Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

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    In his work he displayed a rare ability to combine astute characterization, colorful settings, and an ironic tone in memorable tales offering perceptive explorations of human psychology and motivation.He is perhaps famous as author of The Red Badge of Courage, the quintessential Civil War classic. However, Crane wrote seven other stories involving this monumental conflict. All are gathered together in this volume. They include "A Mystery of Heroism," "A Gray Sleeve," "Three Miraculous Soldiers," "The Little Regiment," "An Indiana Campaign," "An Episode of War," and "The Veteran," which features Henry Fleming, protagonist of The Red Badge of Courage, years after the war.Attractive and sturdily bound, this modestly priced edition will find an enthusiastic audience among admirers of Crane's work, students of American literature, and Civil War buffs alike. All will enjoy the work of an author now recognized as one of the most innovative, influential writers of his generation — an acknowledged master of the short story.

    It was subsequently included in The Son of the Wolf, a story collection published in 1900.The White Silence is set in the unforgiving winter landscape of Yukon Territory, Canada. The story chronicles the travels of three people across the Northland Trail on the Yukon, as they try to reach civilization before spring. The story deals with the fragile relationship between man and nature, and also between man and animal. Its title is a phrase that London used frequently in his descriptions of the frozen northern landscapes in his stories.

    The book is a series of tales supposed to be told to poor travelling portrait-painter, William Kerby, who is forced to abandon his profession for six months in order to save his sight. Collins provides a narrative framework, which tells us how the painter came to think of publishing the stories, (Kerby’s wife Leah realizes that if she acts as amanuensis William can support them by turning author), how they were collected (from the people who ‘sat’ for him to have their portraits painted) and descriptions of the circumstances under which the tales were told. The tales are stories of adventure, well varied, and often striking in the incidents, or with thrilling situations; and are as pleasant reading as a novel reader could desire. The six stories contained in the book are:The Traveller's Story of A Terribly Strange Bed The Lawyer's Story of A Stolen Letter The French Governess's Story of Sister Rose The Angler's Story of The Lady of Glenwith Grange The Nun's Story of Gabriel's Marriage The Professor's Story of The Yellow MaskThis idea for the book may have been prompted by a period of eye-trouble suffered by Collins's father, William Collins, an English landscape and genre painter. In the preface to After Dark, Collins also acknowledges the painter W. S. Herrick as his source for the facts on which 'A Terribly Strange Bed' and 'The Yellow Mask' are basedWilliam 'Wilkie' Collins (1824-1889) was an English novelist, poet, and playwright writing in the mid 19th century. His writing was very popular consisting of 27 novels, 50 short stories, 15 plays and over 100 poems. His best-known works were The Woman in White, The Moonstone and Armadale.

    In a folksy narration peppered with sailor's jargon, the amiable, altogether down-to-earth merchant marine describes a series of amusingly disconcerting revelations about the next world.Sitting on a cloud strumming a harp all day turns out to be insufferably boring; being eternally youthful also has its drawbacks when the captain finds himself not mixing well with a crowd of insipid teenagers; and Native Americans so outnumber whites in the North American district of Paradise that the average white Anglo-Saxon male has trouble finding someone to talk to. In fact the outlandish dimensions and characteristics of heaven utterly explode every human conception.This funny, satirical spoof on human pretensions about the importance of our species in the grand scheme of things was the last published work by Mark Twain. The main character and plot were inspired by the dream of an actual sea captain whom Twain had known. Published at the beginning of the 20th century, when astronomy had just begun to reveal the huge expanse of outer space and traditional religious concepts of our place in the universe had become inadequate, Twain's humorous vision of the afterlife seems to reflect the new scientific awareness of the awesome cosmos that confronts us and the feelings of insignificance that this discovery produced.Two years after publication of this "extract," originally planned as a six-chapter book, Twain himself shipped off to follow in Captain Stormfield's wake.

    For it is the lot of prophets who frighten or disappoint to be stoned. But for some of us moderns, who have been touched with the spirit of science, prophesying is almost a habit of mind.

    Chesnutt writes of the black search for identity in the period between the Civil War and the turn of the century

    He is regarded as an innovator in the art of the short story; his children's books are enduring classics. This is a collection of short stories.

    "Benito Cereno" -- a subversive satire -- of grows out of a true story of mutiny among the enslaved . . .1."The Piazza"2."Bartleby the Scrivener" (first published in Putnam's November and December 1853)3."Benito Cereno" (first published in Putnam's October, November and December 1855)4."The Lightning-Rod Man" (first published in Putnam's August 1854)5."The Encantadas or Enchanted Isles" (first published in Putnam's March, April, and May 1854)6."The Bell-Tower" (first published in Putnam's August 1855)

    

    

    ValdemarThe Black CatThe Fall of the House of UsherSilence - A FableThe Masque of the Red DeathThe Cask of AmontilladoThe Imp of the PerverseThe Island of the FayThe AssignationThe Pit and the PendulumThe Premature BurialThe Domain of ArnheimLandor's CottageWilliam WilsonThe Tell-tale HeartBereniceEleonora

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    Ranging from tiny sketches and prose poems to longer, more conventional narratives, the stories included here are:A Country Doctor - In the Gods - An Old Folio - Before the Law - Jackals and Arabs - A Visit to the Mine - The Next Village - An Imperial Message - A Paterfamilias Perplexed - Eleven Sons - A Fratricide - A Dream - Bucket Rider - Of Metaphors - The Silence of the Sirens - Gracchus the Hunter - The Knock on the Courtyard Door - Advocates - The Vulture - At Night - A Little Fable.This e-book has a total length of around 16,000 words.