This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own.In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood.Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.

    Two brothers, Njoroge and Kamau, stand on a garbage heap and look into their futures: Njoroge is to attend school, while Kamau will train to be a carpenter. But this is Kenya, and the times are against them: In the forests, the Mau Mau is waging war against the white government, and the two brothers and their family need to decide where their loyalties lie. For the practical Kamau, the choice is simple, but for Njoroge the scholar, the dream of progress through learning is a hard one to give up.Weep Not, Child is Ngũgĩ’s first novel, published in 1964.

    But as they come of age and venture into a world of underground activists beyond the confines of their tight-knit East Asian community and closely guarded, gated compound, they start to see a country divided by deep ethnic allegiances and on the brink of something very sinister. Soon Leena and Jai find themselves entangled in a shady world of crooked policemen, seedy salesmen, prostitutes, and bohemian artists. As the city tightens its grip, so begins a dangerous game of corruption and conspiracy, where rebellions simmer, and a tangled web of power unravels as dark forces collide and disturbing revelations surface. A powerful tale of love and politics in contemporary Nairobi, Who Will Catch Us As We Fall depicts a Kenya on the cusp of change in all its complexity. Through two of the most memorable and remarkable characters in contemporary African fiction, Iman Verjee has penned a moving portrait of a family torn apart by national politics and prejudice, yet still painfully tethered together.

    John's tale is the story of how a brave man came to make a lonely decision with huge ramifications.

    A compelling novel that shows how one life can change many, in spite of dangerous and seemingly immutable obstacles.When Fiona Sweeney tells her family she wants to do something that matters, they do not expect her to go to Africa to help start a traveling library. But that is where Fiona chooses to make her mark: in the arid bush of northeastern Kenya, among tiny, far-flung communities, nearly unknown and lacking roads and schools, where people live daily with drought, hunger, and disease. In The Camel Bookmobile, Fi travels to settlements where people have never held a book in their hands. Her goal is to help bring Dr. Seuss, Homer, Tom Sawyer, and Hemingway to a largely illiterate and semi-nomadic populace. However, because the donated books are limited in number and the settlements are many, the library initiates a tough fine: if anyone fails to return a book, the bookmobile will stop coming. Though her motives are good, Fi doesn't understand the people she seeks to help. Encumbered by her Western values, she finds herself in the midst of several struggles within the community of Mididima. There the bookmobile's presence sparks a feud between those who favor modernization and those who fear the loss of the traditional way of life in the African bush. The feud heightens when one young man—"Scar Boy"—doesn't return his books. As promised, the library stops all visits, but Fi goes to the settlement alone, determined to recover what has been lost. Evocative, seamless, and haunting, The Camel Bookmobile is a powerful saga that challenges our fears of the unknown. It is a story that captures the riddles and calamities that often occur when two cultures collide. It follows an American librarian who travels to Africa to give meaning to her life, and ultimately loses a piece of her heart. In the end, this compelling novel shows how one life can change many, in spite of dangerous and seemingly immutable obstacles.

    She made headlines again when she was stripped of her citizenship and resigned from the Dutch Parliament.Infidel shows the coming of age of this distinguished political superstar and champion of free speech as well as the development of her beliefs, iron will, and extraordinary determination to fight injustice. Raised in a strict Muslim family, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries ruled largely by despots. She escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim women and the reform of Islam as a member of Parliament. Under constant threat, demonized by reactionary Islamists and politicians, disowned by her father, and expelled from family and clan, she refuses to be silenced.Ultimately a celebration of triumph over adversity, Hirsi Ali’s story tells how a bright little girl evolves out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no other book could be more timely or more significant.

    During their childhood years in the Kenya Highlands three girls from vastly different backgrounds become blood sisters, promising that nothing will ever destroy the bond between them. But the legacy of the Mau Mau rebellion, and the tensions and upheavals of newly independent Kenya, tear their childhood dreams apart. Separated by distance and by family obligation, the three young women are thrown into a larger world of conflicting interests. Camilla Broughton Smith becomes a successful model in the studios and smoky nightclubs of London in the swinging sixties. Sarah Mackay is sent to university in her native Ireland, an alien experience that only strengthens her resolve to return to Africa. Hannah Van der Beer's family struggles to retain the farm that her Afrikaans forebears established at the turn of the century. Time and again their bond is almost destroyed. Their friendship becomes a backdrop for competing love interests and broken promises. Political unrest brings violence, and savage murder becomes part of their lives. "Blood Sisters" is the story of painful transition, from the innocent ideals of childhood to the demands of reality, amidst the cataclysmic events of the African continent

    Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan drylands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation. Here is a spellbinding novel about a brother and sister who have lost their way; about how myths come to pass, history is written, and war stains us forever.

