Here are urban upheavals reimagined as frontier myth; travelogues through countries that might have been created by Kafka; cryptic dialogues that bore down to the bedrock of our longings, dreams, and angsts. Like all of Donald's work, the sixty stories collected in this volume are triumphs of language and perception, at once unsettling and irresistible.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    I am Brandon Thighmaster. Monk. Hero. Inspiration. I enjoy crunching, squats, looking at myself, looking at other people looking at myself, and long walks on the beach. I also do adventures and stuff, and I guess you can read about them here. But enough about you, let's talk about me. Brandon Thighmaster."

    13:55 EST makes - she counts on her fingers - about 6pm in Berlin. He'll be on his way home. Alice settles into the armchair and dials the number...If Alice hadn't bumped into Will then she would probably never have phoned that afternoon. And if Alice hadn't called, then Michael, poor Michael, might still be alive today...In a digital age of world-spanning communications and easy travel these stories explore how interconnected and yet fragmented our lives have become, and how - no matter where we live or what we do, no matter how different our lifestyles - the universal desires for love and happiness draw us ever onward.Both short story collection and novel, 13:55 Eastern Standard Time finds Nick Alexander at his best. Sometimes disturbing, sometimes funny, these are stories of lives that cross and collide in life-ending drama, or simply run peacefully alongside for a few hours - lives filled with characters who are attracted and repelled, hopeless and yet inspired. Narrated in Alexander's trademark tense prose, these interwoven stories explore the ripples emanating from our every act, ripples that alter distant destinies, and occasionally bounce back, catching us from behind to haunt or inspire.13:55 Eastern Standard Time repeats the success of Alexander's first novel, 50 Reasons to Say Goodbye because again, as with life itself, the whole is mysteriously greater than the sum of the parts.

     Every action has a consequence and this is the aftermath. My name is Kara Petersen. I am one of life’s survivors, but my life has not been easy. I am the product of a dysfunctional, broken home and parents who don’t care. Fallen from grace, abandoned and betrayed, I am now alone. Then there was hope. A boy, a saviour. He saved me, empowered me, and gave me the strength and courage to leave. To live. His actions will not be in vain. I will do whatever it takes to survive. My name is Sloan Foster. I am one of life’s failures, but my life has not been fair. I am the product of a loving home, a mother and father who adored each other, until death paved the way for the devil. Trapped inside a world with a gilded façade, I have always felt alone. Then there was hope. A girl, an angel, a beacon of pure light in the dark. She subconsciously called to me, reached deep into my soul, unknowingly claiming a part of myself I had let die years ago. I promised I would do whatever it took to be her protector. My promises were unachievable and futile. I will do whatever it takes to find her again. Please note this is a 36,000 word novella, chronicling the lives of Kara and Sloan and the ‘missing’ eight years. It is not a continuation of the present story, and should be read after Fractured and Tormented.

    Something really and truly terrible is about to happen. Like, maybe the end of the world. Or worse!

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    The narrator, a young woman, has fled to the forest to pursue her artwork in isolation. While there, she falls in love with a married man she meets at a country dance. The man is violent, their affair even more so. As she struggles to free herself, she questions the difference between desire and obsession—and the brutal nature of intimacy. Packaged with illustrations by famed English artist Rufus Newell and inventive, white-on-black text treatments by award-winning designer Jonathan Yamakami, Northwood is a work of art as well as a literary marvel.

    Their battle is fought out on twenty miles of the most lonely road in the country, a place where the only thing worse than not knowing what you're up against, is slowing down . . .

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Hoyle is about to learn that his photographs were not without consequences, and whether he survives the night will depend on what exactly he witnessed through his camera's unflinching eye. This short story was first published in Robert Randisi's "Greatest Hits" anthology in November, 2005. It subsequently appeared in "Best British Mysteries" and was short-listed for the CWA Short Story Dagger.

    By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood? What happens when a living thing falls in love with someone who does not actually exist?

    The tale revolves around three characters: two humans and one duck. Jim Dodge is the author of "Not Fade Away" and "Stone Junction".