Illustrated and presented by one of the leading artists in modern fantasy, this title gives us some of the great songs and folktales of the English, Irish, and Scottish traditions, re-imagined in sequential-art form, in collaboration with some of the strongest fantasy writers.

    Visit Albania, Germany, Mozambique, and Turkey, and find out who meets 40 dragons instead of seven dwarfs, and on whose forehead a bright star shines.

    Dating from at least a millennium ago, these are the earliest-known Arabic short stories, which survived in a single, ragged manuscript in a library in Istanbul. Some found their way into The Arabian Nights, but most have never been read in English before. Composed to fascinate their original audiences, these charming, surreal, baffling, and beautiful stories are indeed both marvelous and strange.

    She disguises herself as a boy Rowan, befriends half-wolf Tykell, overgrown enchanting minstrel Lionel, and runaway princess Ettarde. Vicious Guy of Gisborne wears a black horse-head hide. But Robin says his camp is no place for a girl.

    The traditional tales upon which Dazai's retellings are based are well known to every Japanese schoolchild, but this is no children's book. In Dazai's hands such stock characters as the kindhearted Oji-san to Oba-san ("Grandmother and Grandfather"), the mischievous tanuki badger, the fearsome Oni ogres, the greedy old man, the "tongue-cut" sparrow, and of course Urashima Taro (the Japanese Rip van Winkle) become complex individuals facing difficult and nuanced moral dilemmas. The resulting stories are thought-provoking, slyly subversive, and often hilarious.In spite of the "gloom and doom" atmosphere always cited in reviews of The Setting Sun and the later No Longer Human, though, Dazai's cutting wit and rich humor are evident in the entire body of his work. His literature depicts the human condition in painfully blunt and realistic terms, but, like life itself, is often accompanied by a smile.

    Where did robin get his red breast? How did fire find its way into the wood? Why was Coyote more clever that the other animals? Iagoo would answer these questions with his stories. Adapted from legends collected by noted ethnologist Henry R. Schoolcraft in the Lake Superior region in 1839, this charming collection of seven stories will delight youngsters and lovers of Native American myth and legend.

    The Butterfly That Stamped, and How the Alphabet Was Made..

    Acclaimed writer, editor, and publisher Armand Eisen brings together timeless childhood favorites in this one-of-a-kind anthology, a perfect bedside companion ready to be picked up again and again.

    Who will the king choose?Award-winning artist John Steptoe’s rich cultural imagery of Africa earned him the Coretta Scott King Award for Mufaro’s Beautiful Daughters. The book also went on to win the Boston Globe-Horn Book Award. This stunning story is a timeless treasure that readers will enjoy for generations.Coretta Scott King Award for IllustrationCaledcott HonorReading Rainbow BookBoston Globe-Horn Book

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.

    Readers will delight in the vibrant illustrations, thrill at the appearances of the frightening sorceress, and chime in with the familiar line "Rapunzel, Rapunzel, let down your hair," as they follow this well-loved tale.

    . . in Ireland . . . in Zimbabwe . . . there lived a girl who worked all day in the rice fields . . . then spent the night by the hearth, sleeping among the cinders.Her name is Ashpet, Sootface, Cendrillon . . . Cinderella. Her story has been passed down the centuries and across continents. Now Paul Fleischman and Julie Paschkis craft its many versions into one hymn to the rich variety and the enduring constants of our cultures.A Junior Library Guild SelectionGlass Slipper, Gold Sandal: A Worldwide Cinderella is a 2008 Bank Street - Best Children's Book of the Year.

    A strange little man helps the miller's daughter spin straw into gold for the king on the condition that she will give him her first-born child.

    From Anne Thackeray Ritchie's adaptations of "The Sleeping Beauty in the Wood" to Christina Rossetti's unsettling antifantasies in Speaking Likenesses, these are breathtaking acts of imaginative freedom, by turns amusing, charming, and disturbing. Besides their social and historical implications, they are extraordinary stories, full of strange delights for readers of any age."Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies."—United Press International"A service to feminists, to Victorian Studies, to children's literature and to children."—Beverly Lyon Clark, Women's Review of Books"These are stories to laugh over, cheer at, celebrate, and wince at. . . . Forbidden Journeys is a welcome reminder that rebellion was still possible, and the editors' intelligent and fascinating commentary reveals ways in which these stories defied the Victorian patriarchy."—Allyson F. McGill, Belles Lettres