Harriet Spencer was without a doubt one of the most glamorous, influential, and notorious aristocrats of the Regency period.The second daughter of the prestigious Spencer family, Harriet was born into wealth and privilege. Intelligent, attractive, and exceedingly eager to please, at nineteen years of age she married Frederick, Viscount Duncannon, an aloof, distant relative. Unfortunately, it was not a happy union; the only trait they shared was an unhealthy love of gambling. The marriage produced four children, yet Harriet followed in the footsteps of her older sister and began a series of illicit dalliances, including one with the prominent and charismatic playwright Richard Brinsley Sheridan. Then she met Lord Granville Leveson Gower, handsome and twelve years her junior. Their years-long affair resulted in the birth of two children, and all but consumed Harriet: concealing both pregnancies from her husband required great skill. Had the children been discovered, it surely would have resulted in divorce—which would have been disastrous.Harriet’s life was dramatic, and the history-making events she observed were equally fascinating. She was an eyewitness to the French Revolution; she participated in both the euphoria following Nelson’s victory at Trafalgar and the outpouring of grief at his spectacular funeral; she was privy to the debauchery of the Prince Regent’s wife, Princess Caroline. She quarreled bitterly with Lord Byron when he pursued her young daughter (rumor had it that he was truly interested in Harriet herself). She traveled through war-torn Europe during both the rise and the fall of Napoleon and saw the devastating aftermath of the Battle of Waterloo, where her son was gravely injured. Harriet, along with her sister, was one of the leading female political activists of her day; her charm allowed her to campaign noisily for Charles James Fox—while still retaining influence over supporters of his rival, William Pitt the Younger. Harriet survived Georgiana by fifteen years, living to see the coronation of George IV.Janet Gleeson’s elegant, page-turning style brings Harriet’s story vividly to life. Based on painstaking archival research, Privilege and Scandal gives readers an inside look at the lives of the British aristocracy during the decadent eighteenth century—while at the same time shining the spotlight on one of the era’s most fascinating women.From the Hardcover edition.

    Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners, scientific advances dazzled the public with visions of a world transformed, and the rich outdid one another with ostentatious displays of wealth. Against this background, Marconi races against incredible odds and relentless skepticism to perfect his invention: the wireless, a prime catalyst for the emergence of the world we know today. Meanwhile, Crippen, “the kindest of men,” nearly commits the perfect crime. With his superb narrative skills, Erik Larson guides these parallel narratives toward a relentlessly suspenseful meeting on the waters of the North Atlantic. Along the way, he tells of a sad and tragic love affair that was described on the front pages of newspapers around the world, a chief inspector who found himself strangely sympathetic to the killer and his lover, and a driven and compelling inventor who transformed the way we communicate. Thunderstruck presents a vibrant portrait of an era of séances, science, and fog, inhabited by inventors, magicians, and Scotland Yard detectives, all presided over by the amiable and fun-loving Edward VII as the world slid inevitably toward the first great war of the twentieth century. Gripping from the first page, and rich with fascinating detail about the time, the people, and the new inventions that connect and divide us, Thunderstruck is splendid narrative history from a master of the form.

    As an 'inspector' for Henry Marchmont's hugely successful weekly The Labouring Classes of London, his job is to investigate the notorious slum of Somers Town, near the new St Pancras Station, recording house by house the number of inhabitants, their occupations and standard of living. By mapping the streets in this way, Marchmont intends to show the world the stark realities of poverty in its greatest city. Befriended by Jo, a young coster, and his sister Roma, David comes to learn the slang of the hawkers and traders, sharpers and scavengers, magsmen and mobsmen, who throng the teeming byways of Somers Town. It is a place of Darwinian struggle for survival. And the deeper he penetrates the everyday squalor and destitution the more appalled he is by mounting evidence that someone is making a profit from people's suffering. A dinner at the Kensington home of his godfather Sir Martin Elder introduces him to Kitty, Elder's only daughter, and to a cabal of prominent citizens who have been plotting a radical solution to the problem of London's poor. David belatedly realises that a conspiracy is afoot. Passionate but reckless in his urge to uncover it he finds his life in danger, sustained only by the faithfulness of a friend and, ultimately, the love of a woman. In The Streets Anthony Quinn reconstructs an unforgettable picture of Victorian London, encompassing the extremes of privilege and privation, from the baronial mansions of the rich to the 'whited tombs' of the slums. With shocking poignancy and pin-sharp detail he brings to life a world of terrible degradation, yet one redeemed by dark comedy, profound fellow-feeling and the enduring possibility of love.

