It is rare that an author can capture the complexities of a place as though it were a person, and rarer still that one can reveal a land as dichotomous and fractious as Appalachia—a muse; a siren; a rugged, brutal landscape of exceptional beauty, promise, and suffering—with the honesty and precision of a photograph. "If you haven't heard of the Southern writer Ron Rash, it is time you should" (The Plain Dealer).In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen goods of local meth addicts—including his own nephew—comes to the aid of his brother and sister-in-law when they are threatened by their son. The pregnant wife of a Lincoln sympathizer alone in Confederate territory takes revenge to protect her family in "Lincolnites." And in the title story, a woman from a small town marries an outsider; when an unknown arsonist starts fires in the Smoky Mountains, her husband becomes the key suspect.In these stories, Rash brings to light a previously unexplored territory, hidden in plain sight—first a landscape, and then the dark yet lyrical heart and the alluringly melancholy soul of his characters and their home.

    Desperation - both material and psychological - motivates his characters. A husband cruelly avenges the killing of his wife's pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider's house is set on fire by an angry neighbor. There is also the tenderness and loyalty of the vulnerable in these stories - between spouses, parents and children, siblings, and comrades in arms - which brings the troubled, sorely tested cast of characters to vivid, relatable life.

    This volume brings together the collections Flowering Judas; Pale Horse, Pale Rider; and The Leaning Tower as well as four stories not available elsewhere in book form.Go little book... --Flowering Judas and other stories: María Concepción ; Virgin Violeta ; The martyr ; Magic ; Rope ; He ; Theft ; That tree ; The jilting of Granny Weatherall ; Flowering Judas ; The cracked looking-glass ; Hacienda --Pale horse, pale rider: Old mortality ; Noon wine ; Pale horse, pale rider --The leaning tower and other stories: The old order : The source ; The journey ; The Witness ; The circus ; The last leaf ; The fig tree ; The grave. The downward path to wisdom ; A day's work ; Holiday ; The leaning tower

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    Rendered in the American vernacular with vivid imagery and a wry, dark sense of humor, these thwarted and sometimes violent lives jump off the page at the reader with inexorable force. A father pumps his son full of steroids so he can vicariously relive his days as a perpetual runner-up body builder. A psychotic rural recluse comes upon two siblings committing incest and feels compelled to take action. Donald Ray Pollock presents his characters and the sordid goings-on with a stern intelligence, a bracing absence of value judgments, and a refreshingly dark sense of bottom-dog humor.With an artistic instinct honed on the works of Flannery O' Connor and Harry Crews, Pollock offers a powerful work of fiction in the classic American vein. Knockemstiff is a genuine entry into the literature of place.

    His lyric, deceptively simple prose conjures a world where the default setting is violence, a world of hunting and fishing, gambling and losing, drinking and poaching—a world most of us have never seen. In the chilling title novella (selected for the anthologies New Stories from the South: The Year's Best, 1999 and Best Mystery Stories of the Century), three wild boys confront a mythic game warden as mysterious and deadly as the river they haunt. And, as a weathered, hand-painted sign reads: "Jesus is not coming;" This terrain isn't pretty, isn't for the weak of heart, but in these desperate, lost people, Franklin somehow finds the moments of grace that make them what they so abundantly are: human.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

      Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).A curtain of green and other stories.Lily Daw and the three ladies --A piece of news --Petrified man --The key --Keela, the outcast Indian maiden --Why I live at the P.O. --The whistle --The hitch-hikers --A memory --Clytie --Old Mr. Marblehall --Flowers for Marjorie --A curtain of green --A visit of charity --Death of a traveling salesman --Powerhouse --A worn path --The wide net and other stories.First love --The wide net --A still moment --Asphodel --The winds --The purple hat --Livvie --At the landing --The golden apples.Shower of gold --June recital --Sir Rabbit --Moon Lake --The whole world knows --Music from Spain --The wanderers --The bride of the Innisfallen and other stories.No place for you, my love --The burning --The bride of the Innisfallen --Ladies in spring --Circe --Kin --Going to Naples --Uncollected stories.Where is the voice coming from? --The demonstrators.

    In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents--a lone, high-spirited woman among them--falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur--they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.

    Compressing an epic expanse of vision into narratives as hard and wounding as bullets, William Faulkner’s stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of which human beings are capable. These tales are set not only in Yoknapatawpha County but in Beverly Hills and in France during World War I; they are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson (“A Justice”) as well as ordinary men and women who emerge in these pages so sharply and indelibly that they dwarf the protagonists of most novels.--back coverContains:Barn burning --Shingles for the Lord --The tall men --A bear hunt --Two soldiers --Shall not perish --A rose for Emily --Hair --Centaur in brass --Dry September --Death drag --Elly --Uncle Willy --Mule in the yard --That will be fine --That evening sun --Red leaves --A justice --A courtship --Lo! --Ad Astra --Victory --Crevasse --Turnabout --All the dead pilots --Wash --Honor --Dr. Martino --Fox hunt --Pennsylvania Station --Artist at home --The brooch --My Grandmother Millard --Golden land --There was a queen --Mountain victory --Beyond --Black music --The leg --Mistral --Divorce in Naples --Carcassonne.

    Through the eyes of a man recollecting three episodes from his youth, William Styron explores with new eloquence death, loss, war and racism.