But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one. Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor. Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of the island's extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.

    It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    Forced to discover what she can about her stolen former life, she must at the same time learn who wanted - and still wants - to destroy her and those she cares for and how she can save herself. Fledgling is a captivating novel that tests the limits of "otherness" and questions what it means to be truly human.

    Now, for the first time, that fiction has been gathered together in one place, ready to be enjoyed one twisting, tangled tale at a time. Her work crosses genres and subverts expectations.Meet the mad scientists of “Laughter at the Academy” and “The Tolling of Pavlov’s Bells.” Glory in the potential of a Halloween that never ends. Follow two very different alphabets in “Frontier ABCs” and “From A to Z in the Book of Changes.” Get “Lost,” dress yourself “In Skeleton Leaves,” and remember how to fly. All this and more is waiting for you within the pages of this decade-spanning collection, including several pieces that have never before been reprinted. Stories about mermaids, robots, dolls, and Deep Ones are all here, ready for you to dive in. This is a box of strange surprises dredged up from the depths of the sea, each one polished and prepared for your enjoyment. So take a chance, and allow yourself to be surprised.Enjoy.

    But thirty-four years later, Elton has left her, her hair will be crimped for the rest of immortality, and the only job she can get as a forever-sixteen-year-old is the midnight shift at Taco Bell.Holly’s afterlife takes an interesting turn when she meets Rose McKay and Ida Ripley. Having also been turned and discarded by Elton—Rose in 1954, and Ida, his ex-fiancée, in 1921—they want to help her, and ask for her help in return.Rose and Ida are going to kill Elton before he turns another girl. Though Holly is hurt and angry with Elton for tossing her aside, she’s reluctant to kill her ex, until Holly meets Parker Kerr—the new girl Elton has set his sights on—and feels a quick, and nerve-wracking attraction to her.

    It’s 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process. All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week. Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight. Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want? A thought-provoking novel that asks: if we won’t see machines as human, will we instead see humans as machines?

    But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down and the government's emergency protocols are faltering.Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie, a friend who is eight months pregnant. Natalie's husband has been killed—viciously attacked by an infected neighbor—and in a failed attempt to save him, Natalie, too, was bitten. Natalie's only chance of survival is to get to a hospital as quickly as possible to receive a rabies vaccine. The clock is ticking for her and for her unborn child.Natalie’s fight for life becomes a desperate odyssey as she and Rams make their way through a hostile landscape filled with dangers beyond their worst nightmares—terrifying, strange, and sometimes deadly challenges that push them to the brink.

    Valente’s Palimpsest.The city of Ora uses a complex living network called the Gleaming to surveil its inhabitants and maintain harmony. Anima is one of the cloistered extrasensory humans tasked with watching over Ora's citizens. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from all harm.All that changes when a mysterious visitor enters the city carrying a cabinet of curiosities from around the world, with a story attached to each item. As Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist, æ finds ærself asking a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?

    Now she’s been left behind to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented extreme winter.With grow lights stashed in her truck and a pouch of precious seeds, she begins a journey, determined to start over away from Appalachian Ohio. But the icy roads and strangers hidden in the hills are treacherous. After a harrowing encounter with a violent cult, Wylodine and her small group of exiles become a target for its volatile leader. Because she has the most valuable skill in the climate chaos: she can make things grow.Urgent and poignant, Road Out of Winter is a glimpse of an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. With the gripping suspense of The Road and the lyricism of Station Eleven, Stine’s vision is of a changing world where an unexpected hero searches for a place hope might take root.

    The Blood Veil falls. The Tournament begins.Every generation, at the coming of the Blood Moon, seven families in the remote city of Ilvernath each name a champion to compete in a tournament to the death.The prize? Exclusive control over a secret wellspring of high magick, the most powerful resource in the world--one thought long depleted.This year, thanks to a salacious tell-all book, the seven champions are thrust into worldwide spotlight, granting each of them new information, new means to win, and most importantly: a choice - accept their fate or rewrite their story.But this is a story that must be penned in blood.

    Within twenty-four hours, the blood made international news. All over the world, blood appeared out of the ground, even through concrete, even in water. Then the earth started growing hair and bones.Lea wants to ignore the blood. She wants to spend time with her new girlfriend, Aracely, in public, if only Aracely wasn't so afraid of her father. Lea wants to be a regular teen again, but the blood has made her a prisoner in her own home. Fear for her social life turns into fear for her sanity, and Lea must save herself and Aracely whatever way she can.

    A. Corey’s New York Times bestselling Expanse series is available in this collection* — includes a brand new novella. Now a major television series.Contents:Drive (2012)The Butcher of Anderson Station (2011)The Churn (2014)Gods of Risk (2012)The Vital Abyss (2015)Strange Dogs (2017)Auberon (2019)Memory’s Legion (2022)*does not include The Last Flight of the Cassandra

    And her latest target, a heavily guarded warehouse on Tevanne’s docks, is nothing her unique abilities can’t handle. But unbeknownst to her, Sancia’s been sent to steal an artifact of unimaginable power, an object that could revolutionize the magical technology known as scriving. The Merchant Houses who control this magic--the art of using coded commands to imbue everyday objects with sentience--have already used it to transform Tevanne into a vast, remorseless capitalist machine. But if they can unlock the artifact’s secrets, they will rewrite the world itself to suit their aims. Now someone in those Houses wants Sancia dead, and the artifact for themselves. And in the city of Tevanne, there’s nobody with the power to stop them. To have a chance at surviving—and at stopping the deadly transformation that’s under way—Sancia will have to marshal unlikely allies, learn to harness the artifact’s power for herself, and undergo her own transformation, one that will turn her into something she could never have imagined.

    Her clan has just now culled their latest ship and the workers are busy stripping down the bonework for building materials, rerouting the circulatory system for mass transit, and preparing the cavernous creature for the onslaught of the general populous still in stasis. It’s all a part of the cycle her clan had instituted centuries ago—excavate the new beast, expand into its barely-living carcass, extinguish its resources over the course of a decade, then escape in a highly coordinated exodus back into stasis until they cull the next beast from the diminishing herd.And of course there wouldn’t be much of a story if things didn’t go terribly, terribly wrong.Escaping Exodus is scheduled to be in readers’ orbit Summer 2019.