She and her lover worked long and hard on coming up with a set of rules that both of them could live with. But her lover is having a very hard time keeping her end of the bargain.Regan Manning and her lover have a very traditional relationship, built on a foundation of monogamy. Or so Regan thought. She’s devastated when she learns the truth, and she’s unwilling to forgive or forget.Cheating partners brought Callie and Regan together. Not as lovers, but as friends supporting each other through tough times. They both come to realize that they could be more than friends. But they each have to get past their insecurities before they can try to take that leap.It’s not easy for either of them: the path to true love rarely is. But their friendship can be a bridge to commitment if only they’ll let it.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, “the closest men become is when they are covered in blood / or nothing at all.”But if Jake Skeets’s collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place―full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover’s body: A spine becomes a railroad. “Veins burst oil, elk black.” And “becoming a man / means knowing how to become charcoal.”Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros.

    Dorval arrives in a small British Columbia town at the confluence of the Fraser and Thompson Rivers. As Frankie Burnaby, the young schoolgirl Mrs. Dorval befriends, pieces together Hetty’s story, she begins to realize that her enigmatic idol is also a treacherous opponent.Hetty Dorval, Wilson’s first novel, is a wise and expertly crafted tale of innocence and experience.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    Angela Morrison has it all. She’s married to a wealthy man, adores her son, grows orchids, and volunteers at Our Daily Bread Food Pantry. What more could she want? More — much more. And she’s willing to risk everything after meeting Carsten, the landscaper with the glacier-blue eyes. Sister Eileen, who runs Our Daily Bread Food Pantry, struggles with the silence of God and harbours a secret she believes is unforgivable. She yearns to convince Angela she is loved by God, despite her selfishness and destructive behaviour, but in order for that to be authentic Eileen must learn to love her first, and that’s no easy task — especially after Angela causes a terrible tragedy. Through the crucible of their relationship, Angela and Eileen discover how caring for the most difficult among us and practising forgiveness, no matter how painful, opens a door to the miracle of transformation.

    It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems for, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women's bodies, while maintaining a vivid wildness that the tongue aches to speak aloud. Known best for breathtaking last lines and truths that will bowl you over, Drive Here and Devastate Me will "relinquish you from the possibility of meeting who you could have been, and regretting who you became."

    Set in the stark, confining atmosphere of a Newfoundland milltown, this semi-autobiographical novel tells the story of the Stone family-caught in relentless poverty and tyranized by Saul Stone, an illiterate man whose primitive fury warps and twists his wife and children. A brilliant portrayal of existence bereft of tende ess, House of Hate is a Tale of human ordeal and of an anguished striving for love in the midst of bitte ess. It is, as Farley Mowet has observed, a book unique in Canadian Literature. Percy Janes is a Canadian author who was raised in Newfoundland and retu ed there to live after extended travels in Europe.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Then a mysterious stranger hands him a disposable camera with the power to transport him into someone else’s body—and someone else’s life. But with a limited number of shots and trouble mounting click by click, will this unhappy boy find a new life? Or will the secret he’s been keeping follow him wherever he goes? Richard Scrimger’s Lucky Jonah is a hilarious take on a Freaky Friday-esque switcheroo with a major identity crisis.

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    He wasn't expecting his best friend, Claire Olivia, to kidnap him. And he definitely wasn't expecting what she has planned to cheer him up...Ben Carver was honestly planning to spend winter break at home in New Hampshire not thinking about Rafe. But he wasn't expecting to run into his ex-girlfriend, who's still interested in him. And he wasn't expecting to find himself still attracted to her...Openly, Honestly tells two funny, sad, beautiful stories that were made for anyone who has longed for one person to see you, to understand you, and to love you exactly as you are.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    It's about her childhood in the north-west of England with her beautiful, careworn mother Marcia, Linford (the man formerly known as Dad, 'half-fun, half-frightening') and her little brother Roo, who sees things written in the stars. It's about growing up and discovering the power and fear of her own sexuality, of pitch grey days of pills and powder and encounters. It's about damage and pain, but also joy. Told with raw intensity, shocking honesty and the poetry of the darkest of fairy tales, The Terrible is a memoir of going under, losing yourself, and finding your voice.

    The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.