George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud’s aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out. In fact, the scene is set for the perfect Wodehouse comedy of errors.

    In all that time, Taisy’s family has seen Wilson, Caroline, and their daughter Willow only once. Why then, is Wilson calling Taisy now, inviting her for an extended visit, encouraging her to meet her pretty sister — a teenager who views her with jealousy, mistrust, and grudging admiration? Why, now, does Wilson want Taisy to help him write his memoir?Told in alternating voices — Taisy’s strong, unsparing observations and Willow’s naive, heartbreakingly earnest yearnings — The Precious One is an unforgettable novel of family secrets, lost love, and dangerous obsession, a captivating tale with the deep characterization, piercing emotional resonance, and heartfelt insight that are the hallmarks of Marisa de los Santos’s beloved works.

    When that voice achieves its newness not through a certain formal facility but through the freshness of its vision, there is truly something to celebrate. Matt Ruff was only twenty-two when Fool on the Hill was first published, but with his novel he gave us a story that won over readers of every persuasion. Not your usual first effort, Fool on the Hill is a full-blown epic of life and death, good and evil, magic and love.Think of the imaginative daring of Mark Helprin’s Winter’s Tale. The zany popism of Tom Robbins’s Another Roadside Attraction. The gnomish fantasies of J.R. Tolkien. Think of these and you begin to get some idea of one of the most remarkable first novels to come along in years.In the world of Fool on the Hill dogs and cats can talk, a subculture of sprites lives in the shadows and underfoot (if you’re the sensitive type, or drunk enough, you might see them cavorting across the lawn), and the Bohemians, a group of Harley- and horseback-riding students dedicated to all things unconventional, hold all-night revels for the glory of their cause.Then there is Stephen Titus George, the novel’s youthful hero, who somehow finds himself the main player in a story that began well over a century ago. George is a mild-mannered flier of kites, a sometimes writer of bestselling fiction, and would-be knight looking for a maiden. George will find his girl and the century-old story will provide the proverbial dragon whose slaying will sanctify their love. But it will not be a sword that fells the foe but the transforming power of the imagination.

    Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    Truly. Honestly. All right... maybe she does want to get nailed, but that's just because her hottie landlord and local diner owner Mack Ryan is confusing her. Can friends become lovers? Especially friends who might not even be friends in the first place? Book 2: Man Candy: Raine Harper is in love with Wade Gates. But Wade likes women who are model thin, and Raine is model thin plus a whole lot of pounds. Desperate to make him love her, she trains just a little too hard and passes out in the arms of superstar movie star Dirk Adams. Dirk thinks Raine’s junk in the trunk is perfect and proposes to make Wade jealous by becoming her pretend boyfriend. Pretend soon seems very real. Is Dirk a great actor, or is something really developing between Raine and the movie star?

    So after meeting Devin, a handsome, charming escort, she proposes an unusual arrangement: lessons about writing in exchange for lessons about sex. When Devin accepts Andi's proposal, he draws up a contract in which the two are forbidden to see each other socially. There's just one problem: Andi also wants Devin. Faking It is a witty, sometimes hilarious, sometimes heart-wrenching story about relationships, writing, and getting real.

    As heir apparent to Love Hall, he must produce an heir of his own; but his obsessive love for his long-dead sister has rendered him a paralytic in matters of the heart. Adding to Geoffroy's troubles is his difficult mother, Lady Loveall, who mercilessly castigates her effeminate son, and a circling mob of greedy relatives anxious to wrest Love Hall from his grasp.Then, a miracle occurs. As his carriage passes a trash dump, Geoffroy spies an abandoned baby in the jaws of a cur. He saves the child, names her Rose, and declares her his rightful heir. The shock fells Lady Loveall on the spot, and Rose becomes the pampered daughter of Lord Loveall and his bride of convenience, the resident librarian Anonyma. This joyful period lasts until Rose's adolescence, when it becomes increasingly difficult to hide the one great secret of Love Hall: namely, that Rose, now in the position of fending off suitors for her titled hand, is in fact a boy. Rose's whiskers, deepening voice, and affection for the daughter of a courtier have not gone unnoticed. Armed with the new revelation, the Loveall's unscrupulous relatives launch a coup, and a desperately confused Rose is cast adrift -- until he finds the renewed vitality that comes from the love of true family and realizes that he can and must go home.

