It will make you laugh and cry, and ultimately, it will fill you with hope.Born in an Andean village in Ecuador, Virginia lives with her large family in a small, earthen-walled dwelling. In her village of indígenas, it is not uncommon to work in the fields all day, even as a child, or to be called a longa tonta - stupid Indian - by members of the ruling class of mestizos, or Spanish descendants. When seven-year-old Virginia is taken from her village to be a servant to a mestizo couple, she has no idea what the future holds.In this poignant novel based on a true story, acclaimed author Laura Resau has collaborated with María Virginia Farinango to recount one girl's unforgettable journey to self-discovery.

    When she was eight, her parents sold her into slavery. Shyima then moved two hours away to Egypt’s capitol city of Cairo to live with a wealthy family and serve them eighteen hours a day, seven days a week. When she was ten, her captors moved to Orange County, California, and smuggled Shyima with them. Two years later, an anonymous call from a neighbor brought about the end of Shyima’s servitude—but her journey to true freedom was far from over.A volunteer at her local police department since she was a teenager, Shyima is passionate about helping to rescue others who are in bondage. Now a US citizen, she regularly speaks out about human trafficking and intends to one day become an immigration officer. In Hidden Girl, Shyima candidly reveals how she overcame her harrowing circumstances and brings vital awareness to a timely and relevant topic.

    Her diary vividly captures that “gritty nightmare” as it was lived by one rural family—and by millions of other Americans. The books opens in 1927—“the last of the good years”—when Ann Marie is a teenager living with her parents, brother, and sister on a stock farm in southeastern North Dakota. We follow her family and friends, descendants of homesteaders, through the next ten years—a time of searing summer heat and desiccated fields, dying livestock, dust to the tops of fence posts and prices at rock bottom—a time when whole communities lost their homes and livelihoods to mortgages and, hardest of all, to government recovery programs. We also see the coming to maturity of the author in the face of economic hardship, frustrating family circumstances, and the stifling restrictions that society then placed on young women. Ann Marie Low’s diary, supplemented with reminiscences, offers a rich, circumstantial view of rural life a half century ago: planting and threshing before the prevalence of gasoline-powered engines, washing with rain water and ironing with sadirons, hauling coal on sleds over snow-clogged roads, going to end-of-school picnics and country dances, and hoarding the egg and cream money for college. Here, too, is an iconoclastic on-the-scene account of how a federal work project, the construction of a wildlife refuge, actually operated. Many readers will recognize parts of their own past in Ann Marie Low’s story; for others it will serve as a compelling record of the Dust Bowl experience.

    Throughout this moving, beautifully crafted collection of poems, six “soloists” tell their personal tales of how the March changed them. These voices are interwoven with those of more than 35 others, combining to share one incredible story of that important day. From a woman singing through a terrifying bus ride to DC to a young child riding above the crowd on her father’s shoulders, each voice brings something different and fresh to the story, making the March completely accessible to young readers. Based on extensive research, Poet Laureate J. Patrick Lewis and highly-lauded poet George Ella Lyon have crafted a unique and beautiful account of this important moment in our history.

    . . Shannon and Adrienne have been best friends ever since they were little. But one day, Adrienne starts hanging out with Jen, the most popular girl in class and the leader of a circle of friends called The Group. Everyone in The Group wants to be Jen's #1, and some girls would do anything to stay on top . . . even if it means bullying others.Now every day is like a roller coaster for Shannon. Will she and Adrienne stay friends? Can she stand up for herself? And is she in The Group—or out?Newbery Honor author Shannon Hale and New York Times bestselling illustrator LeUyen Pham join forces in this graphic memoir about how hard it is to find your real friends—and why it's worth the journey.

    But Nikki lies in a coma, and Branwell is in a juvenile behavioral center, suspected of a horrible crime and unable to utter the words to tell what really happened. Connor is the only one who might be able to break through Branwell's wall of silence. But how can he prove Branwell didn't commit the unspeakable act of which he's accused — when Branwell can't speak for himself?

