Minutes from the city, affluent without pretension, low crime with a friendly vibe—it’s everything Kat never had, and that she’s determined to provide for her infant daughter. Snagging a nice bungalow in this exclusive enclave was worth all the sacrifice. But everything changes overnight when Kat finds a scrawled note outside their front door.That wasn’t very neighborly of you.As increasingly sinister and frighteningly personal notes arrive, each one stabs deeper into the heart of Kat’s insecurities, paranoia, and most troubling, her past. When the neighbors who seemed so perfect reveal their open secret, the menace moves beyond mean notes. Someone’s raising the stakes.As suspicious as she is of every smiling face and as terrified as she’s become of being found out, Kat is still unprepared for the sharp turn that lies just ahead of her on Bayberry Lane.

    Money, success, privilege - the residents have it all. Life is good.There's just one problem.Olive Collins' dead body has been rotting inside number four for the last three months. Her neighbours say they're shocked at the discovery but nobody thought to check on her when she vanished from sight.The police start to ask questions and the seemingly flawless facade begins to crack. Because, when it comes to Olive's neighbours, it seems each of them has something to hide, something to lose and everything to gain from her death.

    Under a pink moon, there is a perfect little town not found on any map. In that town, there are quiet streets lined with pretty houses, houses that conceal the strangest things. After a couple years of hard traveling, ex-cop Mona Bright inherits her long-dead mother's home in Wink, New Mexico. And the closer Mona gets to her mother's past, the more she understands that the people of Wink are very, very different ...From one of our most talented and original new literary voices comes the next great American supernatural novel: a work that explores the dark dimensions of the hometowns and the neighbors we thought we knew.

    But now there's a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something.Enter PC Peter Grant junior member of the Metropolitan Police's Special Assessment unit AKA The Folly AKA the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying the crush of London's rush hour to find the source of the ghosts.Joined by Peter's wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog their investigation takes a darker tone as they realise that a real person's life might just be on the line.And time is running out to save them.With this new novella, bestselling author Ben Aaronovitch has crafted yet another wickedly funny and surprisingly affecting chapter in his beloved Rivers of London series.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    Archaic clues. A visionary killer. In this heart-stopping novel by the Wall Street Journal and Amazon Charts bestselling author of the Sydney Rose Parnell series, words can kill.On the muddy banks of the Calumet River, a body has been found posed next to a series of mysterious glyphs and bearing wounds from a ritualistic slaying. Chicago detective Addie Bisset knows only one man who can decipher the message left by the killer: her friend Dr. Evan Wilding. A brilliant forensic semiotician, Evan decodes the etchings as Viking Age runes. They suggest either human sacrifice or righteous punishment. But to what god? And for what sins?Only one thing is clear from the disturbing runic riddles: there are more victims to come.As Evan races to determine the identity of the Viking Poet, he and Addie uncover the killer’s most terrifying secret yet: the motive. This startling discovery puts Evan’s life in mortal danger, and verse by ancient verse, time is running out.

    What if she's not dead?Pushed to the breaking point, Cara Burrows flees her home and family and escapes to a five-star spa resort she can't afford. Late at night, exhausted and desperate, she lets herself into her hotel room and is shocked to find it already occupied — by a man and a teenage girl.A simple mistake at the front desk... but soon Cara realizes that the girl she saw alive and well in the hotel room is someone she can't possibly have seen: the most famous murder victim in the country, Melody Chapa, whose parents are serving natural life sentences for her murder.Cara doesn't know what to trust — everything she's read and heard about the case, or the evidence of her own eyes. Did she really see Melody? And is she prepared to ask herself that question and answer it honestly if it means risking her own life?

    A murder case that could change their lives forever. The Sisters is a gripping new thriller from one of the most exciting voices in crime fiction. In this prequel to the international bestseller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boy’s club” of Dublin’s police force. Carrie uncovers this make-or-break moment in a case file her sister Aifric, a newly qualified barrister, leaves on their kitchen counter: Robert Collins has been charged with the murder of his girlfriend after a fight in a local pub, and all signs point towards a guilty verdict. But both sisters quickly begin to find evidence that complicates the story. All the while, Carrie is very aware that she’s crossed the line – if the detective sergeant running the investigation finds out she’s been messing around with his case, her career will be over before it has begun. Please note: This audio contains strong language, distressing situations, and descriptions of violence that some listeners may find upsetting. Discretion is advised.

    Out of protection. Out of fear. Everyone has a reason to lie.Everyone in Raleigh, North Carolina, is talking about Norah Ramsey, the single mother accused of being a suburban madam. But Norah’s not the only one keeping secrets.After her mother’s arrest, Norah’s teenage daughter, Violet, is devastated and alone. She has no one to turn to until her grandmother Polly arrives. Polly, long estranged from Norah, is running from her own troubles. Down the street, Bess, once Norah’s best friend, desperately tries to hide secrets while Casey, Bess’s daughter, flees college after a traumatic event, only to find that home isn’t the safe haven she expected. And Nico, the detective who has doggedly pursued Norah Ramsey in hopes that she will lead him to his missing brother, is drawn further into these women’s lives while facing his own domestic disturbance.Scandal has brought each of them to a crossroads. Now, as they delve into Norah’s secrets, they must come to terms with secrets of their own—ones that still have the power to hurt or to heal.

    But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes

    Angela Hoot's government career begins with an ending. Her unorthodox programming skills get her kicked out of MIT's graduate school and into the Bureau's cyber-forensics unit. A messaging app with sophisticated tracking capabilities surfaces. Its beta users, all young women, are only identified as they turn up dead in their bedrooms. As Angela races to crack the killer's digital code, their technical rivalry escalates. She must deny the killer access to her personal life, or risk losing her life to the underbelly of the Internet.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?