    . . and into her heart.But can a talented hairdresser from the sticks really make it in image-obsessed L.A.? And can she ever find true love and real success in a town that wrote the book on fake?

    He saved lives, tamed giants. Animals loved him. People loved him. Women loved him (and he loved them back). And he knew more jokes than any man alive.Now, as he lies dying, Edward Bloom can't seem to stop telling jokes -or the tall tales that have made him, in his son's eyes, an extraordinary man. Big Fish is the story of this man's life, told as a series of legends and myths inspired by the few facts his son, William, knows. Through these tales -hilarious and wrenching, tender and outrageous- William begins to understand his elusive father's great feats, and his great failings.

    They have one thing in common. Overnight, each novice investor lost his life's fortune to one man. The con: Harvey Metcalfe!!A brilliant, self-made guru of deceit. A very dangerous individual. And now, a hunted man. With nothing left to lose four strangers are about to come together-each expert in their own field. Their plan: find Harvey, shadow him, trap him, and penny-for-penny, destroy him. From the luxurious casinos of Monte Carlo to the high-stakes windows at Ascot to the bustling streets of Wall Street to fashionable London galleries, their own ingenious game has begun. It's called revenge-and they were taught by a master

    Iakovos Papaionannou is perfection on every level, except for his unpronounceable name. And Harry can't stop herself from falling hard and fast for him.Iakovoos knew his sister hired her favorite band to perform at her birthday party; he's just not sure where this six-foot-tall, wild-haired, tempestuous woman fits in, or how she's already ended up in his bed-and in his heart. Harry is so not his type. She's as infuriating as she is intriguing, and she can't keep her hands off his butt. But she just may be the woman who knocks him off the world's most eligible bachelor list for good . . .

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    So has her talent for clever dialogue, and pointed social commentary with a light touch.The Anvil of the World is her first fantasy novel, a journey across a fantastic landscape filled with bizarre creatures, human and otherwise. It is the tale of Smith, of the large extended family of Smiths, of the Children of the Sun. They are a race given to blood feuds, and Smith was formerly an extremely successful assassin. Now he has wearied of his work and is trying to retire in another country, to live an honest life in obscurity in spite of all those who have sworn to kill him.His problems begin when he agrees to be the master of a caravan from the inland city of Troon to the seaside city of Salesh. The caravan is dogged with murder, magic, and the brooding image of the Master of the Mountain, a powerful demon, looking down from his mountain kingdom upon the greenlands and the travelers passing below. In Salesh, Smith becomes an innkeeper, but on the journey he befriended the young Lord Ermenwyr, a decadent demonic half-breed. Each time Ermenwyr turns up, he brings new trouble with him.The outgrowth of stories Baker has been writing since childhood, as engaging as Tolkien and yet nothing like him, Smith's adventure is certainly the only fantasy on record with a white-uniformed nurse, gourmet cuisine, one hundred and forty-four glass butterflies, and a steamboat. This is a book filled with intrigue, romance, sudden violence, and moments of emotional impact, a cast of charming characters, and echoes of the fantasy tradition from Lord Dunsany and Fritz Leiber to Jack Vance and Roger Zelazny.

    . . again and again.22000 B.C. A beautiful, ambitious angel stands on a mountaintop, surveying the world and its little inhabitants below. He smiles because soon, the last of humanity who survived the great flood will meet its end, too. And he should know. He’s going to play a big part in it. Our angel usually doesn’t get to do field work, and if he does well, he’s certain he’ll get a big promotion.And now it’s time . . . .The angel reaches into his pocket for the instrument of humanity’s doom. Must be in the other pocket. Then he frantically begins to pat himself down. Dejected, he realizes he has lost the object. Looking over the Earth at all that could have been, the majestic angel utters a single word.“Crap.”2015. A thief named Coop—a specialist in purloining magic objects—steals and delivers a small box to the mysterious client who engaged his services. Coop doesn’t know that his latest job could be the end of him—and the rest of the world. Suddenly he finds himself in the company of The Department of Peculiar Science, a fearsome enforcement agency that polices the odd and strange. The box isn’t just a supernatural heirloom with quaint powers, they tell him.It’s a doomsday device. They think . . .And suddenly, everyone is out to get it.

    Meet Ove. He's a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn't walk around with a smile plastered to his face all the time?Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove's mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents' association to their very foundations.