Stroll through narrow, winding streets crowded with merchants and minstrels, hoist a pint in a rowdy alehouse, and hurry across the river to the  open-air Globe Theater to see that latest play  written by a young man named Will Shakespeare.  Shakespeare Alive! spirits you back  to the very years of that London--as everyday  people might have experienced it. Find out how young  people fell in love, how workers and artists made  ends meet, what people found funny and what they feared most. Go on location with an Elizabethan theater company to learn how plays were produced, where Shakespeare's plots came from and how he transformed them. Hear the music of Shakespeare's language and words we still use today that were first spoken in his time. Open the book and elbow your way into the Globe with the groundlings. You'll be joining one of the most democratic audiences the theater has ever known--alewives, apprentices, shoemakers and nobles--in applauding the dazzling wordplay and swordplay brought to you by William Shakespeare.

    World History

    It was in the unforgiving world of post-war football where their identities and reputations were made - a world where, as Clough and Taylor's mentor Harry Storer once said, 'Nobody ever says thank you.'Nonetheless, Clough brought the gleam of silverware to the depressed East Midlands of the 1970s. Initial triumph at Derby was followed by a sudden departure and a traumatic 44 days at Leeds. By the end of a frazzled 1974, Clough was set up for life financially, but also hardened to the realities of football. By the time he was at Forest, Clough's mask was almost permanently donned: a persona based on brashness and conflict. Drink fuelled the controversies and the colourful character; it heightened the razor-sharp wit and was a salve for the highs of football that never lasted long enough, and for the lows that inevitably followed. Wilson's account is the definitive portrait of this complex and enduring man.

    This unique autobiography begins with McCarthy’s recollections of an indulgent, idyllic childhood tragically altered by the death of her parents in the influenza epidemic of 1918.

    He also revisits some of the plays which he has directed with notable brilliance, including King Lear, Titus Andronicus and A Midsummer Night's Dream.Taken as a whole, this short but immensely wise book offers an illuminating and provocative insight into a great director's relationship with our greatest playwright."An invaluable gift from the greatest Shakespeare director of our time... Brook's genius, modesty, and brilliance shine through on every page." - James Shapiro, author of 1599: A Year in the Life of William Shakespeare

    The much honored biographer unearths the life and work of Nobel Prize winner Pearl Buck, whose novels captured ordinary life in China.

    The only comprehensive study that examines all areas of Basho's work, including haibun, renku and critical commentaries.

    "Bold and unhesitating".--Times Literary Supplement (London). 16 pages of photos.

    But Ted Kennedy -- the youngest of the Kennedy children and the son who felt the least pressure to satisfy his father's enormous ambitions -- would go on to live a life that no one could have predicted: dismissed as a spent force in politics by the time he reached middle age, Ted became the most powerful senator of the last half century and the nation's keeper of traditional liberalism.As Peter S. Canellos and his team of "Boston Globe" reporters show in this revealing and intimate biography, the gregarious, pudgy, and least academically successful of the Kennedy boys has witnessed greater tragedy and suffered greater pressure than any of his siblings. At the age of thirty-six, Ted Kennedy found himself the last brother, the champion of a generation's dreams and ambitions. He would be expected to give the nation the confidence to confront its problems and to build a fairer society at home and abroad.He quickly failed in spectacular fashion. Late one night in the summer of 1969, he left the scene of a fatal automobile accident on Chappaquiddick Island. The death there of a young woman from his brother's campaign would haunt and ultimately doom his presidential ambitions. Political rivals turned his all-too-human failings -- drinking, philandering, and divorce -- into a condemnation of his liberal politics.But as the presidency eluded his grasp, Kennedy was finally liberated from the expectations of others, free to become his own man. Once a symbol of youthful folly and nepotism, he transformed himself in his later years into a symbol of wisdom and perseverance. He built a deeply loving marriage with his second wife, Victoria Reggie. He embraced his role as the family patriarch. And as his health failed, he anointed the young and ambitious presidential candidate Barack Obama, whom many commentators compared to his brother Jack. The Kennedy brand of liberalism was rediscovered by a new generation of Americans.Perceptive and carefully reported, drawing heavily from candid interviews with the Kennedy family and inner circle, "Last Lion" captures magnificently the life and historic achievements of Ted Kennedy, as well as the personal redemption that he found.

    Schoenbaum, New York Times Book Review“The most accessible and sheerly enjoyable of [Frye’s] books….The effect is that of listening to a fluent, genial conversationalist who loves Shakespeare and unabashedly celebrates him in that high aspect of criticism well called ‘appreciation.’”—Edmund Fuller, Wall Street Journal“A boon to both Shakespearean scholars and readers dipping into the Bard’s work for the first time. … Written with verve, erudition and more-than-occasional humor, this ‘summing-up’ of 50 years of scholarship will be read with pleasure, profit and gratitude by drama lovers for years to come.”—Kirkus ReviewsNorthrop Frye, professor of English, has been on the faculty of the University of Toronto for almost fifty years.  He is the author of numerous books, including the seminal work Anatomy of Criticism

    But in the 1950s and 1960s, they were a pop culture phenomenon. The Great Books of Western Civilization, fifty-four volumes chosen by intellectuals at the University of Chicago, began as an educational movement, and evolved into a successful marketing idea. Why did a million American households buy books by Hippocrates and Nicomachus from door-to-door salesmen? And how and why did the great books fall out of fashion?In A Great Idea at the Time Alex Beam explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age. Populated with memorable characters, A Great Idea at the Time will leave readers asking themselves: Have I read Lucretius’s De Rerum Natura lately? If not, why not?

