Mor, hoping to enter politics, becomes aware of new desires and a different dream of life. A complex battle develops, involving love, guilt, magic, art and political ambition. Mor's teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself enchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a 'great love' be purchased at too high a price?

    But when he retires, his Irish-born wife, Mary, wants to leave America and go home -- where the ocean is near and the butter has flavor.Somewhat grudgingly, Lyle agrees, but during their years in Galway, they discover that the surprises of life are not over. Going home is more complicated than butter and the bay, and thirty content years does not mean that a couple is immune to romantic intrigue. In this new life, while Mary and Lyle are rediscovering each other and building a richer life together, an unexpected event forces Lyle to decide where his home truly is.Told in "quiet stories with emotions like old stepping-stones that have sunk beneath the surface" (Christian Science Monitor), Beth Lordan's evocative and heartfelt novel explores the complex emotional terrain of mature marital relationships.

    The debut collection of the Orange- and Whitbread-shortlisted author of Buddha DaA beautiful collection—charming, witty, and touching—these stories give voice to a variety of different characters: from the little girl who wants to look "subtle" for her father's funeral, a child who has an email pen pal on Jupiter, and an old lady who becomes a star through "zimmerobics." Often writing in a vibrant Glaswegian vernacular, Donovan deftly gives her characters authenticity with a searing power, aided and abetted by tender subtlety.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    Gradually, the two learn to adjust to each other's fears, whims and yearnings for independence, and a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the island itself, with its mossy rocks, windswept firs and unpredictable seas.Full of brusque humour and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own experience and spirit in the book, which was her favourite of the novels she wrote for adults. This new edition sees the return of a European literary gem - fresh, authentic and deeply humane.

    This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.

    Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.

    

    A world of speakeasies and dancing girls where a gambler or bootlegger is perfectly normal and respectable in every way. Those familiar with "Guys and Dolls" know what to expect!

    The passions, ambitions, and pretensions, the cant and the pathos of the art world, artists, pseudo-artists, aficionados, and dilettantes—all are amply represented here in the midst of their foibles, grand affairs, and failures, drawn with great style and subtlety by a writer gathering her formidable powers. With the psychological precision of her early master Henry James and the practical wisdom and wit of her contemporary Edith Wharton, Cather shows us innocents seduced, sophisticates undone, marriages sundered, idealism compromised, and the rare soul uplifted by art.

    

    You'll be good at it. And I had said, 'Are you on crack?' And he replied, continuing to fold a blue twill jacket, ""Yes, a little.""--Lorrie Moore'Hey,' Paul yelled out. 'Why's everybody talking behind the patient's back?' 'Shut up, we're having sex,' she called back. She poured a cup for herself. 'He seems pretty chipper this morning.' 'Yeah, I don't know what to hope for,' I said. 'Quality, I guess. And then not too much quantity.' --David Gates'If everything we said had been a poem, the index of first lines would have formed a pattern: 'Do you remember', 'Tell me if I remember wrong', 'There was that time', 'Wasn't it funny when' --Anne BeattieAnd Abeer Ayyoub, Bernard Cooper, Olivia Laing, Laura Kasischke, Thomas McGuane, Colin McAdam, Katherine Faw Morris, Melinda Moustakis, Norman Rush, Edmund White and Joy Williams

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed and experienced.