    Henry Choi Lee discovers that pretending to be a tai chi master or a sought-after wiz at math wins him friends for a while -- until it comically backfires. A biracial girl is amused when her dad clears seats for his family on a crowded subway in under a minute flat, simply by sitting quietly in between two uptight white women. Edited by acclaimed author and speaker Mitali Perkins, this collection of fiction and nonfiction uses a mix of styles as diverse as their authors, from laugh-out-loud funny to wry, ironic, or poingnant, in prose, poetry, and comic form.Mitali PerkinsDavid YooCherry ChevaVarian JohnsonG. NeriNaomi Shihab NyeOlugbemisola Rhuday-PerkovichDebbie RigaudFrancisco X. StorkGene Luen Yang

    To redefine her reputation among her Ivy League–obsessed classmates, Nic begins writing their college admissions essays.But the more essays Nic writes for other people, the less sure she becomes of herself, the kind of person she is, and whether her moral compass even points north anymore.

    Stine turned being the "funny guy" into the best defense against the bullies in his class.Today's top authors for teens come together to share their stories about bullying—as silent observers on the sidelines of high school, as victims, and as perpetrators—in a collection at turns moving and self-effacing, but always deeply personal.

    Being adopted is a fact of life in the McLane household: fourteen-year-old Lizzie, as well as her older brother and sister were adopted as infants. But dry facts rarely encompass feelings, and what it feels like to be adopted is something Lizzie never dares openly discuss with her loving parents--let alone with outsiders. More and more Lizzie yearns to confide in others, especially her boyfriend, Peter. But something stops her. Will Peter think she is less because her birthmother gave her away? Would telling be disloyal to her adoptive parents? Told entirely through the poems Lizzie writes for herself, this intimate, moving story gives voice to the thoughts Lizzie cannot utter aloud. Lizzie transforms relationships and events in her daily life--family dinners, the school dance, hanging out with friends--into blues poems, list poems, sonnets, sestinas, and free verse that delve into her secret wishes and her fears. Often Lizzie feels like two people: the person everyone knows, and the one known to precious few. But when a tragic accident occurs, Lizzie finds the courage to say who she truly is and to set off on a new path of self-discovery and truth. In an Afterword the author discusses her own experience as an adopted child and how writing can help make sense of one's life. Also included are a Guide to Poetic Forms and an Appendix of Poems (poems referred to in the novel, by Lucille Clifton, Hayden Carruth, Anne Sexton, Donald Hall, and others).

    At 15, she is barely surviving the chaos of her large Catholic family. When one sister becomes pregnant and another is thrown out, her unemployed dad hides his depression, and her mom hides a secret. Sadie, the peacekeeper and rule-follower, has had enough. The empty refrigerator, years of hand-me-downs, and all the secrets have to stop. She longs for something more and plans her escape.However, getting arrested was not her plan. Falling in love was not her plan. With the help of three mysterious strangers—a cop, a teacher, and a cute boy—maybe Sadie will find the strength to defy the rules and do the unexpected.Told in verse, Sarah J. Donovan’s debut Alone Together has secrets, romance, struggle, sin, and redemption, all before Sadie blows out her 16 candles. It’s a courageously honest look at growing up in a big family.

    After surviving the grueling treatments - though just barely - Sarah moved to Portland, Oregon to start over. There, a chance encounter with an exhausted African mother and her daughters transformed her life again. A Somali refugee whose husband had left her, Hadhi was struggling to raise five young daughters, half a world a way from her war-torn homeland. Alone in a strange country, Hadhi and the girls were on the brink of starvation in their own home, "invisible" to their neighbors and to the world. As Sarah helped Hadhi and the girls navigate American life, her outreach to the family became a source of courage and a lifeline for herself. Poignant, at times shattering, Sarah Thebarge's riveting memoir invites readers to engage in her story of finding connection, love, and redemption in the most unexpected places.

    In her old town, Huda knew exactly who she was: She was the hijabi girl. But in Dearborn, everyone is the hijabi girl. Huda is lost in a sea of hijabis, and she can't rely on her hijab to define her anymore. She has to define herself. So she tries on a bunch of cliques, but she isn't a hijabi fashionista or a hijabi athlete or a hijabi gamer. She's not the one who knows everything about her religion or the one all the guys like. She's miscellaneous, which makes her feel like no one at all. Until she realizes that it'll take finding out who she isn't to figure out who she is.

    One day, while Guerrero was at school, her undocumented immigrant parents were taken from their home, detained, and deported. Guerrero's life, which had been full of the support of a loving family, was turned upside down.

    Phillis Wheatley--as she comes to be known--has an eager mind and it leads her on an unusual path for a slave--she becomes America’s first published black poet. “Strong characterization and perceptive realism mark this thoughtful portrayal.”--Booklist