"I like this London life . . . the street-sauntering and square-haunting."--Virginia Woolf, diary, 1925In the early twentieth century, Mecklenburgh Square--a hidden architectural gem in London's Bloomsbury--was a radical address, home to students, struggling artists, and revolutionaries. And in the pivotal era between the two world wars, the lives of five remarkable women intertwined around this one address: the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and--above all--work independently.With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women's lives for generations to come.

    Two centuries have passed since Chopin's birth, yet his legacy is all around us today. The quiet revolution he wrought influenced the development of Western music profoundly, and he is still probably the most widely studied and revered composer. For many, he is the object of a cult. Yet most people know little of his life, of the man, his thoughts and his feelings; his public image is a sugary blur of sentimentality and melodrama. Adam Zamoyski cuts through the myths and legends to tell the story of Chopin's life, and to reveal all that can be discovered about him as a person. He pays particular attention to recent revelations about the composer's health, and places him within the intellectual and spiritual environment of his day.

    He is, indeed, the very symbol of what we now call “modern” literature; nearly a hundred years before the arrival of the “mind-expanding” drugs, Rimbaud understood that the borders of the writer’s consciousness must be extended and made the deliberate attempt to use hallucination as a creative method.Dr. Starkie, a lecturer in French literature at Oxford, has devoted many years of research to Rimbaud, revising her biography three times as new manuscript material and information about him has come to light.

    But just as this was no ordinary home, theirs was no ordinary family. Lynn Knight tells the remarkable story of the three adoptions within it: of her great-grandfather, a fairground boy given away when his parents left for America in 1865; of her great-aunt, rescued from an Industrial School in 1909; and of her mother, adopted as a baby in 1930 and brought to Chesterfield from London."--Front flyleaf of book jacket.

    It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joins the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more, in revolutionizing artistic expression.Sue Roe has blended exceptional scholarship with graceful prose to write this remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of movements like Fauvism, Cubism, andFuturism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. Relating the colorful lives and complicated relationships of this dramatic bohemian scene, Roe illuminates the excitement of the moment when these bold experiments in artistic representation and performance began to take shape.A thrilling account, In Montmartre captures an extraordinary group on the cusp of fame and immortality. Through their stories, Roe brings to life one of the key moments in the history of art. Praise for In Montmartre "Lively and engaging….[Readers] will find a fresh sense of how all these people—the geniuses and the hangers-on, the wealthy collectors and the unworldly painters—related to each other…..In [Roe’s] entertaining, ingeniously structured account Roe brings Montmatre’s hedyday back to life." —Sunday Times (London) "With evocative imagery Roe sketches out the intensely visual spectacle on which Montmatre’s artistic community was able to draw…. Roe is particularly good at communicating the extraordinary devotion of Matisse and Picasso to their work." —Financial Times

    482 pages, 4 plates, boards, very good. From the Columbia Encyclopedia, Sixth Edition: George Sand, pseud. of Amandine Aurore Lucie Dupin, Baronne Dudevant 1804-76, French novelist. Other variant forms of her maiden name include Amantine Lucile Aurore Dupin. Born of an aristocratic father and a lower-class mother, she was reared by her austere paternal grandmother on a country estate in Berry. After entering a convent in Paris, she returned to the countryside and led an unconventional life, donning the male clothes that became a mark of her rebellion. In 1831, after eight years of a marriage of convenience with Baron Dudevant, a country squire, she went with her two children to Paris, obtaining a divorce in 1836. She wrote some 80 novels, which were widely popular in their day, supporting herself and her children chiefly by her writing. Her earlier novels were romantic; later ones often expressed her serious concern with social reform. Her liaisons-with Jules Sandeau, Musset, Chopin, and others-were open and notorious, but were only part of her life. She demanded for women the freedom in living that was a matter of course to the men of her day.

    At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman.For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews.

    Presenting photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.

