This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

    It carried a group of scientists to a small, distant planet - a primitive place called Earth. Its mission was peaceful observation. But when the ship was destroyed, the Kinley crew found themselves stranded in ancient Egypt, participants in the pageant of life in the time of the Pharaohs. They buried remnants of their technology deep beneath the desert and sent a last desperate message home….Five thousand years later, the Kinley homeworld hovers on the brink of extinction. An enemy that nearly obliterated their race has risen again - now with the ability to destroy them for good. A lone Kinley soldier named Pruit is sent on a desperate mission: to follow the ancient beacon back to Earth and recover the secrets to faster-than-light travel. It is their last hope. Technology that once allowed them to cross vast reaches of space might allow them to outrun their enemies and find a safe world to call their own. But Pruit’s mission will be harder than she can imagine. Her quest will draw her enemies after her and will awaken ancient foes on Earth. As she gets closer to what she seeks, she will find each adversary willing to risk everything to stop her, each hoping to steal the knowledge for themselves.The rivals will meet in modern-day Egypt and their struggle will alter the fate of worlds.©2012 Arwen Elys Dayton (P)2012 Brilliance Audio, Inc.

    Follow Anakin Skywalker's descent into darkness, from his early days as a padawan, to his harrowing Clone Wars battles, up through his transformation and eventual death as Darth Vader. Get complete details on the exploits of Luke and Leia, Han and Chewie, and all the rest of the gang, with thorough rundowns of classic Star Wars history, from the very beginnings of the Jedi order, no character goes unmentioned and no quadrant goes unmapped.

    A book illustrating various characters for the Anne McCaffrey crafted world of Pern

    . . and an ice cooler containing the head of a freshly killed Stegosaurus. For Leyster and a select group of scientific colleagues an impossible fantasy has come true: the ability to study dinosaurs up close, in their own era and milieu. But tampering with time and paradox can have disastrous effects on the future and the past alike, breeding a violent new strain of fundamentalist terror -- and, worse still, encouraging brilliant rebels like Dr. Gertrude Salley to toy with the working mechanisms of natural law, no matter what the consequences. And when they concern the largest, most savage creatures that ever walked the Earth, the consequences may be too horrifying to imagine . . .

    It's a world bursting with magic, a land of contrasts and extremes, from the bustling metropolis of Ankh-Morpork, the oldest city on the Disc (now ruled with an iron hand in a velvet glove by the Patrician, Lord Vetinari), to the ancient empire of Klatch, where there are fifteen words for assassination. There's the mysterious continent XXXX, or Foureks, about which nothing anyone has ever heard is really an exaggeration, the tiny kingdom of Lancre and the dark country of Uberwald, where things do go bump in the night. And then there are the inhabitants: the witches Granny Weatherwax, Nanny Ogg, Magrat Garlick (now a Queen, of course). There are wizards galore, Archchancellor Mustrum Ridcully, the Librarian, Rincewind, the Bursar . . . there are the History Monks and the ancient Vampyre families. There are great heroes, like Cohen the Barbarian and his Silver Horde, Sam Vimes, Captain Carrot and the men* of the City Watch . . . and there are the ordinary folk like Cut-Me-Own-Throat Dibbler, Foul Ole Ron, the Igors . . . and there's Death.The Discworld might have started out in the imagination of its Creator, Terry Pratchett, but over the past 30 or more books, it has taken on a life of its own.Here, gathered together for the first time, is artist Paul Kidby's own voyage through the Disc, in glorious color and intricate black and white: a cornucopia of characters that have won the hearts of millions of adoring readers the world over:Here is The Art of Discworld. werewolves, zombies, gargoyles, dwards - in fact, menof the Watch are actually few and far between these days.

    The world has succumbed to an alien plague, with most of the population transformed into mindless, savage creatures. The planet’s refugees flock to Darwin, where a space elevator—created by the architects of this apocalypse, the Builders—emits a plague-suppressing aura.Skyler Luiken has a rare immunity to the plague. Backed by an international crew of fellow “immunes,” he leads missions into the dangerous wasteland beyond the aura’s edge to find the resources Darwin needs to stave off collapse. But when the Elevator starts to malfunction, Skyler is tapped—along with the brilliant scientist, Dr. Tania Sharma—to solve the mystery of the failing alien technology and save the ragged remnants of humanity.

    There are 14 stories in all, ranging from straight SF to tales that stray into the fantasy and horror genres. Of special note is the title story, which earned the 1996 Hugo Award for Best Novelette, the 1995 Nebula Award nomination for Best Novelette, among several other awards and nominations as well. But all of the stories are excellent in their own right. An insightful forward by James Patrick Kelly's friend and sometimes collaborator John Kessel (Corrupting Dr. Nice) leads off the collection and explores Kelly's somewhat underrated career.Contents:Think Like a Dinosaur (1995)Heroics (1987)Pogrom (1991)Faith (1989)Big Guy (1994)Dancing with the Chairs (1989)Rat (1986)The First Law of Thermodynamics (1996)Breakaway, Backdown (1996)Standing in Line with Mister Jimmy (1991)Crow (1984)Monsters (1992)Itsy Bitsy Spider (1997)Mr. Boy (1990)

    Hundreds of years have passed, and all that remains of the time before are fragmented memories distorted by superstition -- as a tragically reduced populace suffers greatly under the tyranny of a repressive ruling order. But destiny has chosen Dismé Latimer to lead a wasted world out of the darkness ... with a book. Written by a courageous scientist ancestor, it is a sacred, unsettling tome rife with disturbing ideas and revelations ... and an impossible hope that compels a gentle, troubled young woman to abandon her abusive home in search of truth and her true self. But common "wisdom" and lore warn of grave dangers out in the world. Evil is there, a malevolence beyond imagining. And in the depths of the Earth, a gargantuan beast asleep for centuries has begun to stir ...

