We used to be from New York. We had a little real estate problem.” In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: “The American narrative dictates that Indians are supposed to be sad. It’s not really true and it’s not indicative of the community experience itself…Laughter and joy is very much a part of Native culture.” Featuring dozens of original interviews and the exhaustive research that is Nesteroff’s trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

    Bill Cosby. Donald Trump. The most famous abusers in modern American history are finally starting to be outed for what they are. Women are speaking up and risking harassment to expose men's behavior that was previously only whispered about-and more people than ever are starting to believe them. How we respond to this moment could change everything. In Believe Me, contributors ask and answer the question: What would happen if we believed women? If we believed women about pleasure and reproduction, we would save a staggering amount of public health costs. If we believed survivors who aren't white or straight, we would strengthen our anti-rape efforts. If we believed black women when they talk about pain, we could save lives. Including contributions from Moira Donegan, Jamil Smith, Tatiana Maslany, and many more of the most important voices in feminism today, Believe Me is essential reading for the #MeToo era.

    This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them." — Create DangerouslyIn this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

    The intelligence agents who captured her accused her of espionage—a charge she denied. For several days, Saberi was held in solitary confinement, ruthlessly interrogated, and cut off from the outside world. For weeks, neither her family nor her friends knew her whereabouts.After a sham trial that made headlines around the world, the thirty-one-year-old reporter was sentenced to eight years in prison. But following international pressure by family, friends, colleagues, various governments, and total strangers, she was released on appeal on May 11, 2009. Now Saberi breaks her silence to share the full account of her ordeal, describing in vivid detail the methods that Iranian hard-liners are using to try to intimidate and control many of the country's people.In this gripping and inspirational true story, Saberi writes movingly of her imprisonment, her trial, her eventual release, and the faith that helped her through it all. Her recollections are interwoven with insights into Iranian society, the Islamic regime, and U.S.-Iran relations, as well as stories of her fellow prisoners—many of whom were jailed for their pursuit of human rights, including freedom of speech, association, and religion. Saberi gains strength and wisdom from her cellmates who support her throughout a grueling hunger strike and remind her of the humanity that remains, even when they are denied the most basic rights.Between Two Worlds is also a deeply revealing account of this tumultuous country and the ongoing struggle for freedom that is being fought inside Evin Prison and on the streets of Iran. From her heartfelt perspective, Saberi offers a rich, dramatic, and illuminating portrait of Iran as it undergoes a striking, historic transformation.

    In the midst of chaos and bloodshed, a group searching for survivors stumbles on a cache of books. They collect the books, then look for more. In a week they have six thousand volumes. In a month, fifteen thousand. A sanctuary is born: a library where the people of Daraya can explore beyond the blockade.Long a site of peaceful resistance to the Assad regimes, Daraya was under siege for four years. No one entered or left, and international aid was blocked.In 2015, French-Iranian journalist Delphine Minoui saw a post on Facebook about this secret library and tracked down one of its founders, twenty-three-year-old Ahmad, an aspiring photojournalist himself. Over WhatsApp and Facebook, Minoui learned about the young men who gathered in the library, exchanged ideas, learned English, and imagined how to shape the future, even as bombs fell above. They devoured a marvelous range of books--from American self-help like The Seven Habits of Highly Effective People to international bestsellers like The Alchemist, from Arabic poetry by Mahmoud Darwish to Shakespearean plays to stories of war in other times and places, such as the siege of Sarajevo. They also shared photos and stories of their lives before and during the war, planned how to build a democracy, and began to sustain a community in shell-shocked soil.As these everyday heroes struggle to hold their ground, they become as much an inspiration as the books they read. And in the course of telling their stories, Delphine Minoui makes this far-off, complicated war immediate. In the vein of classic tales of the triumph of the human spirit--like All the Beautiful Forevers, A Long Way Gone, and Reading Lolita in Tehran--The Book Collectors will inspire readers and encourage them to imagine the wider world.

    But few people have any idea how this unofficial capital of Latin American came to be. Miami 1980 is a fascinating chronicle of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to vibrant life through intertwining personal stories. At the core, there's Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man, and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferre, the charismatic politician who watches the case, and the city, fall apart. A roller coaster of national politics and international diplomacy, these three figures cross paths and socio-economic lines as their city explodes in one of the worst race riots in American history--as over 120,000 Cuban refugees land on the Miami coast, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement and government. In a battle of wills, Buchanan has to keep up with the 150% murder rate increase; Captain Frank has to scrub and rebuild his police department; and Mayor Ferre must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami is born. But the new Miami--literally built on corruption and drug money--will have severe ramifications for the rest of the country. Deeply researched and covering many timely issues including police brutality, immigration, and the drug crisis, Miami 1980 is both a clarion call and a creation story of one of America's most iconic cities.

    She's a blogger, she's a Cuban, and she's a worldwide sensation.Yoani Sánchez is an unusual dissident: no street protests, no attacks on big politicos, no calls for revolution. Rather, she produces a simple diary about what it means to live under the Castro regime: the chronic hunger and the difficulty of shopping; the art of repairing ancient appliances; and the struggles of living under a propaganda machine that pushes deep into public and private life. For these simple acts of truth-telling her life is one of constant threat. But she continues on, refusing to be silenced—a living response to all who have ceased to believe in a future for Cuba.

    At least two hundred students were shot dead and many more were detained. Then the bodies were trucked out, the cobblestones were washed clean. Detainees were held without recourse until 1971. Official denial of the killing continues even today: In the first week of February 2003, Mexico's Education Secretary Reyes Tamez ordered a new history textbook that mentions the massacre--Claudia Sierra's History of Mexico: An Analytical Approach--removed from shelves and classrooms. (Public outcry led Tamez to reverse his decision days later.) No one has yet been held accountable for the official acts of savagery. With provocative, anecdotal, and analytical prose, Taibo claims for history "one more of the many unredeemed and sleepless ghosts that live in our lands."

