In The Death of Trotsky, Cecelia Holland brings this fated and fatal day to life, from its quotidian beginnings to its dramatic close. Between Trotsky’s waking and his final rest, she probes the outer-workings and inner thoughts of those who were with him till the end, illuminating a man who exited life as he lived it: defiantly. Cecelia Holland, author of more than 30 books and articles, lives in northern California with her family.Cover Design by Adil Dara.

    Set far from Moscow in the remote Kazakhstan capital of Alma-Ata, The Keeper of Antiquities begins with a leisurely, almost scholarly air - like a devious story by Borges. But very soon we find ourselves watching with horror as professional rivalry between the keeper of the town's museum and the chief librarian turns into a deadly struggle for control over the meaning of the past - and therefore over the present.While Dombrovsky does not have the wit, the suave cynicism of Bulgakov, he is-or was-immensely drawn to the tragi-comic potential of the bureaucratic flap, endemically Russian. Water boils drearily for tea in noisily peopled conferences; lank-jawed, heavily smoking females whine and bark in outrage; minor officials threaten and soothe; mass grievances are unburdened. The narrator is an open-hearted, straightforward young man with the title of Keeper of Antiquities in the archaeological section of a museum in rural Soviet Central Asia. The Keeper is moderately happy in his eyrie of catalogues and modest displays, sharing varieties of pickling alcohol with an earthy old carpenter and enjoying a secret hoard of carnival views of ""Beauties of the World"" in their natural state. His aim is to go quietly on his way ""without interfering with anybody."" But ""Your business is history"" to prove and demonstrate, and there is no escape. An attempt to improve the local library by a critical comment; the friendship with a collective brigade leader whose brother was shot (unjustly?) as a traitor; the defense of a young archaeologist fired by the library-all forbode disaster. The keeper of pristine truths unsullied by expedient exploitation thinks of flight, but in the end simply waits for the closing in of ""history,"" party style. A spirited, often anguished, indictment of mindless officialdom wherever it appears.

    But her partner in crime is dead.Zoya Volkova finds him at the garage icy floor. Her friend and accomplice, in a puddle of his own blood. Maybe it was one of the rich Muscovites they scammed for a car repair in that very garage. Maybe it has to do with a heist they’ve planned, the job that would change their lives.Her boyfriend wants to go on with the rip-off. Her bestie talks her out of it. Caught up in a whirlwind of mistrust, Zoya learns about terrible things her estranged mother had done to Zoya’s siblings. Now she needs this money to mitigate the damage, but is it safe when she suspects everyone?Racing against the time, at odds with the police, a local crime boss and her own conscience, Zoya needs to find out who murdered her partner. Will she fix her life or will she lose everything?An unputdownable prequel novella to the Zoya Volkova thriller series.

    Dobrynin became the main channel for the White House and the Kremlin to exchange ideas, negotiate in secret, and arrange summit meetings. Dobrynin writes vividly of Moscow from inside the Politburo, but In Confidence is mainly a story of Washington at the highest levels.

    In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision have become ever more clear. For Nadezhda Mandelstam and Joseph Brodsky, Platonov was the writer who most profoundly registered the spiritual shock of revolution. For a new generation of innovative post-Soviet Russian writers he figures as a daring explorer of word and world, the master of what has been called “alternative realism.” Depicting a devastated world that is both terrifying and sublime, Platonov is, without doubt, a universal writer who is as solitary and haunting as Kafka.This volume gathers eight works that show Platonov at his tenderest, warmest, and subtlest. Among them are “The Return,” about an officer’s difficult homecoming at the end of World War II, described by Penelope Fitzgerald as one of “three great works of Russian literature of the millennium”; “The River Potudan,” a moving account of a troubled marriage; and the title novella, the extraordinary tale of a young man unexpectedly transformed by his return to his Asian birthplace, where he finds his people deprived not only of food and dwelling, but of memory and speech.This prizewinning English translation is the first to be based on the newly available uncensored texts of Platonov’s short fiction.

    Thousands of fans all over the world have been waiting for several months for the continuation of the epic saga by Andrey Vasilyev, and here it is! Are you ready to log in? It’s time to come back to life! Or to the afterlife? Well, at least Hagen’s new teammates couldn’t be considered alive. Are you excited? So, to battle! In the clash between the clans MacMagnus and MacPratt, Harriton’s alter ego Hagen fights on the side of King Lossarnakh, vowing to bring him a cursed relic that will bestow great power upon its owner. Yet rival factions are ever watchful, and helping his liege will not be easy for our hero, who finds himself challenged time and again as he becomes embroiled in the intrigue that will change the face of Fayroll. Meanwhile, the return of the Departed Gods seems imminent, and more and more schemers, players and NPCs alike, endeavor to use Hagen for their ends, promising him the assistance he so desperately craves. Over and over, he finds himself indebted to powerful entities, prompting the question — will their help be worth the cost? While the dark threat looms over Fayroll, the real world is getting even more frightening and menacing. Hiding from murderers and surviving assassination attempts is not the stuff a journalist’s dreams are made of. At least he has some real friends, now in both worlds. In The Blades of Borderlands, readers will join Harriton on a journey throughout the Borderlands and the perilous Way Between the Ways, braving new dangers and meeting new adversaries. Hagen will face shifting alliances and fearsome enemies, including the dead themselves, rising to defend their abode from insolent invaders. Andrey Vasilyev has created a balanced mix of contemporary fantasy, urban Russian features, pop culture, swords, and magic. The most popular MMORPG game with virtual reality, full of action and adventure, this life-changing game is ready to reveal new secrets and invite new characters.

