She spends her days making delicious artisan cappuccinos, until she stumbles upon her neighbor’s dead body. When the police discover Mr. Cardosi was poisoned, Francesca becomes a suspect. The victim’s son, Matty, happens to be Francesca’s old high school friend. Together, they uncover the secrets of the locals in order to find the killer in their idyllic beach town. Includes two special cupcake recipes!

    In death, they are perfect works of art--killed, preserved, and carefully molded into replicas of Michelangelo's most celebrated creations. Only The Sculptor can bring forth their true beauty and teach the world to appreciate his gift.He Is The MasterFBI Special Agent Sam Markham has a reputation for tracking serial killers, but this artful adversary is meticulous, disciplined, and more ruthless than any he's encountered. The only clue is a note dedicating the latest "statue" to Cathy Hildebrant, an art historian who shares Sam's fear that the killing has just begun.And She Is The Perfect SubjectIn a quiet Rhode Island town, The Sculptor shapes his latest macabre creation, waiting for Cathy to draw nearer so that his message can be understood at last. And the only way to save her is for Sam to unlock a psychopath's twisted mind before his final, terrifying masterpiece is revealed. . ."Funaro provides clever plotting and plenty of suspense." --John Lutz, New York Times bestselling author "Fast-paced, exciting. . .Funaro delivers gasp-out-loud terror and relentless suspense. A genuine page-turner!" --Kevin O'Brien, New York Times bestselling author"It reminded me of why I loved Silence of the Lambs so much." --Gregg Olsen "A stone cold thrill ride! Unique and unexpected twists make this one a keeper!" –Lisa Jackson, New York Times bestselling author

    Until now. When he's called to North Carolina to consult on the case of an area serial killer, he finds himself in a deadly game.Cunning and lethal, the killer is always one step ahead of the law, and he's about to strike again. It will take all of Bowers's instincts and training to stop this man who calls himself the Illusionist. And just when the pieces start to come together, Bowers realizes they're not quite adding up. Can he unravel the pattern and save the next victim? Or will the Illusionist win the game by taking one of his opponent's pieces? Thrilling, chilling, and impossible to put down, The Pawn will hold suspense lovers in its iron grip until the very last page.

    Her own daughter murdered and her body never found, the job is Eve's way of coming to terms with her personal nightmare. But more terror lies ahead when she accepts work from billionaire John Logan. Beneath her gifted hands a face emerges from the skull he has given her to reconstruct—a face no one was ever meant to see. Now Eve is trapped in a frightening web of murder and deceit. Powerful enemies are determined to cover up the truth, and they will make certain that truth goes to the grave...even if Eve gets buried with it.

    Harper is visiting the small Ohio town of Cooper's Mill, trying to reconnect with his estranged daughter and a grandson he's never met. But he finds the town gripped in fear-two young girls have gone missing, taken in broad daylight from a busy street. And the police are coming up blank. But once Harper is drawn reluctantly into the investigation, he'll stop at nothing to find the girls. And he doesn't care who gets in the way.

    When an American archaeological team stumbles upon the skeletal remains of a missing child beneath a Stone Age burial quoit, irascible CID Detective Sergeant Morgan Davies and her Scene of Crimes partner, Calum West, unearth a growing list of suspects. Within days, another body is discovered. Is the killer the mind-reading village witch—who has long been a suspect in the child’s disappearance? Is it the drug-dealing partner of the child’s heroin-addicted mother? Or is it someone even closer to the investigation? Just as Davies and West close in on their prime suspect, another child disappears.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    . . Is the rising number of abused women who've gone missing a statistical anomaly? Or is a serial killer targeting this vulnerable group of women? When the Milwaukee Police Department refuses to investigate because no bodies have been discovered, Lisa Rayburn, the clinical psychologist who discovers the anomaly, is drawn into an investigation to discover the cause after one of her own clients goes missing. She finds herself forming an unlikely alliance with a former policewoman turned security consultant, TJ Peacock, and the husbands of two of the missing women who may themselves be murderers. When TJ is attacked, and a woman looking remarkably like Lisa is found murdered, they know . . . someone is willing to kill to protect his secret. Can they reveal the killer before he gets to them?

