On the occasion of Mozart's two hundred and fiftieth birthday, read Maynard Solomon's Mozart: A Life, universally hailed as the Mozart biography of our time.

    “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow.In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual.Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time.Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.From the Hardcover edition.

    However, scant attention has been paid to the two women who were closest to him: Renee Pelagie de Sade, his adoring wife, and his powerful mother-in-law, Madame de Montreuil.Francine du Plessix Gray draws on thousands of pages of letters exchanged by the married couple, few of which have been published before in English, to explore in the fullest historical and psychological detail what it was like to be married to one of the most maverick spirits of modern history. Gray brings to life two remarkable women and their complex relationship to Sade as they dedicated themselves to protecting him from the law, curbing his excesses, and ultimately confining him. With immediacy, irony, and verve, At Home with the Marquis de Sade also conjures up the extravagant hedonism and terror of late eighteenth-century France.

    Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections. Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.

    Thirty-two good stories--some previously anthologized, some hot off the press ("Beauty and the Opera" by Suzy McKee Charnas appeared in July 1996), and a few once considered classic, but now nearly forgotten (Thomas Burnett Swann is rapidly falling out of sight)--offer entertainment for every taste. Many of the stories ("The Overworld" by Jack Vance, and "The Changeling" by Michael Swanwick) also offer continuation elsewhere as part of a longer work.Gardner Dozois's emphasis is on magazine fiction. As such, it's an interesting view of the evolution and increasing sophistication of the "pulps"--and their readers. For this reason this would be an excellent text for a course on modern fantasy writing. Stories from Asimov Science Fiction Magazine, which Dozois edits, are prominent among the recent pieces. Providing a brief history of 20th-century fantasy, the introduction seems written with the new reader in mind.ContentsWalk Like a Mountain • [John the Balladeer] • (1955) • shortstory by Manly Wade WellmanScylla's Daughter • [Fafhrd and the Gray Mouser] • (1961) • novella by Fritz LeiberPaper Dragons • (1985) • novelette by James P. BlaylockThe Golem • (1955) • shortstory by Avram DavidsonFlowers of Edo • (1987) • novelette by Bruce SterlingBears Discover Fire • (1990) • shortstory by Terry BissonThe Changeling's Tale • (1994) • shortstory by Michael SwanwickMissolonghi 1824 • (1990) • shortstory by John CrowleyBlunderbore • (1990) • shortstory by Esther M. FriesnerInto Gold • (1986) • novelette by Tanith LeeSpace-Time for Springers • [Gummitch the Cat] • (1958) • shortstory by Fritz LeiberBeauty and the Opéra or the Phantom Beast • (1996) • novelette by Suzy McKee CharnasThe Man Who Painted the Dragon Griaule • [Griaule] • (1984) • novelette by Lucius ShepardA Cabin on the Coast • (1984) • shortstory by Gene WolfeThe Sleep of Trees • (1980) • shortstory by Jane YolenTrouble with Water • (1939) • shortstory by H. L. GoldThe Gnarly Man • (1939) • novelette by L. Sprague de CampDeath and the Executioner • [Lord of Light] • (1967) • novelette by Roger ZelaznyThe Manor of Roses • [John & Stephen] • (1966) • novella by Thomas Burnett SwannThe Overworld • [Dying Earth] • (1965) • novelette by Jack VanceExtempore • (1956) • shortstory by Damon KnightGod's Hooks! • (1982) • shortstory by Howard WaldropBuffalo Gals, Won't You Come Out Tonight • (1987) • novelette by Ursula K. Le GuinThe Tale of Hauk • (1977) • novelette by Poul AndersonA Gift of the People • (1988) • shortstory by Robert SampsonConfiguration of the North Shore • (1969) • shortstory by R. A. LaffertyTwo Sadnesses • (1973) • shortstory by George Alec EffingerManatee Gal, Won't You Come Out Tonight • [Jack Limekiller] • (1977) • novelette by Avram Davidson (aka Manatee Gal Ain't You Coming Out Tonight)The Signaller • [Pavane] • (1966) • novelette by Keith RobertsThe Troll • (1935) • shortstory by T. H. WhiteDeath and the Lady • (1992) • novelette by Judith TarrProfessor Gottesman and the Indian Rhinoceros • (1995) • novelette by Peter S. BeaglePreface (Modern Classics of Fantasy) • (1997) • essay by Gardner DozoisRecommended Reading (Modern Classics of Fantasy) • essay by Gardner Dozois

    Writer, Sailor, Soldier, Spy brings to light for the first time this riveting secret side of Hemingway’s life—when he worked closely with both the American OSS, a precursor to the CIA, and the Soviet NKVD, the USSR’s forerunner to the KGB to defeat Adolf Hitler and the Nazis.Reynolds dig deep into Hemingway’s involvement in World War II, from his recruitment by both the Americans and the Soviets—who valued Hemingway for his journalistic skills and access to sources—through his key role in gaining tactical intelligence for the Allies during the liberation of Paris, to his later doubts about communist ideology and his undercover work in Cuba. As he examines the links between his work as a spy and as an author, Reynolds reveals how Hemingway’s wartime experiences shook his faith in literature and contributed to the writer’s block that plagued him for much of the final two decades of his life. Reynolds also illuminates how those same experiences also informed one of Hemingway’s greatest works—The Old Man and the Sea—the final novel published during his lifetime.A unique portrait as fast-paced and exciting as the best espionage thrillers, Writer, Sailor, Soldier, Spy illuminates a hidden side of a revered artist and is a thrilling addition to the annals of World War II.