    Sarah Halifax decoded the first-ever radio transmission received from aliens. Thirty-eight years later, a second message is received and Sarah, now 87, may hold the key to deciphering this one, too... if she lives long enough. A wealthy industrialist offers to pay for Sarah to have a rollback—a hugely expensive experimental rejuvenation procedure. She accepts on condition that Don, her husband of sixty years, gets a rollback, too. The process works for Don, making him physically twenty-five again. But in a tragic twist, the rollback fails for Sarah, leaving her in her eighties. While Don tries to deal with his newfound youth and the suddenly vast age gap between him and his wife, Sarah struggles to do again what she’d done once before: figure out what a signal from the stars contains.

    His sidekick just stole his girlfriend. The galaxy's most hideous and feared bounty hunter wants to lay eggs in his brain. And the luxury space yacht Cole just hijacked turns out of be filled with interstellar do-gooders, one especially loathsome stowaway, and a cargo of freeze-dried orphans.Reluctantly compelled to deliver these defenseless, fluidless children to safety, Cole gathers a misfit crew for a desperate journey to the far reaches of the galaxy. Their destination: the mysterious world of Yrnameer, the very last of the your-name-heres—planets without corporate sponsors. But little does Cole know that this legendary utopia is home to a murderous band of outlaws bent on destroying the planet's tiny, peaceful community.Follow Cole's adventures through a delightfully absurd science-fiction universe, where the artificial intelligence is stupid, dust motes carry branding messages, and middle-management zombies have overrun a corporate training satellite. In the spirit of Douglas Adams and Terry Pratchett, The Sheriff of Yrnameer is sci-fi comedy at its best—mordant, raucously funny, and a thrilling page-turner.

    Fans and critics call their world cyberpunk. Here is the definitive "cyberpunk" short fiction collection.Contents:The Gernsback Continuum (1981) by William GibsonSnake-Eyes (1986) by Tom MaddoxRock On (1984) by Pat CadiganTales of Houdini (1981) by Rudy Rucker400 Boys (1983) by Marc LaidlawSolstice (1985) by James Patrick KellyPetra (1982) by Greg BearTill Human Voices Wake Us (1984) by Lewis ShinerFreezone (1985) by John ShirleyStone Lives (1985) by Paul Di FilippoRed Star, Winter Orbit (1983) by William Gibson and Bruce SterlingMozart in Mirrorshades (1984) by Bruce Sterling and Lewis Shiner

    Vaccination and treatment are widely available, not held in reserve for the chosen few. There are still monsters left to fight, but the old ones, the simple ones, trouble us no more.Or so we thought. For with the reduction in danger comes the erosion of memory, as pandemics fade from memory into story into fairy tale. Those old diseases can’t have been so bad, people say, or we wouldn’t be here to talk about them. They don’t matter. They’re never coming back.How wrong we could be.It begins with a fever. By the time the spots appear, it’s too late: Morris’s disease is loose on the world, and the bodies of the dead begin to pile high in the streets. When its terrible side consequences for the survivors become clear, something must be done, or the dying will never stop. For Dr. Isabella Gauley, whose niece was the first confirmed victim, the route forward is neither clear nor strictly ethical, but it may be the only way to save a world already in crisis. It may be the only way to atone for her part in everything that’s happened.She will never be forgiven, not by herself, and not by anyone else. But she can, perhaps, do the right thing.We live in an age of monsters.

    The Art of Star Wars: The Force Awakens will take you there, from the earliest gathering of artists and production designers at Lucasfilm headquarters in San Francisco to the fever pitch of production at Pinewood Studios to the conclusion of post-production at Industrial Light & Magic—all with unprecedented access. Exclusive interviews with the entire creative team impart fascinating insights in bringing director J.J. Abrams’s vision to life; unused “blue sky” concept art offers glimpses into roads not traveled.   Bursting with hundreds of stunning works of art, including production paintings, concept sketches, storyboards, blueprints, and matte paintings, this visual feast will delight Star Wars fans and cineastes for decades to come. The Art of Star Wars: The Force Awakens is the definitive expression of how the latest chapter in the Star Wars saga was dreamed into being.ALSO AVAILABLE FROM ABRAMS IN FALL 2016:The Making of Star Wars: The Force Awakens by Mark Cotta Vaz. Forewords by J.J. Abrams and Kathleen Kennedy. ISBN: 978-1-4197-2022-2