Norman Wright's newest parenting book, Raising Kids to Love Jesus, alongside seven other classic Christian parenting books in your store. Using the biblical theme, "Train Up a Child in the Way He Should Go", this end cap is sure to tap into parents' desire to take a proactive role in raising their children.

    Around the pilgrim's neck is a Sri Chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, a young man destined for spiritual attainment. The interwoven lives of three generations play out variations on the same themes. Whose son am I? Whose father am I? Where are my roots? These mysteries of the past and present are explored, but there are no clear answers. And while significant in daily ???being', such questions lose urgency in the flux of ???becoming' (???bhava' means both being and becoming). So we are led to consider that samsara??"the world of illusion and embodiment??"may not be very different from sunya , the emptiness from which everything arises. At times a drama of cruelty and lust, at times a lyrical meditation on love and transformation, Bhava is an exceptional novel by one of India's most celebrated writers. Translated from the Kannada by Judith Kroll with the author

    As the teachers struggle daily to nurture and groom, the students prefer to hang out and “chillax”. With upskirting and Facebooking, griping and politicking, school takes on a whole new meaning as the colourful characters struggle to prove that those who can, teach.Written by Singapore’s most prolific playwright Haresh Sharma, Those Who Can’t, Teach was first staged by The Necessary Stage in 1990 to critical acclaim. Twenty years later, Sharma revisits this classic to revitalise it for the Singapore Arts Festival 2010, transforming it into a powerful portrayal of the pressures and challenges facing teachers (and students) in schools in the 21st century.“The play throws up questions on the roles of parents, students and teachers, but does not collapse into an impotent tirade against society. The script is joyous. The laughter is warmly wry, not caustic.” —The Straits Times“Those Who Can’t, Teach does much to do away with the stereotypes and fallacies of the teaching profession.” —The Business Times

    Thirty-five-year-old Felix Humble is a Cambridge astro-physicist in search of a unified field theory. Following the sudden death of his father, Felix returns to his middle England home and his difficult and demanding mother, where he soon realises that his search for unity must include his own chaotic home life.Humble Boy premiered at the Royal National Theatre, London, in August 2001, and transferred to the Gielgud Theatre, London, in 2002. The play was the winner of the Susan Smith Blackburn Award 2001, the Critics' Circle Best New Play Award 2002, and the People's Choice Best New Play Award 2002.

    The stories found in this heartwarming book are from women who, day in and day out, juggle and balance their careers and their families. Whether it's a busy day at the office, followed by music lessons and baseball practice, preparing dinner, or helping with homework, then snuggling and tucking in the little ones, life for a working mom is a busy one. But it is also an enriching and rewarding life, and the stories shared in this book by working moms will show you that it's not important to be 'Super Mom' all the time, just some of the time

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.