    Yet what we see of them in the media, more often than not, are tableaux vivantes connoting poverty, dependence, and desperation. Wangari Maathai presents a different vision, informed by her three decades as an environmental activist and campaigner for democracy. She illuminates the complex and dynamic nature of the continent, and offers “hardheaded hope” and “realistic options” for change and improvement. With clarity of expression, Maathai analyzes the most egregious “bottlenecks to development in Africa,” occurring at the international, national, and individual levels–cultural upheaval and enduring poverty among them–and deftly describes what Africans can and need to do for themselves, stressing all the while responsibility and accountability.Impassioned and empathetic, The Challenge for Africa is a book of immense importance.

    As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

    Living with his family in a poverty-stricken seaport village, the hero, Hassan Omar, is surrounded by a self-perpetuating cycle of violence and despair. His own sense of hopelessness is nurtured by the stunted lives around him: his drunken, tyrannical, libertine father; a sister, who escapes the blind-alley of their lives into headlong promiscuity; a dissolute older brother, who succumbs to the squalor and eventually dies in a freakish accident; and finally, his mother, who has fatalistically resigned herself to being brutalized by her husband. Eventually, Hassan leaves his family to stay with an uncle in Nairobi, and there he discovers a larger world, which contains its share of cruelty as well but also hope and redemptiona way out of his old life and his immobilizing self-hatred. Hassan's rite of passage eventually comes to stand for something larger, although Gurnah, who was born in Tanzania and now teaches in an English university, merely suggests this message: the hero's aspirations and dilemmas reflect the struggles of Third World Africa to shed its colonial skin, with its tradition of poverty and oppression, and to construct a new identity for itself. This is a short book, but dense, often hair-raising in its dramatic scenes of degradation and compelling in its rendering of Hassan's evolving consciousness.

    Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.--back cover

    It is 1956, and Kenya is in the final days of the "Emergency," as the British seek to suppress violent anti-colonial revolts.But Paulina knows little about, about city life, or about marriage, and Martin’s clumsy attempts to control her soon lead to a relationship filled with silences, misunderstandings, and unfulfilled expectations. Soon Paulina’s inability to bear a child effectively banishes her from the confines of traditional women’s roles. As her country at last moves toward independence, Paulina manages to achieve a kind of independence as well: She accepts a job that will require her to live separately from her husband, and she has an affair that leads to the birth of her first child. But Paulina’s hard-won contentment will be shattered when Kenya’s turbulent history intrudes into her private life, bringing with it tragedy—and a new test of her quiet courage and determination.Paulina’s patient struggles for survival and identity are revealed through Marjorie Macgoye’s keen and sensitive vision—a vision which extends to embrace the whole of a nation and a people likewise struggling to find their way. As the Weekly Standard of Kenya notes, "Coming to Birth is a radical novel in firmly asserting our common humanity."

    Enchanted by the land, they established a vast ranch on the Laikipia plateau in Kenya. But Africa's splendor came with a price. Filled with pain and joy, beauty and drama, Gallman's haunting memoir "captures perfectly the magic of Kenya" (The New York TImes Book Review).

    Their world was an insulated, close-knit community of grass-roofed cottages, cattle herders, and tribal councils. The lions and pythons that prowled beyond the village fences were the greatest threat they knew. All that changed the night the government-armed Murahiliin began attacking their villages.Amid the chaos, screams, conflagration, and gunfire, 5-year-old Benson and 7-year-old Benjamin fled into the dark night. Two years later, Alepho, age 7, was forced to do the same. Across the Southern Sudan, over the next 5 years, thousands of other boys did likewise, joining this stream of child refugees that became known as the Lost Boys. Their journey would take them more than 1000 miles across a war-ravaged country, through landmine-sown paths, crocodile-infested waters, and grotesque extremes of hunger, thirst, and disease. The refugee camps they eventually filtered through offered little respite from the brutality they were fleeing.In They Poured Fire on Us From the Sky, Alepho, Benson, and Benjamin, by turn, recount their experiences along this unthinkable journey. They vividly recall the family, friends, and tribal world they left far behind them and their desperate efforts to keep track of one another. This is a captivating memoir of Sudan and a powerful portrait of war as seen through the eyes of children. And it is, in the end, an inspiring and unforgettable tribute to the tenacity of even the youngest human spirits.