    Generations of innovators tried and failed to develop speedier messaging devices. But in the mid-1800s, a few extraordinary pioneers at last succeeded. Their invention--the electric telegraph--shrank the world more quickly than ever before.A colorful tale of scientific discovery and technological cunning, The Victorian Internet tells the story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it. By 1865 telegraph cables spanned continents and oceans, revolutionizing the ways countries dealt with one another. The telegraph gave rise to creative business practices and new forms of crime. Romances blossomed over the wires. Secret codes were devised by some users, and cracked by others. The benefits of the network were relentlessly hyped by its advocates and dismissed by its skeptics. And attitudes toward everything from news gathering to war had to be completely rethought. The telegraph unleashed the greatest revolution in communications since the development of the printing press. Its saga offers many parallels to that of the Internet in our own time--and is a fascinating episode in the history of technology.

     James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

    Days later, a pub owner, his wife, and a servant were similarly killed. No motive was found.P.D. James, collaborating with a former colleageue, police historian T.A Critchely, re-creates this infamous crime. Containing all the complex characters and outstanding detective work we've come to associate with James's novels - as well as a London so real we are immersed in its rich textures and menacing shadows - The Maul and the Pear Tree is an irresistible tale of suspense. As James and Critcheley scour old records for clues overlooked by the city police force, they prove the wrong man was arrested. Then they name the killer who went free.

    Their dramatic lives are here unfolded in a rich historical biography certain to appeal to fans of Downton Abbey, ‘Georgiana’ and Stella Tillyard’s ‘Aristocrats’.Mary, Madeline and Pamela – the three Wyndham sisters – were painted by John Singer Sargent in 1899. For The Times it was, quite simply, ‘the greatest picture of modern times’. But these beautiful, fin de siecle gentlewomen came to epitomize a vanished world. The languor of their pose reflects the leisured, gilded, existence of the late Victorian aristocracy that was to be dealt a deathblow by the First World War.Yet the lives of these three Wyndham sisters were far more turbulent than their air of calm suggests. Brought up in artistic circles, their childhood was liberal and romantic. Their parents were intimate friends with the Pre-Raphaelites and the girls grew to become leaders of the aesthetic movement. Bowing to convention, they made excellent marriages but found emotional support from others – Mary with Arthur Balfour and the poet Wilfrid Scawen Blunt; Pamela with Liberal statesman and ornithologist Edward Grey. Their liaisons shocked society, while the First World War devastated their way of life.‘Those Wild Wyndhams’ is their first ever biography, and is based on the many letters they have left behind – compelling, humorous and brilliantly illuminating. This sparkling debut by Claudia Renton captures them and their age in an unforgettable piece of historical and political biography.

    Her father soon started to spend the family fortune, enthusiastically supported by Consuelo's mother, Alva, who was determined to take the family to the top of New York society—forcing a heartbroken Consuelo into a marriage she did not want with the underfunded Duke of Marlborough. But the story of Consuelo and Alva is more than a tale of enterprising social ambition, Gilded Age glamour, and the emptiness of wealth. It is a fascinating account of two extraordinary women who struggled to break free from the world into which they were born—a world of materialistic concerns and shallow elitism in which females were voiceless and powerless—and of their lifelong dedication to noble and dangerous causes and the battle for women's rights.

