But such simple actions are structured by complex relationships with our natural world. The contours of these relationships social, cultural, political, economic, and legal were established during America s first great period of urbanization in the nineteenth century, and Boston, one of the earliest cities in America, often led the nation in designing them. A richly textured cultural and social history of the development of nineteenth-century Boston, this book provides a new environmental perspective on the creation of America s first cities."Eden on the Charles" explores how Bostonians channeled country lakes through miles of pipeline to provide clean water; dredged the ocean to deepen the harbor; filled tidal flats and covered the peninsula with houses, shops, and factories; and created a metropolitan system of parks and greenways, facilitating the conversion of fields into suburbs. The book shows how, in Boston, different class and ethnic groups brought rival ideas of nature and competing visions of a city upon a hill to the process of urbanization and were forced to conform their goals to the realities of Boston s distinctive natural setting. The outcomes of their battles for control over the city s development were ultimately recorded in the very fabric of Boston itself. In Boston s history, we find the seeds of the environmental relationships that for better or worse have defined urban America to this day.

    In a fast-paced narrative, Nelson George's book chronicles the rise and fall of "race music" and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.

    But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth.

    After losing both her parents, Zorrie moved in with her aunt, whose own death orphaned Zorrie all over again, casting her off into the perilous realities and sublime landscapes of rural, Depression-era Indiana. Drifting west, Zorrie survived on odd jobs, sleeping in barns and under the stars, before finding a position at a radium processing plant. At the end of each day, the girls at her factory glowed from the radioactive material.But when Indiana calls Zorrie home, she finally finds the love and community that have eluded her in and around the small town of Hillisburg. And yet, even as she tries to build a new life, Zorrie discovers that her trials have only begun.Spanning an entire lifetime, a life convulsed and transformed by the events of the 20th century, Laird Hunt’s extraordinary novel offers a profound and intimate portrait of the dreams that propel one tenacious woman onward and the losses that she cannot outrun. Set against a harsh, gorgeous, quintessentially American landscape, this is a deeply empathetic and poetic novel that belongs on a shelf with the classics of Willa Cather, Marilynne Robinson, and Elizabeth Strout.

    WHAT WERE THREE ARE NOW ONE, AND I AM FURY... Herman and Janet Erikson are going through a crisis of grief and suffering after losing their daughter in a hit and run. They've given up on each other, they've given up on themselves. They are living day by day. One afternoon, to make a horrible situation worse, their dog goes missing in the coyote-infested badlands behind their property. Herman, resolved in preventing another tragedy, goes to find the dog, completely unaware he's on a hike to the River Styx, which according to Greek myth was the border between the Living World and the world of the Dead. Long ago the gods died and the River dried up, but a bottle containing its waters still remains in the badlands. What Herman discovers about the dark power contained in those waters will change his life forever... "It happens from time to time...a book grabs you from the opening line and refuses to let you go. Benjamin Kane Ethridge's Bottled Abyss was one of those reads for me. Bottled Abyss is a stunningly sophisticated tale, both in its mythic scope and in its adroit handling of complex, emotional characters. Ethridge is a writer of rare emotional intelligence, developed far beyond his years, but with Bottled Abyss he has outdone even his own considerable promise. There are several writers out there, such as Laird Barron, John Langan and Lee Thomas, that have me chomping at the bit for their next release. Add to that shortlist Benjamin Kane Ethridge, for he has made me a fan for life!" -Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

    His illuminating and accessible discussion is a characteristically skillful and compelling synthesis of hard scientific theory, factual evidence, personal anecdotes, haunting reflection, and poetic prose.

    This is a marvelous rags-to-riches autobiography, thoughtful, dramatic and funny, filled with perceptive details about events and personalities. In his parade of people and events, we meet Douglas MacArthur, both as outcast and conqueror; listen to a troubled Eisenhower preparing to lay aside his uniform and plunge into politics; visit Mao Tse-tung in his cave in Henan; and trace the power-curve of America's greatness across the glory years at home and abroad.Prologue: The StorytellerBoston: 1915-38Asia: 1938-45 Europe: 1948-53 America: 1954-63Epilogue: Outward BoundAcknowledgmentsIndex

    Berg moves to a remote Northern California town, seeking space and time to recover, but soon finds himself breaking into homes in search of pills. Addled by addiction and chronic pain, Berg meets Alejandro, a reclusive, master boatbuilder, and begins to see a path forward. Alejandro offers Berg honest labor, but more than this, he offers him a new approach to his suffering, a template for survival amid intense pain. Nurtured by his friendship with Alejandro and aided, too, by the comradeship of many in Talinas, Berg begins to return to himself. Written in gleaming prose, this is a story about resilience, community, and what it takes to win back your soul.

