Here are all the lyrics, series, and narratives that established Wakoski as a mythologizer of sex and self, a fierce free-verse imagist, and one of the most important and controversial poets in the United States today (Contemporary Poets). About these poems, Wakoski writes: My themes are loss, justice, truth, transformation, the duality of the world, the possibilities of magic, and the creation of beauty out of ugliness. My language is dramatic, oral, and as American as I can make it. I am impatient with stupidity, bureaucracy, and organizations. Poetry, for me, is the supreme art of the individual using language to show how special, different, and wonderful his perceptions are. With verve and finesse. With discursive precision. Arid with utter contempt for pettiness of imagination or spirit. Emerald Ice is a contemporary classic, the essential poems of a uniquely American female sensibility..

    We follow the progression of Daniel Boone's life, a life led in war and in the wilderness, and see the birth of a new nation. We track the bountiful animals and the great, undisturbed rivers. We stand beside Boone as he buries his brother, then his wife, and finds comfort in his friendship with a slave named Derry. Praised for his originality, Maurice Manning is an exciting new voice in American poetry. The darkest place I've ever beendid not require a name. It seemedto be a gathering place for the lintof the world. The bottom of a hollowbeneath two ridges, sunk like a stone.The water was surely old, the dregsof some ancient sea, but purifiedby time, like a man made better by his years, his old hurts absorbed intohis soul, his losses like a springin his breast. -from "Born Again"

    

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    Marshal Bass Reeves in their first book, entitled "The Nations". The story continues in "Haunted Falls", the story of Bass Reeves as he joins other U.S. Marshals in pursuit of the infamous Dalton gang. It is full of adventure, romance, some history, excitement and a unique paranormal twist. You will not want to miss this sequel.

    M. Forster's most celebrated works. Forster explores love among a cast of eccentric characters gathered in an Italian pension and in a corner of Surrey, England. Caught up in a world of social snobbery, Lucy Honeychurch must make a decision that will decide the course of her future: She is forced to choose between convention and passion.

    In his screenplays and short stories, Ethan Coen surprises and delights us with a rich brew of ideas, observations, and perceptions. In his first collection of poems he does much the same. The range of his poems is remarkable–funny, ribald, provocative, sometimes raw, and often touching and profound.In these poems Coen writes of his childhood, his hopes and dreams, his disappointments, his career in Hollywood, his physically demanding love affair with Mamie Eisenhower, and his decade-long battle with amphetamines that produced some of the lengthier poems in the collection. You will chuckle, nodding with recognition as you turn the pages, perhaps even stopping occasionally to read a poem. Handsomely and durably bound between hard covers, this is a book that will stand up to most readers’ attempts to destroy it.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    They celebrate the wonders of nature and explore the nature of love and friendship.

    But it seems the world around her won't cooperate -- she keeps getting involved with the wrong friends, the wrong older man, even the wrong Mr. Right. Her relationship with her family is downright dysfunctional -- while her mother is a holdover from the 1950s, her father embraces the go-go 1970s with abandon. So Taylor, left to her own devices, determines her life's road map -- a plan that will get her out of her house and out of Houston. A plan that will get her somewhere. "The Way to Somewhere" traces Taylor's odyssey as she moves from teenager to woman, with equal parts awkwardness, conflict, and resolve. All the while, Taylor struggles to shape reality into her dreams of the forever after. When a complex romantic entanglement leads to a fascination with furniture restoration, Taylor seems to have found the precise balance of science and logic that she desperately seeks. Yet somehow, her experiences continue to be more surprising and disastrous than smoothly aligned, until eventually all of these wrong turns set her life further on its own true course.Resonant and moving, funny and wise, "The Way to Somewhere" charts Taylor's growth as she flings herself headlong into sex, love, relationships, and renewal. In the end, Taylor's happiness hinges on learning not only to accept but to embrace those elements of her life that she had once tossed aside in search of better things.With the quick wit of Tom Perrotta's "Bad Haircut" and the emotional timbre of Wally Lamb's "She's Come Undone," Angie Day's "The Way to Somewhere" is an exceptional exploration ofthat fragile bridge between adolescence and adulthood, and what shores us up -- or breaks us apart.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.

    Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Innovative, engaging poems from a leading American poet.Stone wheel that sharpens the blade that mows the grain,Wheel of the sunflower turning, wheel that turnsThe spiral press that squeezes the oil expressedFrom shale or olives. Particles that turn mudOn the potter's wheel that spins to form the vesselThat holds the oil that drips to cool the blade.--from "Biography"Jersey Rain takes up a central American subject: the emotional power of inventions, devices, and homemade imaginings -- from the alphabet and the lyre through the steel drum and piano to the record player, digital computer, and television. Formally innovative and highly readable poems like "ABC," "Ode to Meaning," "To Television," and "The Green Piano" meditate a life guided by the quick, artful tinkerer-god Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger, and trickster of heaven.Tiptoe on the globe. Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Jersey Rain -- at once complex and aboveboard -- marks a new, strong, lyrical stage of Robert Pinsky's work. Assembled here are poems -- some of the finest of his career -- that together compose a sweeping and embattled meditation on the themes of a life guided by Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger and trickster of heaven.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    His two older brothers never left and are at the top of their respective games—politics and the Irish Mafia. At the wedding, family fireworks go off in spectacular fashion and end with an incident that sends the whole city of Boston into turmoil. An intense seven-day drama creates the ultimate test for the three brothers: how to be loyal to family, to friends and to a place called home.