    It concludes with a moving meditation on a modern world robbed of imagination--a world without religion, without art--and on the difficulties of faith in a disbelieving age. In between are previously uncollected stories and poems, a pageant of scenes from seventeenth-century Massachusetts, five late "golf dreams," and several of Updike's commentaries on his own work. At the heart of the book are his matchless reviews--of John Cheever, Ann Patchett, Toni Morrison, William Maxwell, John le Carré, and essays on Aimee Semple McPherson, Max Factor, and Albert Einstein, among others. Also included are two decades of art criticism--on Chardin, El Greco, Blake, Turner, Van Gogh, Max Ernest, and more.Updike's criticism is gossip of the highest order, delivered in an intimate and generous voice.

    The majority of academics and other "Shakespeare authorities" have accepted the idea that the author was indeed one William Shakspere, the historical figure who hailed from Stratford-upon-Avon, acted on the London stage, and co-owned a successful theater company. And yet many credible voices -- including Mark Twain, Sigmund Freud, Benjamin Disraeli, Ralph Waldo Emerson, Oliver Wendell Holmes, and Walt Whitman -- have challenged the conventional wisdom, casting irresolvable doubts on the Stratford man and proposing alternatives from rival playwrights Ben Jonson and Christopher Marlowe to Queen Elizabeth herself.Now, in this provocative and convincing new book, historian and attorney Bertram Fields reexamines the evidence and presents a stunning, and highly plausible, new theory of the case -- an unconventional approach that will change, once and for all, how we think about the question, "Who was Shakespeare?"With an attorney's mastery of four centuries of evidence and argument, Fields revisits all the critical facts and unanswered questions. With thirty-six plays, two long narrative poems, and 154 sonnets to his name, why did Shakespeare leave behind not a single word of prose or poetry in his own hand? Is it really possible that the Stratford man -- who had a grade school education at best -- possessed the depth and scope of knowledge reflected in the work? Shakespeare the author used Latin and Greek classical works with familiarity and ease, and drew upon Italian and French works not yet translated into English. Was there a single man in the English theater with such breadth and range of knowledge -- a man who also knew the etiquette and practices of nobility, the workings of the law, and the tactics of the military and navy? Is it possible that any culture had produced a figure with both the poet's lofty ideals and empathetic humanity, and the streetwise, boisterous theatrical sense of the crowd-pleasing playwright?'Or -- as Fields asks in his tantalizing conclusion -- was this not one man at all, but a magnificent collaboration between two very different men, a partnership born in the roiling culture of Elizabethan England, and protected for centuries by the greatest conspiracy in literary history?Blending biography and historical investigation with vibrant scholarship and storytelling, Players revolutionizes our understanding of the greatest writer -- or writers -- in our history.

    Karlen interviewed Prince for three Rolling Stone cover stories, wrote “3 Chains o’ Gold,” Prince’s “rock video opera,” as well as the star’s last testament, which may be buried with Prince’s will underneath Prince’s vast and private compound, Paisley Park. According to Prince's former fiancée Susannah Melvoin, Karlen was “the only reporter who made Prince sound like what he really sounded like.” Karlen quit writing about Prince a quarter-century before the mega-star died, but he never quit Prince, and the two remained friends for the last thirty-one years of the superstar’s life. Well before they met as writer and subject, Prince and Karlen knew each other as two of the gang of kids who biked around Minneapolis’s mostly-segregated Northside. (They played basketball at the Dairy Queen next door to Karlen’s grandparents, two blocks from the budding musician.) He asserts that Prince can’t be understood without first understanding ‘70s Minneapolis, and that even Prince’s best friends knew only 15 percent of him: that was all he was willing and able to give, no matter how much he cared for them. Going back to Prince Rogers Nelson's roots, especially his contradictory, often tortured, and sometimes violent relationship with his father, This Thing Called Life profoundly changes what we know about Prince, and explains him as no biography has: a superstar who calls in the middle of the night to talk, who loved The Wire and could quote from every episode of The Office, who frequented libraries and jammed spontaneously for local crowds (and fed everyone pancakes afterward), who was lonely but craved being alone. Readers will drive around Minneapolis with Prince in a convertible, talk about movies and music and life, and watch as he tries not to curse, instead dishing a healthy dose of “mamma jammas.”"

    He is a wonderful subject-a man who liked to live large, building the imperial city of Beijing from scratch, siring a hundred children, throwing birthday bashes for 40,000 guests. He ruled over the greatest empire of the time, one that was lightyears ahead of Western civilization in terms of the arts, sciences, and technology. With astonishingly beautiful and detailed illustrations by Robert Byrd and a clever text by Kathleen Krull, this portrait finally gives Kubla Khan his due.