But the traitor, Mallory, proved more than a match for them, and two corpses later, the remaining three called in outside help. They chose Martin Corridon, an ex-commando, who accepted the job and planned a neat double-cross of his own once he had the money. But it didn't quite work out that way: Corridon found himself trailing Mallory from the dens of Soho to the wilds of a remote Scottish island...

    SOHO, 1935.SERGEANT LEON GEATS' PATCH.A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another young woman who topped herself early.But Geats - a good man prepared to be a bad one if it keeps the worst of them at bay - knows the dark seams of the city.Working with his former partner, mercenary Flying Squad sergeant Mark Cassar, Geats obsessively dedicates himself to finding a warped killer - a decision that will reverberate for a lifetime and transform both men in ways they could never expect.

    Communities that have lived side by side for decades are locked in a violent conflict. Yards from a burning mosque, the body of a teenage boy is found hanging from a meat-hook. A sign dangles around his neck, proclaiming his crime. 'Terrorist.' Seasoned detective Ewan Striker is called in to investigate the murder. His enquiries lead him to form an unlikely alliance with rookie cop Tag Westland. Together, they discover dark forces are at work on both sides, and find themselves in a race against time to prevent the biggest terrorist atrocity ever seen on English soil.

    Or the dead guy. Or the steamer trunk. Or the rag doll. If only he hadn’t found any of these things, everything might have been okay. But he had found them. All of them. Now Carson Halliday is on the run, trying his damnedest to keep one step ahead of a dangerous gang of outlaws and mad men. A run leading him from town to town in the dry wasteland of the southern New Mexico desert, over dark hills and dangerous plains, through shantytowns and city streets, and, most frightening of all, into the mysterious depths of the human heart."One of the best of the new breed of writers." —Joe R. Lansdale"A powerful and good writer." —Neil Gaiman"Trent Zelazny is the best hard-boiled noir writer of this generation!" —Sarah L. Covert, Editor of She Never Slept

    Nick, an ex-bouncer, Dex, a charismatic sociopath, and Lisa, a motor-mouth junkie femme fatale. Their prey is a powerful, local businessman with an obsession for the poet Rilke. Thing is, each kidnapper has a very different agenda. Which means it's only a matter of time before the joking stops, and the ever threatening violence begins. Rilke on Black is an eerie, crooked tale of sex, obsession and betrayal. Ken Bruen's dark contemporary thriller matches a razor sharp vernacular with a country music soundtrack to create a truly intoxicating and original mix.

    The tiny New Jersey town she lived in has seen a rash of suicides lately, with the unlikely coincidence that everyone who has died worked for Kemco, the chemical factory company that fuels the town’s economy.As Crane digs deeper, he encounters Boone, a local woman writing a book about the environmental destruction that has come at the hands of the local chemical giant. The two team up to unravel the conspiracies surrounding the factory—which soon makes them the next targets for those aiming to keep Kemco’s shady dealings under wraps.The pair races to expose the illegal operations poisoning the town and bring Kemco to justice—before either of them becomes the latest in the growing list of “suicides.”

    Its purpose is one of certitude with a little dash of homage thrown in for good measure. For some, it may just be seen as an extended or alternate ending. For others, it may be taken as Chief Inspector Endeavour Morse's final will and testament. Your choice...

    Two stories from this collection have been adapted into the films Viscosity and A F*ckload of Scotch Tape.

    I work here, I carry a badge. The story you are about to see is true..." Before Charlie's Angels, Miami Vice, or NYPD Blue, there was Dragnet. From 1951 to 1959, Jack Webb starred as Sergeant Joe Friday in the most successful police drama in television history. Webb ("Just the facts, ma'am") was also the creator of Dragnet, and what made the show so revolutionary was its documentary-style format and the fact that each episode was "ripped" from the files of the LAPD. But 1950s television censors deemed many of the stories in the LAPD's files too violent or sensational for the airwaves. The Badge is Webb's collection of stories that could not be presented on TV: untold, behind-the-scenes accounts of the Black Dahlia murder, the Brenda Allen confessions, Stephen Nash's "thrill murders," and Donald Bashor's "sleeping lady murders," to name just a few. Case by case, The Badge takes readers on a spine chilling police tour through the dark, shadowy world of Los Angeles crime. "Some books influence a writer. Books rarely shape a writer's curiosity whole. I'm anomalous that way. I got lucky at the get-go. It was one-stop imaginative shopping. I found all my stuff in one book." -- James Ellroy on The Badge

    It is Lieutenant Clancy's job to see that he stays alive to do it. It may not sound too difficult when you have two loyal detectives like Sergeants Kaproski and Stanton to help you keep a round-the-clock watch on the hoodlum, but it proves almost beyond them.Part of the "NFT/BFI Film Classics" series, this novel was made into a film starring Steve McQueen, featuring one of the most memorable car chase scenes in film, through the streets of San Francisco.