The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.

    “Leah Horlick’s For Your Own Good may be the best book of poetry to come out of Canada this year.” –Michael Dennis“Sometimes it feels as though there are Poems About Important Issues and Good Poems, and the two camps rarely meet. For Your Own Good is a startling combination of the two, skillful poems both defiant and self-aware, and close to my femme heart. We need this book.” –Zoe WhittallIn the canon of contemporary feminist and lesbian poetry, For Your Own Good breaks silence. A fictionalized autobiography, the poems in this collection illustrate the narrator’s survival of domestic and sexual violence in a lesbian relationship. There is magic in this work: the symbolism of the Tarot and the roots of Jewish heritage, but also the magic that is at the heart of transformation and survival.These poems are acutely painful, rooted in singular and firsthand experiences. But Horlick also draws from a legacy of feminist, Jewish and lesbian writers against violence: epigraphs from the works of Adrienne Rich and Minnie Bruce Pratt act as touchstones alongside references to contemporary writers, such as Daphne Gottlieb and Michelle Tea.In this reflection on grief, silence and community, we follow the narrator’s own journey as she explores what it is to survive, to change, to desire and to hope. At once unflinching and fragile, For Your Own Good is a collection with transformation at its heart.REVIEWS“‘Magic,’ which is the title of one of the poems in this collection, is a word I’d use to describe Leah Horlick’s work. Each piece takes us through a transmutation–from frightened girl to woman, from lover to abuser, from audience to performer, from alone to beloved. Horlick doesn’t back away from hard realities, deep longing or fierce desire, and drapes language around them like fitted silk–revealing and reflecting.”–Jewelle Gomez, author of Waiting for Giovanni‘These poems are beautiful. Solid and glittering as ice or crystal, they hold secrets and hard truths in their core. The wonder and lushness of Horlick’s voice imparts a loveliness to countless hidden tragedies, never sugaring them but bearing an elegant, whispering witness.”–Michelle Tea, author of How to Grow Up“Leah Horlick’s most recent collection of poetry is a beautiful rendering of grief, love and survival. This poignant poetic offering left me feeling the sensitive grace of her words long after I finished reading. The way she weaves stories into poetry is both haunting and powerful, elegant and unsettling. While reading, I had to keep reminding myself to breathe!”–Lishai Peel, author of Why Birds and Wolves Don’t Trade Stones

    citizens are looking for a new leader. That leader is Canada, and they want your vote for president of the United States.Since launching their video campaign in January, the Canada Party has gone viral, with almost a million hits on YouTube and coverage ranging from CNN and the BBC to the Huffington Post and German State Television. Their new book, America, but Better: the Canada Party Manifesto, balances the doctrine of American exceptionalism with a dose of Canadian humility and common sense in an effort to secure Canada as the new leader of the free world, by proxy.Their promises: One gay couple will be allowed to marry for every straight couple that gets divorced. The phrase "job creators" will be changed to "job creationists," and they will be given seven days to actually create some. Corporations will still be people, but if they can't provide a birth certificate they will be legally obligated to care for your lawn. Corners will be installed in the Oval Office, and timeouts given to congressmen who can't play nice.Devoted to restoring America to its former glory, the Canada Party will soon have the whole world chanting, "Yes We Canada."

    In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women—sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces—Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

    . . . This is Kahf's ultimate message: that religion and ethnicity and color and nationality are as nothing in the face of simple humanity; that spirituality and life are beyond all of these, that no creed or ideology may be taken as justification for harm."--Lisa Suhair Majaj   Kahf establishes herself as a new voice in the tradition of ethnic American poets, blending the experiences of recent Arab-American immigrants into contemporary American scenery.  In her poems, Muslim ritual and Qur'anic vocabulary move in next door to the idiom of suburban Americana, and the legendary Scheherazad of the Thousand and One Nights shows up in New Jersey, recast as a sophisticated postcolonial feminist. Kahf’s carefully crafted poems do not speak only to important issues of ethnicity, gender, and religious diversity in America, but also to universal human themes of family and kinship, friendship, and the search for a place to pray.  She chronicles the specific griefs and pleasures of the immigrant and writes an amulet for womanly power in the face of the world’s terrors. Her poetic energy is provocative and sassy, punctuated now and then with a darker poem of elegiac sadness or refined rage.Mohja Kahf is associate professor of comparative literature at the University of Arkansas.

    Obama invites you inside the White House Kitchen Garden and shares its inspiring story, from the first planting to the latest harvest.  Hear about her worries as a novice gardener – would the new plants even grow? Learn about her struggles and her joys as lettuce, corn, tomatoes, collards and kale, sweet potatoes and rhubarb flourished in the freshly tilled soil.  Get an unprecedented behind-the-scenes look at every season of the garden’s growth, with striking original photographs that bring its story to life.  Try the unique recipes created by White House chefs and made with ingredients just picked from the White House garden.  And learn from the White House Garden team about how you can help plant your own backyard, school or community garden.   Mrs. Obama’s journey continues across the nation as she shares the stories of other gardens that have moved and inspired her: Houston office workers who make the sidewalk bloom; a New York City School that created a scented garden for the visually impaired; a North Carolina garden that devotes its entire harvest to those in need; and other stories of communities that are transforming the lives and health of their citizens.   In American Grown, Mrs. Obama tells the story of the White House Kitchen Garden, celebrates the bounty of gardens across our nation, and reminds us all of what we can grow together.