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

    Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses. This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the queen and accused witch; Elizabeth, the commoner whose royal destiny would cost her three of her sons; Anthony, the scholar and jouster who was one of Richard III's first victims; and Edward, whose military exploits would win him the admiration of Ferdinand and Isabella. This history includes little-known material such as private letters and wills.

    More than two centuries have passed since Fletcher Christian mutinied against Lt. Bligh on a small armed transport vessel called Bounty. Why the details of this obscure adventure at the end of the world remain vivid and enthralling is as intriguing as the truth behind the legend. Caroline Alexander focusses on the court martial of the ten mutineers captured in Tahiti and brought to justice in Portsmouth. Each figure emerges as a richly drawn character caught up in a drama that may well end on the gallows. With enormous scholarship and exquisitely drawn characters, The Bounty is a tour de force.

    Its success "might have established communal property, a far wider democracy in political and legal institutions, might have disestablished the state church and rejected the protestant ethic." In The World Turned Upside Down, Christopher Hill studies the beliefs of such radical groups as the Diggers, the Ranters, the Levellers and others, and the social and emotional impulses that gave rise to them. The relations between rich and poor classes, the part played by wandering 'masterless men,' the outbursts of sexual freedom and deliberate blasphemy, the great imaginative creations of Milton and Bunyan - these and many other elements build up into a marvellously detailed and coherent portrait of this strange, sudden effusion of revolutionary beliefs. It is a portrait not of the bourgeois revolution that actually took place, but of the impulse towards a far more fundamental overturning of society."Incorporates some of Dr. Hill's most profound statements yet about the 17th-century revolution as a whole." -- The Economist

    In this brilliant history of the phenomenon, Richardson shares debutantes’ own words—from diaries, letters, and interviews—throughout her vivid telling, beginning in Henry VIII’s era, sweeping through Queen Elizabeth I’s court, crossing back and forth the Atlantic to colonial Philadelphia, African American communities, Jane Austen’s England, and Mrs. Astor’s parties, ultimately arriving at the contemporary New York Infirmary and International balls.Whether maligned for its archaic attitude and objectification of women or praised for raising money for charities and providing a necessary coming-of-age ritual, the debutante tradition has more to tell us in this entertaining and illuminating book.

    From its dawn in the 1660s to its twilight in the 1960s, Cliveden was an emblem of elite misbehaviour and intrigue. Conceived by the Duke of Buckingham as a retreat for his scandalous affair with Anna-Maria, Countess of Shrewsbury, the house later served as the backdrop for the Profumo Affair, which would bring down a government and change the course of British history.In the three hundred years between the Countess and Christine Keeler, the house was occupied by a dynasty of remarkable women: Elizabeth Villiers, an intellectual who brokered the rise and fall of governments; Augusta of Saxe-Gotha, a minor German royal who almost became queen of England; Harriet Duchess of Sutherland, the glittering society hostess turned political campaigner; and Nancy Astor, the consummate controversialist who became the first woman to take a seat in parliament. Under the direction of these women, Cliveden provided a stage for political plots and artistic premieres, hosted grieving monarchs and republican radicals, was idealised as a family home, and maligned as a threat to national security.The Mistresses of Cliveden is by turns a historical epic, a political thriller, a family drama, and an intimate history of the relationships between people and place. Above all, it is a story about sex and power, and the ways in which exceptional women have evaded, exploited, and confronted the expectations of their times.

    Robert Ferguson's new interpretation of the Viking Age, whilst rejecting the cliches aims to return some of the violence to the mix. He argues that the Viking raids were qualitatively different than anything that had gone before precisely because of this violence, and his largely narrative account gives plentiful details of battles and conquest alongside evidence for their more peaceful activities. The thread which runs through the account though is the confrontation between a Heathen Scandinavia and the Christian kingdoms to its south and west, and the processes whereby the Viking kingdoms came to be Christianised.