    From his youthful exploits aboard a whaling ship to his often stormy friendships with such figures as Harry Houdini and George Bernard Shaw, Conan Doyle lived a life as gripping as one of his adventures. Exhaustively researched and elegantly written, Teller of Tales sets aside many myths and misconceptions to present a vivid portrait of the man behind the leg of Baker Street, with a particular emphasis on the Psychic Crusade that dominated his final years-the work that Conan Doyle himself felt to be "the most important thing in the world.

    A critical look at the work of Stephen King, writer of horror stories.

    Beginning in 1905, with Franklin and Eleanor's honeymoon, it covers FDR's years as New York state senator, assistant secretary of the Navy, his early struggle to overcome the ravages of polio and ends with his election as governor of New York in 1928. Ward not only traces the development of Roosevelt's "first-class temperament" but provides dimensional characterizations of friends, enemies and family members, gallantly defending FDR's often-maligned mother, Sara, and revealing the effect on the Roosevelt children of the tensions between Franklin and Eleanor. FDR's jaunty, fun-loving nature and his "breezy duplicity" are brought into focus in the early sections, but the tone deepens in the moving account of the future president's valiant but hopeless attempt to regain the use of his legs. Going against the accepted legend, Ward maintains that "the Roosevelt who could not walk was in most respects very like the one who could."

    Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Traces the history of the Philippines, discusses the influence of Spain and the United States, and looks at the problems facing the Philippines today.

    Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight."Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature."One of Publishers Weekly's Best Nonfiction Books of 2013

    R. R. Tolkien’s talents is remarkable. Not only was he an accomplished linguist and philologist, as well as a scholar of Anglo-Saxon and medieval literature and Norse folklore, but also a skillful illustrator and storyteller. Drawing on these talents, he created a universe which is for many readers as real as the physical world they inhabit daily.Tolkien: Maker of Middle-earth explores the huge creative endeavor behind Tolkien’s enduring popularity. Lavishly illustrated with three hundred images of his manuscripts, drawings, maps, and letters, the book traces the creative process behind his most famous literary works—The Hobbit, The Lord of the Rings, and The Silmarillion—and reproduces personal photographs and private papers, many of which have never been seen before in print. Six essays introduce the reader to the person of J. R. R. Tolkien and to main themes in his life and work, including the influence of northern languages and legends on the creation of his own legendarium; his concept of “Faërie” as an enchanted literary realm; the central importance of his invented languages in his fantasy writing; his visual imagination and its emergence in his artwork; and the encouragement he derived from his close friend C. S. Lewis and their literary group the Inklings. The book brings together the largest collection of original Tolkien material ever assembled in a single volume. Drawing on the extensive archives of the Tolkien collections at the Bodleian Libraries, Oxford, which stretch to more than five hundred boxes, and Marquette University, Milwaukee, as well as private collections, this hugely ambitious and exquisitely produced book draws together the worlds of J. R. R. Tolkien – scholarly, literary, creative, and domestic—offering a rich and detailed understanding and appreciation of this extraordinary author. This landmark publication, produced on the occasion of a major exhibition at the Bodleian Libraries in Oxford in 2018 and at the Morgan Library in New York in 2019, is set to become a standard work in the literature on J. R. R. Tolkien.

    Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.http://press.princeton.edu/titles/897...

    Ellis focuses on six discrete moments that exemplify the most crucial issues facing the fragile new nation: Burr and Hamilton's deadly duel, and what may have really happened; Hamilton, Jefferson, and Madison's secret dinner, during which the seat of the permanent capital was determined in exchange for passage of Hamilton's financial plan; Franklin's petition to end the "peculiar institution" of slavery--his last public act--and Madison's efforts to quash it; Washington's precedent-setting Farewell Address, announcing his retirement from public office and offering his country some final advice; Adams's difficult term as Washington's successor and his alleged scheme to pass the presidency on to his son; and finally, Adams and Jefferson's renewed correspondence at the end of their lives, in which they compared their different views of the Revolution and its legacy.In a lively and engaging narrative, Ellis recounts the sometimes collaborative, sometimes archly antagonistic interactions between these men, and shows us the private characters behind the public personas: Adams, the ever-combative iconoclast, whose closest political collaborator was his wife, Abigail; Burr, crafty, smooth, and one of the most despised public figures of his time; Hamilton, whose audacious manner and deep economic savvy masked his humble origins; Jefferson, renowned for his eloquence, but so reclusive and taciturn that he rarely spoke more than a few sentences in public; Madison, small, sickly, and paralyzingly shy, yet one of the most effective debaters of his generation; and the stiffly formal Washington, the ultimate realist, larger-than-life, and America's only truly indispensable figure.Ellis argues that the checks and balances that permitted the infant American republic to endure were not primarily legal, constitutional, or institutional, but intensely personal, rooted in the dynamic interaction of leaders with quite different visions and values. Revisiting the old-fashioned idea that character matters, Founding Brothers informs our understanding of American politics--then and now--and gives us a new perspective on the unpredictable forces that shape history.