    Unable to pinpoint where the shot came from, as the storm rapidly wipes out evidence, the agent-in-charge Brett Kehoe turns to the one man who might be able to help them--former FBI agent Lucas Page.Page, a university professor and bestselling author, left the FBI years ago after a tragic event robbed him of a leg, an arm, an eye, and the willingness to continue. But he has an amazing ability to read a crime scene, figure out angles and trajectories in his head, and he might be the only one to be able to find the sniper's nest. With a new wife and family, Lucas Page has no interest in helping the FBI--except for the fact that the victim was his former partner.Agreeing to help for his partner's sake, Page finds himself hunting a killer with an unknown agenda and amazing sniper skills in the worst of conditions. And his partner's murder is only the first in a series of meticulously planned murders carried out with all-but-impossible sniper shots. The only thing connecting the deaths is that the victims are all with law enforcement--that is until Page's own family becomes a target.To identify and hunt down this ruthless, seemingly unstoppable killer, Page must discover what hidden past connects the victims before he himself loses all that is dear to him.

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    The summer residents are settling in for the season and the tourists are beginning to flood the highways and beaches. But the idyllic vision of a summer at the shore is suddenly shattered by a gangland-style shooting. This murder is quickly followed by the deaths of three more summer residents, each taking place under suspicious circumstances. At times hindered by local politics and the proverbial tension between the summer people and the natives, Sheriff Ray Elkins searches for the possible links between the four victims. As he probes into their tangled lives and dark histories, he finds both the motive and the possible murderer.

    Her sister Andrea has an altogether different point of view. When the sisters go to the Canaan Valley to search for paintings mentioned in a document found in an old hotel once owned by their grandparents—paintings that might be Monets—Andrea immediately becomes involved in tracking down a murderer. Kathleen would much rather be looking for the paintings, but she goes along with Andrea, since the victim was their hotel-keeper, murdered just down the hall from their room. The question is: Does the murder have something to do with the elusive paintings?There are many clues and many suspects, including hotel staff, valley residents, and the mysterious foreigners who come from the Eastern Seaboard for skiing. There are also many types of danger—icy roads, sub-zero temperatures, and a killer who doesn’t care how many people die in the attempt to make sure the right ones do.

    Dead faces set in grimaces and shouts. Faces howling, whistling, moaning, crying, hissing. Hazel pinned them to the wall and stood back. It was a silent opera of ghosts. Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found—their bodies drained of blood, their mouths sculpted into strange shapes—Hazel finds herself tracking a truly terrifying serial killer across the country while everything she was barely holding together begins to spin out of control.Through the cacophony of her bickering staff, her unsupportive superiors, a clamoring press, the town’s rumor mill, and her own nagging doubts, Hazel can sense the dead trying to call out. But what secret do they have to share? And will she hear it before it’s too late?In The Calling, Inger Ash Wolfe brings a compelling new voice and an irresistible new heroine to the mystery world.

    She's disturbed to discover the culprit is a raven, and tries to shoo it away. Which is when the killer strikes.DS Nathan Cody, still bearing the scars of an undercover mission that went horrifyingly wrong, is put on the case. But the police have no leads, except the body of the bird - and the victim's missing eyes.As flashbacks from his past begin to intrude, Cody realises he is battling not just a murderer, but his own inner demons too.And then the killer strikes again, and Cody realises the threat isn't to the people of Liverpool after all - it's to the police.Following the success and acclaim of the Callum Doyle novels, A Tapping at My Door is the first instalment of David Jackson's new Nathan Cody series.From the bestselling author of Cry Baby, the beginning of a brilliant and gripping police procedural series set in Liverpool, perfect for fans of Peter James and Mark Billingham"Recalls Harlan Coben - though for my money Jackson is the better writer." Guardian

    She has taken a North Texas quarter horse racer and liquor baron named Archie Carpin--the last of a dynasty of criminals from the 1920's--for a ride and cleaned him out of a neat two million bucks. And thus begins the adventure of Bill’s life.Ensues a chase north across Texas to recover the money and shake the pursuit of a couple of rednecks with a penchant for rifles and rigged explosives. Yet, through all this action the compelling tale of yet another mystery—an 80-year old missing person’s case—begins to unravel.