    Susan Juby started out as a bright and creative student with an innate ability to write incredible stories. At the age of thirteen her life began to unravel, and like many teens, she turned to alcohol to get her through the awkward stages of trying to find her own unique identity and fit in with her peers at school. In this revealing memoir, she details the painful and sometimes funny experiences of trying to be clean and sober at a time when most young adults are just starting their drinking careers. Juby also looks into how the situation has changed for young people washing up on the shores of addiction today through a series of interviews with recovering addicts and alcoholics. Told with honesty and Juby’s wry wit, Nice Recovery is a candid memoir from one of Canada’s most beloved writers.

    The day after Esther's funeral, her husband, Rene, packed up his girlfriend, Lolly; his daughter, Jeannine; and Lolly's son, Don, in the company car and took off for Disneyland. If not for the doggedness of the doctor who treated Esther, Rene, then a charismatic and handsome CKNW radio personality, would have been free to marry Lolly, who was the station's pretty twentysomething receptionist. Instead, Rene was charged with capital murder for poisoning his wife with arsenic-laced milkshakes in one of British Columbia's most sensational criminal cases of the century.Murder by Milkshake is the compelling story of the Castellanis, and of their daughter, Jeannine, who was eleven at the time of her mother's murder and who clung to her father's innocence, even committing perjury during his trial. Rigorously researched, and based on dozens of interviews with family, friends, and co-workers, Murder by Milkshake documents the sensational case that kept Vancouver spellbound, while providing a snapshot of the city's Mad Men-esque social and political realities in the 1960s.

    And it's not just the Arctic. The whole world is changing in dangerous, unpredictable ways. Sheila Watt-Cloutier has devoted her life to protecting what is threatened and nurturing what has been wounded. In this culmination of Watt-Cloutier's regional, national, and international work over the last twenty-five years, The Right to Be Cold explores the parallels between safeguarding the Arctic and the survival of Inuit culture, of which her own background is such an extraordinary example. This is a human story of resilience, commitment, and survival told from the unique vantage point of an Inuk woman who, in spite of many obstacles, rose from humble beginnings in the Arctic to become one of the most influential and decorated environmental, cultural, and human rights advocates in the world.

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    Her subjects range from shaving her knuckles in grade school, to a shopping trip gone horribly awry, to dealing with internet trolls, to feeling out of place at an Indian wedding (as an Indian woman), to parsing the trajectory of fears and anxieties that pressed upon her immigrant parents and bled down a generation. Alongside these personal stories are pointed observations about life as a woman of colour, where every aspect of her appearance is open for critique, derision or outright scorn. Where strict gender rules bind in both Western and Indian cultures, forcing her to confront questions about gender dynamics, racial tensions, ethnic stereotypes and her father's creeping mortality--all as she tries to find her feet in the world.

    She makes the decision to cut her mother out of her life, and over the next several years goes on to create a body of work as a successful television and film actor. Then, after fifteen years of estrangement, Joanne learns that her mother is dying. Compelled to reconnect, she visits with her, unearthing a trove of devastating secrets.Joanne relates her journey from child performer to Emmy Award-winning actor, from hiding in the closet to embracing her own sexuality, from conflicted daughter and sibling to independent woman. All We Knew But Couldn’t Say is a testament to survival, love, and Joanne’s fundamental belief that it is possible to love the broken and to love fully, even with a broken heart.

    Brown coolly documents with dramatic subtlety the violent rebellion on the Canadian prairie led by Riel, who some regard a martyr who died in the name of freedom, while others consider him a treacherous murderer.

    A former Syrian refugee himself, Ramadan unveils an enthralling tale of courage that weaves through the mountains of Syria, the valleys of Lebanon, the encircling seas of Turkey, the heat of Egypt and finally, the hope of a new home in Canada.Inspired by Arabian Tales of One Thousand and One Nights, The Clothesline Swing tells the epic story of two lovers anchored to the memory of a dying Syria. One is a Hakawati, a storyteller, keeping life in forward motion by relaying remembered fables to his dying partner. Each night he weaves stories of his childhood in Damascus, of the cruelty he has endured for his sexuality, of leaving home, of war, of his fated meeting with his lover. Meanwhile Death himself, in his dark cloak, shares the house with the two men, eavesdropping on their secrets as he awaits their final undoing.Winner of the Canadian Authors Association's Fred Kerner Award for Best Overall Fiction Book.Winner of Independent Publisher Gold Medal - LGBT FictionFinalist for the Lambda Literary Award - Gay Fiction - 2018.Shortlisted for The OLA's Evergreen Award - 2018Longlisted for Canada Reads - 2018Top Ten Books in 2017 by Toronto StarBest 100 Books by The Globe and Mail.

    While grappling with their identity and sexuality, often alone, they also faced academic meltdown, their parents' divorce, and the looming pressure of what might come after high school. Written in alternating chapters from both Tegan's point of view and Sara's, the book is a raw account of the drugs, alcohol, love, music and friendship they explored in their formative years. A transcendent story of first loves and first songs, it captures the tangle of discordant and parallel memories of two sisters who grew up in distinct ways even as they lived just down the hall from one another. This is the origin story of Tegan and Sara.