    The United States went to Afghanistan on a simple mission: avenge the September 11 attacks and drive the Taliban from power. This took less than two months. Over the course of the next decade, the ensuing fight for power and money supplied to one of the poorest nations on earth, in ever-greater amounts left the region even more dangerous than before the first troops arrived.At the center of this story is the Karzai family. President Hamid Karzai and his brothers began the war as symbols of a new Afghanistan: moderate, educated, fluent in the cultures of East and West, and the antithesis of the brutish and backward Taliban regime. The siblings, from a prominent political family close to Afghanistan's former king, had been thrust into exile by the Soviet war. While Hamid Karzai lived in Pakistan and worked with the resistance, others moved to the United States, finding work as waiters and managers before opening their own restaurants. After September 11, the brothers returned home to help rebuild Afghanistan and reshape their homeland with ambitious plans.Today, with the country in shambles, they are in open conflict with one another and their Western allies. Joshua Partlow's clear-eyed analysis reveals the mistakes, squandered hopes, and wasted chances behind the scenes of a would-be political dynasty. Nothing illustrates the arc of the war and America's relationship with Afghanistan from optimism to despair, friendship to enmity as neatly as the story of the Karzai family itself, told here in its entirety for the first time.

    Mona Hanna-Attisha, alongside a team of researchers, parents, friends, and community leaders, discovered that the children of Flint, Michigan, were being exposed to lead in their tap water--and then battled her own government and a brutal backlash to expose that truth to the world. At the center of the story is Dr. Mona herself--an immigrant, doctor, scientist, and mother whose family's activist roots inspired her pursuit of justice.What the Eyes Don't See is a riveting account of a shameful disaster that became a tale of hope, the story of a city on the ropes that came together to fight for justice, self-determination, and the right to build a better world for their--and all of our--children.

    They never saw her again. Her abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes.Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders.Patrick Radden Keefe writes an intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions.

    She crafts powerful ways to address the challenges Brown girls face, from imposter syndrome to colorism. She empowers women to decolonize their worldview, and defy “universal” white narratives, by telling their own stories. Her book guides women of color toward a sense of pride and sisterhood and offers essential tools to energize a movement.May it spark a fire within you.

    But perhaps the wildest, and least understood, are the world's oceans: too big to police, and under no clear international authority, these immense regions of treacherous water play host to rampant criminality and exploitation.Traffickers and smugglers, pirates and mercenaries, wreck thieves and repo men, vigilante conservationists and elusive poachers, seabound abortion providers, clandestine oil-dumpers, shackled slaves and cast-adrift stowaways -- drawing on five years of perilous and intrepid reporting, often hundreds of miles from shore, Ian Urbina introduces us to the inhabitants of this hidden world. Through their stories of astonishing courage and brutality, survival and tragedy, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil and shipping industries, and on which the world's economies rely.Both a gripping adventure story and a stunning expos�, this unique work of reportage brings fully into view for the first time the disturbing reality of a floating world that connects us all, a place where anyone can do anything because no one is watching.

    Otpor’s methods . . . have been adopted by democracy movements around the world. The Egyptian opposition used them to topple Hosni Mubarak. In Lebanon, the Serbs helped the Cedar Revolution extricate the country from Syrian control. In Maldives, their methods were the key to overthrowing a dictator who had held power for thirty years. In many other countries, people have used what Canvas teaches to accomplish other political goals, such as fighting corruption or protecting the environment.”—The New York Times“A clear, well-constructed, and easily applicable set of principles for any David facing any Goliath (sans slingshot, of course) . . . By the end of Blueprint, the idea that a punch is no match for a punch line feels like anything but a joke.”—The Boston Globe“An entertaining primer on the theory and practice of peaceful protest.”—The Guardian “With this wonderful book, Srdja Popovic is inspiring ordinary people facing injustice and oppression to use this tool kit to challenge their oppressors and create something much better. When I was growing up, we dreamed that young people could bring down those who misused their power and create a more just and democratic society. For Srdja Popovic, living in Belgrade in 1998, this same dream was potentially a much more dangerous idea. But with an extraordinarily courageous group of students that formed Otpor!, Srdja used imagination, invention, cunning, and lots of humor to create a movement that not only succeeded in toppling the brutal dictator Slobodan Milošević but has become a blueprint for nonviolent revolution around the world. Srdja rules!”—Peter Gabriel   “Blueprint for Revolution is not only a spirited guide to changing the world but a breakthrough in the annals of advice for those who seek justice and democracy. It asks (and not heavy-handedly): As long as you want to change the world, why not do it joyfully? It’s not just funny. It’s seriously funny. No joke.”—Todd Gitlin, author of The Sixties and Occupy Nation

    Chanda Prescod-Weinstein shares her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter — all with a new spin informed by history, politics, and the wisdom of Star Trek.One of the leading physicists of her generation, Dr. Chanda Prescod-Weinstein is also one of fewer than one hundred Black American women to earn a PhD from a department of physics. Her vision of the cosmos is vibrant, buoyantly non-traditional, and grounded in Black feminist traditions.Prescod-Weinstein urges us to recognize how science, like most fields, is rife with racism, sexism, and other dehumanizing systems. She lays out a bold new approach to science and society that begins with the belief that we all have a fundamental right to know and love the night sky. The Disordered Cosmos dreams into existence a world that allows everyone to tap into humanity’s wealth of knowledge about the wonders of the universe.