    A second-chance romantic romp with a warrior on a mission of revenge & the woman who might just make him give up everything...including his life.*Romantic Times' K.I.S.S. Award, Best Historical Romance Hero of the Year*First he loved her. Then he abandoned her. Now he's the only one who can save her.A dashing con man on a mission of revenge...Irishman Kier is on a mission of revenge, and the men who once tried to destroy him are about to pay. He's planned for everything, from how he'll lure them in, to how he'll hammer the last nail into their coffins. He's planned for everything... Except the one woman who can bring the whole thing crashing down around him.A woman in peril with secrets to protect...Sophia Darnly is stunned by the sudden re-appearance of the outlaw lover who abandoned her years ago. And furious. And desperate. Fleeing with a document that contains the most damning details about the wealthiest men in England, she'd being hunted by dangerous men, and has no choice but to do the most dangerous thing of all: turn to Kier to save her....A game that could get them both killed.Time has not erased Sophia from Kier's heart, nor tamed her fiery spirit. But Kier is on a mission of revenge, and can't allow even the woman he once loved to stop him. When Sophia inserts herself into his schemes, they join forces. Posing as a wealthy shipping widow and her agent, the duo set a trap for their targets, but the coals of their rekindled passion burn hotter than either of them could have imagined. And when they discover they, too, are the targets of a deadly deception, the fate of their love, and of England itself, lies in the balance.***Stop by the website for all the info! kriskennedy.netSign up for the newsletter to get all the latest news: kriskennedy.net/KKNewsletterhx

    A Junior Library Guild book, and Mystery Writers of America EDGAR nominee.

    More than just a true-crime story, it is the stunning expose of spurious science that sent medical researchers in the wrong direction--and nearly allowed a murderer to go unpunished.On July 28, 1971, a two-and-a-half-month-old baby named Noah Hoyt died in his trailer home in a rural hamlet of upstate New York. He was the fifth child of Waneta and Tim Hoyt to die suddenly in the space of seven years. People certainly talked, but Waneta spoke vaguely of "crib death," and over time the talk faded.Nearly two decades later a district attorney in Syracuse, New York, was alerted to a landmark paper in the literature on Sudden Infant Death Syndrome--SIDS--that had been published in a prestigious medical journal back in 1972. Written by a prominent researcher at a Syracuse medical center, the article described a family in which five children had died suddenly without explanation. The D.A. was convinced that something about this account was very wrong. An intensive quest by a team of investigators came to a climax in the spring of 1995, in a dramatic multiple-murder trial that made headlines nationwide.But this book is not only a vivid account of infanticide revealed; it is also a riveting medical detective story. That journal article had legitimized the deaths of the last two babies by theorizing a cause for the mystery of SIDS, suggesting it could be predicted and prevented, and fostering the presumption that SIDS runs in families. More than two decades of multimillion-dollar studies have failed to confirm any of these widely accepted premises. How all this happened--could have happened--is a compelling story of high-stakes medical research in action. And the enigma of familial SIDS has given rise to a special and terrible irony. There is today a maxim in forensic pathology: One unexplained infant death in a family is SIDS. Two is very suspicious. Three is homicide.

    Changing styles in feminist thought, the tangled connections between creativity and ideology, the writer’s odd place in our money-centered world, the way we turn our friends into surrogate families—while always fluid and lively, the play is thick with ideas, like a stockpot of good stew.” –Michael Feingold, Village Voice“Beautifully layered. Margulies delivers a spot-on glimpse of New York's literary scene: the power of a Times book review, or the milestone of the 92nd Y's authors series, or the significance of a little-known but much-revered lit mag like the now-defunct Grand Street. He's even better at teasing the sense of betrayal that can dissolve creative friendships…the ethics of friendship and fiction smack into each other.” –Lisa Kennedy, Denver Post“[Collected Stories] digs into its engaging tale of aesthetics and ethics with intelligence and sharp, literate humor….Mr. Margulies has found fertile material in the struggles of the creative classes to reconcile the demands of ambition with the exigencies of life.” –New York Times“This provocative piece of theater serves as a timely reminder that we are defined by our feelings and memories — and such precious thoughts are sacred.” –Matthew J. Palm, Orlando SentinelCollected Stories explores the vexed emotional and legal question of a writer's right to create art from the biographical material of another person's life-particularly when that other person is also a writer. Meditating upon the recent, real-life conflict between poet Stephen Spender and novelist David Leavitt, Margulies has created two of the most vivid and moving fictional characters of his career: Ruth Steiner, an aging, highly regarded author who never wrote about her youthful affair with real-life poet Delmore Schwartz, and Lisa Morrison, a student of Steiner's who, after publishing a much-ballyhooed first short-story collection under Steiner's direction, follows up with a novel that draws upon the Schwartz affair. The result is charged drama with the depth and weight of the finest prose fiction. Winner of the Los Angeles Drama Critics Award for Best New Play.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    “If you purchase only one book of fantasy this year, make it this one.”--School Library Journal

    As the mother drives, she and the boy, Roy, trade impressions of the landscape and of life, in the process approaching an understanding of each other and their shared inner landscape."Mom, can we drive to Wyoming?" "You mean now?" "Uh-huh. Is it far?" "Very far. We're almost to Georgia." "Can we go someday?" "Sure, Roy, we'll go." "We won't tell anyone, right, Mom?" "No, baby, nobody will know where we are." "And we'll have a dog." "I don't see why not." "From now on when anything bad happens, I'm going to think about Wyoming. Running with my dog." "It's a good thing, baby. Everybody needs Wyoming." —from Wyoming

    Trenchmouth, nicknamed for his inexplicable, lifelong oral affliction, is orphaned and then raised by the Widow Dorsett, a strong mountain woman who teaches him to fend for himself. Trouble seems to follow Trenchmouth as he goes through his life with stints as a mine war sniper, musician, and prize-winning reporter. But Trenchmouth always finds a way to triumph, and when he enters his last stage of life, he is indeed a reporter worthy of a grand report, of telling his unthinkable tale. Yet it is in the telling itself that something truly remarkable is revealed, something even Trenchmouth could not have known.