Fifteen years later, questions still linger. Was it a crime of greed—or of passion? When Declan O’Connor, Earl of Donnelly, arrives at Hadley Green to meet with Lily Boudine, the new countess of Ashwood, he knows instantly that the lovely woman who welcomes him is not who she pretends to be. In an attempt to avoid an unwanted marriage, Keira Hannigan has assumed her cousin’s identity and is staying at the estate while Lily is abroad. When Declan threatens to expose her, Keira convinces him to guard her secret, then enlists him in her investigation of the missing jewels, for she now believes an innocent man was hanged. Unable to deny the beautiful, exasperating Keira—or their simmering passion—Declan reluctantly agrees. But neither is prepared for the dangerous stranger who threatens to reveal Keira’s lies...and Declan knows he must protect Keira at all costs, for she is the woman who now owns his heart.

    I don't remember, I didn't count. The house was full of noise and gaiety. It seemed as though it were a continual holiday, which would never end. It seemed as though our host had taken a vow to squander all his vast fortune as rapidly as possible, and he did indeed succeed, not long ago, in justifying this surmise, that is, in making a clean sweep of it all to the last stick.

    In the dusk of an October evening- a sensible looking woman of forty came out through an oaken door to a broad landing on the first floor of an old English country-house.' (Excerpt from Chapter 1)

    Will he be high church or low? And - for there are numerous unmarried ladies in Carlingford - will he be a bachelor? After fifteen years at All Souls, the Rector fancies himself immune to womanhood: he is yet to encounter the blue ribbons and dimples of Miss Lucy Wodehouse.

    Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

    

    I couldn't put it down."Eve Harris, Booker longlisted author of 'The Marrying of Chani Kaufman'"Pugh's first novel is a magnificent achievement. Let us hope he returns to enthral us with another very soon."David Dickinson, author of the Powerscourt seriesThe Otiosi? As far as Mathew Longstaff knows, they’re just a group of harmless scholars with an eccentric interest in the works of antiquity. When they ask him to travel east, to recover a lost text from Ivan the Terrible’s private library, he can’t think of anything but the reward - home. A return to England and an end to the long years of exile and warfare.But the Otiosi are on the trail of a greater prize than Longstaff realises - the legendary ‘Devil’s Library’. And they are not alone. Gregorio Spina, the Pope’s spymaster and Chief Censor, is obsessed with finding the Library. It’s not the accumulated wisdom of centuries he’s after - a swamp of lies and heresy in his opinion - but among the filth, like a diamond at the centre of the Devil’s black heart, Spina believes that God has placed a treasure, a weapon to defeat the Antichrist and pitch his hordes back into hell.Only Longstaff, together with the unpredictable physician, Gaetan Durant, can stop Spina using the Library to plunge Europe into a second Dark Ages. The two adventurers fight their way south, from the snowfields of Muscovy to the sun-baked plains of Italy, where an ageing scholar and his beautiful, young protégé hold the final piece of the puzzle. But is it already too late? Can the four of them take on the might of the Roman Church and hope to win?

    When eleven-year-old Henrietta arrives at the Fishers’ well-appointed house in Paris, she is prepared to spend her day between trains looked after by an old friend of her grandmother’s. Little does Henrietta know what fascinations the Fisher house itself contains–along with secrets that have the potential to topple a marriage and redeem the life of a peculiar young boy. By the time Henrietta leaves the house that evening, she is in possession of the kind of grave knowledge that is usually reserved only for adults.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

    Belonging to neither land nor sea, they cling to one another in a motley yet kindly society. There is Maurice, by occupation a male prostitute, by happenstance a receiver of stolen goods. And Richard, a buttoned-up ex-navy man whose boat dominates the Reach. Then there is Nenna, a faithful but abandoned wife, the diffident mother of two young girls running wild on the waterfront streets.It is Nenna’s domestic predicament that, as it deepens, draws the relations among this scrubby community together into ever more complex and comic patterns.An alternative cover edition for this ISBN can be found here

    Hercule Poirot, the world's favorite detective, has agreed to take part in a mock murder mystery in a charming English village—but when tragedy strikes, a different sort of game begins ...In 1954, Agatha Christie wrote this novella with the intention of donating the proceeds to a fund set up to buy stained glass windows for her local church at Churston Ferrers, and she filled the story with references to local places, including her own home of Greenway. But, having completed it, she decided instead to expand the story into a full-length novel, Dead Man's Folly, which was published two years later, and donated a Miss Marple story (Greenshaw's Folly) to the church fund instead.Unseen for sixty years, Hercule Poirot and the Greenshore Folly is finally published in this ebook-exclusive edition.

    He resumes acquaintance with formidable Hugo, whose ‘philosophy’ he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog, and a political riot in a film-set of ancient Rome. Jake, fascinated, longs to learn Hugo’s secret. Perhaps Hugo’s secret is Hugo himself? Admonished, enlightened, Jake hopes at last to become a real writer.

    Through the example and guidance of her mother—who dotes on Edward constantly—and her mentor, Mrs. Buxton, Maggie learns that self-sacrifice is the key to living a fulfilled life. The precursor to and arguably the template for George Eliot’s The Mill on the Floss, this feminist masterpiece begs the question How much personal happiness can one forgo in the name of duty and devotion to another? Maggie’s love story, Edward’s perfidy, and the dramatic conclusion at sea all blend together seamlessly to make this story a timeless tale.