powerful Fallen, a alchemist with a self-destructive addiction, and a resentful young man wielding spells from the Far East. They may be Silverspires’ salvation. They may be the architects of its last, irreversible fall…

    He claims to be committed to ending slavery, but his actions don’t back-up his words. Is being the “best of the worst” all he’s capable of? 1863, New York City: Giant Irish street fighter Patrick Allen is days away from battling it out with a similarly oversized black fighter, when the Draft Riots ignite dangerous racial conflicts around the city. Never one to take sides outside the ring or join a fight he can’t win, he steers clear of the angry mobs. So when he stumbles on a lynching in progress, who can expect him to do anything more than look away? Modern day, New York City: Patrick Walsh, a day trader by occupation and a daydreamer by disposition, sits alone on his terrace trading his portfolio while gazing out at the city skyline. Alone feels right…always has, and he’s fairly certain, always will. Besides having a similar name and a proclivity to make cowardly mistakes, what mystery ties these men together?

    IRGB is a nation living in the aftermath of a bizarre and terrifying terrorist atrocity - hundreds of thousands were wiped out when a vast triangle of west London was instantly annihilated. The authorities think the terrorist attack and the death of Tarent's wife are somehow connected. A century earlier, a stage magician is sent to the Western Front on a secret mission to render British reconnaissance aircraft invisible to the enemy. On his journey to the trenches he meets the visionary who believes that this will be the war to end all wars. In 1943, a woman pilot from Poland tells a young RAF technician of her escape from the Nazis, and her desperate need to return home. In the present day, a theoretical physicist stands in his English garden and creates the first adjacency. THE ADJACENT is a novel where nothing is quite as it seems. Where fiction and history intersect, where every version of reality is suspect, where truth and falsehood lie closely adjacent to one another. It shows why Christopher Priest is one of our greatest writers.

    But instead of finding solace in the region's quiet hills and medieval ruins, she falls in love with Raoul, a man whose very existence challenges everything she knows about life--and about her husband's death. As Raoul reveals the story of his past to Lia, she becomes entangled in the echoes of an ancient murder, resulting in a haunting and suspenseful journey that reminds Lia that the dead may not be as far from us as we think. Steeped in the rich history and romantic landscape of rural France, In Another Life is a story of love that conquers time and the lost loves that haunt us all.

    She is Thalassia.In 425 BCE, the Athenian general Demosthenes comes into possession of a weapon from the stars. He fears to wield it against his city's bitter enemy Sparta, but he knows that he must, lest it be wielded by others. He knows, too, that it seeks to wield and possess him, for this weapon is human, or something like it, and as complex as the wider universe from which she fell. She is Thalassia. She is doom and madness. She has come for reasons all her own, and she did not come alone. Book II out 9/24!ATHENIAN STEEL is bloody, twisted mayhem in the ancient world and Book I in a centuries-spanning epic that will appeal to readers of Gene Wolfe, David Gemmell, David Drake, Michael Moorcock, & other classic SF/Fantasy authors of the 1970's to 1990's. Fans of Bernard Cornwell, Michael Curtis Ford, Steven Pressfield and similar will also find plenty to enjoy if they don't mind touches of cosmic SF, dark humor, and sex in their military historical fiction.

    In Portland, Oregon, Julie moves through her days in a series of negatives: the skaters she doesn’t think are cute, the trinkets she doesn’t buy at the craft fair, the umbrella she refuses to carry despite the incessant rain. Her family life is routine and restrained, and no one talks about Julie’s older brother, a one-time Olympic-hopeful swimmer who now lives in self-imposed exile in Berlin. Julie has never considered swimming herself, until Alexis, the girls’ swim team captain, tries to recruit her. It’s a dare, and a flirtation—and a chance for Julie to find her brother, or to finally let him go. Anything could happen when her body hits water.

    From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

    With her husband, F. Scott Fitzgerald, she moved in a golden aura of excitement, romance, and promise. The epitome of the Jazz Age, together they rode the crest of the era: to its collapse and their own.From years of exhaustive research, Nancy Milford brings alive the tormented, elusive personality of Zelda and clarifies as never before her relationship with Scott Fitzgerald. Zelda traces the inner disintegration of a gifted, despairing woman, torn by the clash between her husband's career and her own talent.

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}