    The sisters nurture Gabrielle’s exceptional sewing skills, a talent that will propel the willful young woman into a life far removed from the drudgery of her childhood.Transforming herself into Coco—a seamstress and sometime torch singer—the petite brunette burns with ambition, an incandescence that draws a wealthy gentleman who will become the love of her life. She immerses herself in his world of money and luxury, discovering a freedom that sparks her creativity. But it is only when her lover takes her to Paris that Coco discovers her destiny.Rejecting the frilly, corseted silhouette of the past, her sleek, minimalist styles reflect the youthful ease and confidence of the 1920s modern woman. As Coco’s reputation spreads, her couturier business explodes, taking her into rarefied society circles and bohemian salons. But her fame and fortune cannot save her from heartbreak as the years pass. And when Paris falls to the Nazis, Coco is forced to make choices that will haunt her.An enthralling novel of an extraordinary woman who created the life she desired, Mademoiselle Chanel explores the inner world of a woman of staggering ambition whose strength, passion and artistic vision would become her trademark.

    Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities.That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse?In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

    Among the women she profiles are Supreme Court Justice Sandra Day O'Connor, architect and urban planner Denise Scott Brown, and Mileva Maric Einstein, the scientist whose marriage to Einstein ended in tragedy.

    Born into poverty in St. Louis, the uninhibited chorus girl became the sensation of Europe and the last century's first black sex symbol. A heroine of the French Resistance in World War II, she entranced figures as diverse as de Gaulle, Tito, Castro, Princess Grace, two popes, and Martin Luther King, Jr. Yet Josephine was also, as one critic put it, "a monster who made Joan Crawford look like the Virgin Mary." Jean-Claude Baker's book also reveals her outbursts that resulted in lasting feuds, her imperious treatment of family and entourage members, and her ambivalent attitudes concerning her ethnic background. Reconciling Josephine's many personas-Jazz-age icon, national hero of France, proponent of Civil Rights, mother of children from across the globe-Josephine: The Hungry Heart gives readers the inside story on a star unlike any other before or since.

    It details the big milestones in her life, her unconventional pregnancy and single parenthood, and a successful second innings in Bollywood. A candid, self-deprecating portrait of the person behind the persona, it talks about her life's many choices, battling stereotypes, then and now, and how she may not be as unconventional as people think her to be.

    Her exploits grabbed headlines throughout the world but, beneath the public persona, she was forced to hide vital aspects of her own identity in order to thrive in a class-obsessed and male-dominated world. And – as Susannah Stapleton reveals – she was a most unreliable witness to her own life.Who was Maud? And what was the reality of being a female private detective in the Golden Age of Crime?Interweaving tales from Maud West’s own ‘casebook’ with social history and extensive original research, Stapleton investigates the stories Maud West told about herself in a quest to uncover the truth.With walk-on parts by Dr Crippen and Dorothy L. Sayers, Parisian gangsters and Continental blackmailers, The Adventures of Maud West, Lady Detective is both a portrait of a woman ahead of her time and a deliciously salacious glimpse into the underbelly of ‘good society’ during the first half of the twentieth century.

    Ever in search of new verbal challenges, he wrote one novel entirely without the letter e; and in 1978 he published the monumental, structurally complex Life A User's Manual, which many critics have placed (in the words of The Boston Globe) "on the level of Joyce, Proust, Mann, Kafka, and Nabokov."In Georges Perec: A Life in Words, David Bellos, Perec's award-winning English translator, introduces the enigmatic figure behind these remarkable works, showing how Perec's experiences led to such masterpieces as Life, the celebrated Things, and the harrowing W or The Memory of Childhood the latter inspired by his parents' deaths during World War II (one of them at Aucshwitz) and by his own sense of guilt as a survivor.Using unpublished documents and firsthand interviews, Bellos details Perec's tragic childhood, his difficult apprenticeship, his emergence into literary renown, and finally his death from cancer at age 46. He traces the influences of Perec's Polish-Jewish background, and of the friendships with such figures as Calvino, Raymond Queneau, Harry Mathews, and others that helped shape this extraordinary life. He offers privileged insights, born of many years' reflection and study, into Perec's vertiginous works. He situates Perec as a primary figure of French intellectual life in the 1960s and 1970s, due in part to his collaborations with the radically inventive OuLiPo group (whose name condenses the emblematic phrase "Workshop of Potential Literature"). And he shows the painstaking process by which a phenomenally gifted writer, suffering from a sheltered past crippling emotional burden, reconstructed his life in the only way he knew how: in words.