    But the mix of imperial Russian opulence and Soviet decay, and the allure of emotionally unavailable Russian men proved strangely irresistible to comedian Audrey Murray.At age twenty-eight, while her friends were settling into corporate jobs and serious relationships, Audrey was on a one-way flight to Kazakhstan, the first leg of a nine-month solo voyage through the former USSR. A blend of memoir and offbeat travel guide (black markets in Uzbekistan: 5 stars; getting kidnapped in Turkmenistan: 1 star) this thoughtful, hilarious catalog of a young comedian’s adventures is also a diary of her emotional discoveries about home, love, patriotism, loneliness, and independence.Sometimes surprising, often disconcerting, and always entertaining, Open Mic Night in Moscow will inspire you to take the leap and embark on your own journey into the unknown. And, if you want to visit Chernobyl by way of an insane-asylum-themed bar in Kiev, Audrey can assure you that there’s no other guidebook out there. (She’s looked.)

    Failing to gain recognition for his music in his native United States, he achieved celebrity in South America in the early 1960s and then, unbelievably, became the biggest rock star in the Soviet Union, where he was awarded the Lenin Prize and his icons were sold alongside those of Josef Stalin. His albums went gold from Bulgaria to Berlin. He made highly successful movies and, naively earnest, was an unwitting acolyte for socialism; everywhere he went, he was mobbed by his fans. And then, in 1986, at the height of his fame, right after 60 Minutes had devoted a segment to him, finally giving him the recognition he had never attained at home, he drowned in mysterious circumstances in East Berlin.Drawn magnetically to his story, Reggie Nadelson pursued the mystery of Dean Reed's life and death across America and Eastern Europe, her own journey mirroring his. As she traveled, the Berlin Wall came down, the Soviet Union crumbled, and Reed became an increasingly alluring figure, his life an unrepeatable tale of the Cold War world. Encountering the characters— musicians and DJs, politicians and public figures, lovers and wives—who peopled Reed's life, Nadelson was drawn further and further into a seedy, often hilarious subculture of sex, politics, and rock 'n' roll. Part biography, part memoir and personal journey, Comrade Rockstar is an unforgettable chronicle of an utterly improbable life

    Those engaged in this shadowy struggle called it 'The Great Game', a phrase immortalized in Kipling's Kim. When play firstbegan the two rival empires lay nearly 2,000 miles apart. By the end, some Russian outposts were within 20 miles of India.This book tells the story of the Great Game through the exploits of the young officers, both British and Russian, who risked their lives playing it. Disguised as holy men or native horsetraders, they mapped secret passes, gathered intelligence, and sought the allegiance of powerful khans. Some neverreturned.

    Largely basing his account on Russian sources and interviews he shows the war through the eyes of the Russians themselves - politicians, officers, soldiers, advisers, journalist, women. As former ambassador to Moscow, Rodric Braithwaite brings his unique insights to the Soviet war in Afghanistan. The story has been distorted not only by Cold War propaganda but also by the myths of the nineteenth century Great Game. It moves from the high politics of the Kremlin to the lonely Russian conscripts in isolated mountain outposts. The parallels with Afghanistan today speak for themselves. 'A superb achievement of narrative history, sensitive writing and exciting fresh research': so wrote Simon Sebag Montefiore about Rodric Braithwaite's bestseller Moscow 1941. But those words, and many others of praise that were given it, could equally apply to his new book.

    He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler’s triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed.Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky’s own political oblivion.As Joshua Rubenstein writes in his preface, “Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics.” In this lucid and judicious evocation of Trotsky’s life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

    Get Andrius and Violet's story in one set, with the added bonus of Justina's story in The Rescue.Violet: I saw a possible threat; he saw a victim in waitingAndrius: I’m the man they all fear. King of the murky world in which I live. A Bratva hitman with no mercy. Then she comes along, courtesy of a mob boss with no morals. She’s given to me. A gift... mine. To own, to keep. To do with as I please. With blonde hair, and violet eyes, and an innocence begging to be tarnished, she torments me. But she's so much more than a temptation sent to ruin me. More than I ever imagined. As our secrets unravel, I vow to get to the bottom of this...This beautiful, mysterious, and broken gift. Because now she belongs to me. Please be aware this is a dark romance.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    The Siberians --- reindeers, and vigorous women-welcome Mowat with mare's milk and vodka, black bread and caviar, outrageous good humor, and a fierce love for their isolated --- yet booming territory. An forgettable adventure in the other half of the Arctic.

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