In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

    Pete and Jackie were high school sweethearts. Everyone expected them to marry immediately but an explosive incident tore them apart before graduation. It took years for the two to heal and finally come back together. Now, decades later, they face an uncertain future with their only child out on her own and alarming news about Jackie’s health. Determined to stay positive, the two travel to their Cape hometown for a book signing of Pete’s debut novel. But when a disastrous encounter in the bookstore with an old classmate brings their long relationship to the breaking point, they are forced to examine their marriage and explore their deepest feelings.

    In the seventeen wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge; in Dodge City, Kansas, he takes up residence at a roadside hotel and sees, firsthand, the ways in which the racial divide turns neighbor against neighbor. In each instance, Paterniti illuminates the full spectrum of human experience, introducing us to unforgettable everyday people and bygone legends, exploring the big ideas and emotions that move us. Paterniti reenacts François Mitterrand’s last meal in a rustic dining room in France and drives across America with Albert Einstein’s brain in the trunk of his rental car, floating in a Tupperware container. He delves with heartbreaking detail into the aftermath of a plane crash off the coast of Nova Scotia, an earthquake in Haiti, and a tsunami in Japan—and, in searing swirls of language, unearths the complicated, hidden truths these moments of extremity teach us about our ability to endure, and to love. Michael Paterniti has spent the past two decades grappling with some of our most powerful subjects and incomprehensible events, taking an unflinching point of view that seeks to edify as it resists easy answers. At every turn, his work attempts to make sense of both love and loss, and leaves us with a profound sense of what it means to be human. As he writes in the Introduction to this book, “The more we examine the grooves and scars of this life, the more free and complete we become.”

    But Leslie doesn’t lament the meager number, she only truly mourns the second one. In her youthful arrogance, she turned him away, thinking there would be many more chances. Now, she lives two lives—one in the present, and another plagued by bittersweet memories of the past. But maybe, even now, it might be possible to reconcile the two.

    Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction.Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems.An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

    It was my time to serve our country, just like my father and my grandfather before me. The pain that throbbed in my chest every night I was away was the stone cold fact that I’d left her behind, not ever having told her how I felt. After twelve years and only a few short visits in-between, I’m finally back for good. I’ve waited long enough and I’m ready to take back the girl I let get away all those years ago.Finding out he was back in town isn’t too shocking, but finding out he’s back permanently - that’s a whole different story. He’s been my unicorn for as long as I can remember and the more I think about seeing him, the more I want to run and hide. Twelve years is a long time to live without someone in your life, we’ve both grown up and I doubt he’ll remember the little girl his brother dumped in middle school. Now that he’s back how do I hide the feelings of desire and heartbreak that he left me with all those years ago.

    But appearances can be deceiving, and soon Avery's not so sure she likes this new version of herself. And it's only by overcoming her fears that she can learn the true meaning of being comfortable in your own skin.

    All she has left is a yard brimming with plants that are wilting in the scorching Iowa summer—and a bone-deep feeling that she’s through with living. Meg has something else too: a bottle of mysterious pills, given to her years ago by an empathetic doctor. He promised that they would offer her dying mother a quick, painless end in exactly twenty days. Though her mother never needed them, Meg does. But a strange thing happens after Meg swallows the little green pearls . . . Now that she’s decided to leave this world, Meg is rediscovering the joy in it. She sheds everything she no longer needs—possessions, regrets, guilt—and reconnects with those she cares for. Finally confronting the depth of her grief, she’s learning that love runs deeper still. But is it too late to choose to stay?

    In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, Stories for Nighttime and Some for the Day draws us into a world of delightfully wicked recognitions, and introduces us to a writer of uncommon talent and imagination.Contains 40 stories, including "The Duck," "The Man and the Moose," and "Death and the Fruits of the Tree," as heard on NPR's This American Life, "The Book," as heard on Selected Shorts, and "The TV," as found in The New Yorker.A selection of the Barnes & Noble Discover Great New Writers Program and the Starbucks Coffee Bookish Reading Club.Winner of the 2011 Nobbie Award for Best Book of the Year."This guy can write!" –Ray Bradbury, author of Fahrenheit 451

    A spare and chilling account of the day-to-day experience of Sloper, a janitor in a big-city office building, WASTE explores the import of the discarded--for those who generate it, those who dispose of it, and those who are themselves discarded. From the humble prospect of his station, Sloper uncovers ominous possibility in lives he barely brushes. Brian Evenson says, "Only Eugene Marten can keep a reader enthralled with the minutiae of a janitorial existence.... Precisely and exquisitely detailed, WASTE is a stark little masterpiece." And Dawn Raffel writes, "[P]itch-perfect. WASTE wastes nothing--not a syllable, a beat, a ragged breath." And Sam Lipsyte writes, "There is nothing quite like the controlled burn of Eugene Marten's prose."

    She has it all, but at the ripe age of thirty-one, she wants more. She wants to be married, she wants a family, and she's going to have it all with Stephen. At least, that's what she thought, until Stephen announces he's gay, and the domino effect of unfortunate events begins. She soon finds herself unemployed, single, and living in her sister's house on Long Island, working as her niece's babysitter for less than minimum wage. She's pretty certain she's destined to live in the Land of Mediocrity forever.And then, her niece runs face-first into a tall, handsome man at the bookstore.* * *Holly Freakin' Hughes is an HFN title about acceptance, feeling good enough, and the reality that the grass isn't always greener on the other side. NOTE: This book contains some strong language and sexual situations. Age discretion is advised. This book will also be a part of a series of at least three books. They just haven't been born yet. Patience is appreciated.

    At first glance one might be disposed to dismiss Miss Towers as an imitation Jane Austen, but it would be a mistaken judgment, for her cool detachment and ironic eye are directed more often than not against the sensible breeze that blasts and withers, the forthright candour that kills the soul. Miss Towers flashes and shines now this way, now that, like a darting sunfish.' 'At her best her prose style is a shimmering marvel,' wrote the Independent on Sunday, 'and few writers can so deftly and economically delineate not only the outside but the inside of a character…There's always more going on than you can possibly fathom.' And the Guardian said: 'Her social range may not be wide, but her descriptions are exquisite and her tone poised between the wry and the romantic.' Five of the stories were read on BBC Radio 4.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Her motto, "Live life to the fullest" is derailed when the young man, who's captured her attention, turns out to be the son of a drug tycoon- the same that provided the drugs that killed her brother. Whitney believes she simply need to heal from her first heartache, not knowing she is a part of a devious trade, one against human rights, and she has been… since the day age was born.Blue Waters is the first Novella in a Tainted Waters, and begins a story of deception, corruption, self-discovery, and love with all that it demands you sacrifice…"There was a beauty in dying that day…"

    In "Days," a woman in her late thirties records her life in a series of lists, giving shape to the tumult of her days--one moment she is eating an apple, the next she is on the floor, howling like a dog. As the details accumulate, we experience with her the full range of emotions: anger, loneliness, regret, pain, and also joy, as the lists become a way to understand, connect to, and rebuild her life.In "Minna Needs Rehearsal Space," a novella told in headlines, an avant-garde musician is dumped via text message. Fleeing the indignity of the breakup and friends who flaunt their achievements in life, career, and family, Minna unfriends people on Facebook, listens to Bach, and reads Ingmar Bergman, then decamps to an island near Sweden, "well suited to mental catharsis." A cheeky nod to the listicles and bulletins we scroll through on a daily basis, So Much for That Winter explores how we shape and understand experience, and the disconnection and dislocation that define our twenty-first-century lives, with Nors's unique wit and humor.